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xiii, 39pp. Short gift inscription.

105 p. ; 20x12 cms. Poesías argentinas ( D-03)

Used - Like New

Ugly Duckling Presse, 2019. First Edition. Trade Paperback. New. New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. - measuring 5 in. - 8 in. 159 pp.. // 'Over the last several years, the majority of Pizarnik’s poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings—including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods—remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik’s reading and the principle influences on her poetics.' ~ Publisher.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. - measuring 5 in. - 8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writingsincluding commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methodsremain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics.' ~ Publisher.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings—including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods—remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

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Ilustraciones color. EXCELENTE ejemplar. Desplegable de 7 hojas

En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

Collection Nadir, 1983. 1st Edition . Soft cover. Very Good/No Jacket. En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. . 2016. 1st Edition. Paperback. . . . .

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. 2016. 1st Edition. Paperback.....We ship daily from our Bookshop.

Sur, revista bimestral de literatura. Número 275 correspondiente a Marzo y Abril de 1962. Contiene el poema "Texas" de Jorge Luis Borges, y poemas de Alberto Girri y Alejandra Pizarnik, todos inéditos hasta la aparición de esta publicación. 128 pp., muy buen estado.

2025. 001st Edition. paperback. . . . . .

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. 2016. 1st Edition. Paperback.....We ship daily from our Bookshop.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings—including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods—remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

~ Rústica original = Brochura original ~ 527p+2f ~ 21x21x4cm. ~ Como nuevo = Como novo ~ LANGUAGE: Español & Português // We accept PayPal & EU bank transfer in EUROS //

Textos de 1963 a 1972, aparecidos en publicaciones periódicas y otros, inéditos, no recogidos en libros por la autora. Compilación por Olga Orozco y Ana Becciú. [Libro en Español / Book in Spanish] === POESIA - LITERATURA ARGENTINA === Size: 8vo.

ALEJANDRA PIZARNIK. POESIA COMPLETA. IDIOMA CHINO. EXCELENTE ESTADO. PRIMERA EDICIÓN EN IDIOMA CHINO. EDITADO POR SINICUS LITERARY AGENCY. INCLUYE VARIAS FOTOGRAFIAS. CON SOBRECUBIERTA TAMBIEN EN EXCELENTE ESTADO.COMO NUEVO. AÑO: 2019.

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

2012. Erstausgabe, Roma, Aracne, 2012, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Should your order's weight exceed 1kg, we shall need to message you, to recalculate the shipping cost. (= Sollte Ihre Bestellung mehr als 1k wiegen, müssten die Portokosten angepasst werden, Sie bekämen vorab eine Anfrage per Email.)

Erstausgabe, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Sprache: Italienisch.

Prólogo de Ana Nuño. Colección "narrativa". EXCELENTE ejemplar. 319pp

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Poesía. Colección Poesía.Páginas/Pages:470 p. Excelente estado de conservación (ver fotos), dedicatoria con bolígrafo que no es de la autora 21 x 14 cm

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

1. Aufl. 24 cm. 499 S. Gebundene Ausgabe. xxx RARE BOOK xxx NEW BOOK xxx Ungelesenes TOP Exemplar. Auch als Geschenk geeignet xxx

2025. 001st Edition. paperback. . . . . .

LUMEN, 2016-10-13. 001. paperback. Used: Good. 6.3x1.2x9.5. Buy with confidence. Excellent Customer Service & Return policy.

LUMEN, 2016-10-13. 001. paperback. Used: Good. 6.3x1.2x9.5. Buy with confidence. Excellent Customer Service & Return policy.

2025. 001st Edition. paperback. . . . . .

Washington, D.C.: Pan American Union, 1967. Softcover. Very Good. Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

Buenos Aires. Editorial Aquarius. 1971. 66p. 3h. Rústica. Primera edición. Buen estado.

Librería Aves Del Paraíso Descripción del libro: -Título: El Infierno Musical -Autor: Alejandra Pizarnik -Editorial: Siglo Veintiuno Editores -Lugar y Año: Bs. As. 1971 -Encuadernación: Rustica -Páginas: 76 -Estado General: Muy Bueno -Traducción: Ninguna -Medidas: 18x15cm -Peso: 115grs -Idioma: Español -Detalles: Mínimas marcas con lápiz en los márgenes. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.

Sudamericana, Buenos Aires, 1968. 16x13 cm. 72 págs. Rústica a dos tintas. Pequeña falta en parte superior del lomo. Buen ejemplar. // Primera edición // Sexto poemario de la autora, tras "La tierra más ajena" (1955), "La última inocencia" (1956), "Las aventuras perdidas" (1958), "Árbol de Diana" (1962) y "Los trabajos y las noches" (1965) // Alejandra Pizarnik (Buenos Aires, 1936-1972) //

Pizarnik, Alejandra (1936-1972). "Extracción de la piedra de locura". Buenos Aires, Editorial Sudamericana, 1968. 67 páginas. Con dedicatoria manuscrita de la autora. Encuadernación rústica, cubierta ilustrada y con títulos a dos tintas. Primera Edición. (código 3851)

Alejandra Pizarnik. Árbol de Diana. Buenos Aires, Sur, 1962. 1era edición. Portada Ricardo de los Heros. Rústica, 20 × 12 cm, 65 pp.

Buenos Aires: Editorial Sur, 1962.. FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

Alejandra Pizarnik. Las aventuras perdidas. Buenos Aires, Editor Altamar, 1958. 1era edición. Rústica, 18 × 14 cm, 32 pp.

Buenos Aires, 1956. 2do libro de la autora.

Alejandra Pizarnik. La última inocencia. Buenos Aires, Poesía Buenos Aires, 1956. 1era edición. Rústica, 18 × 12 cm, 23 pp. Diagramación Jorge Souza.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.

FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.

Pizarnik, Alejandra (1936-1972). "Las Aventuras Perdidas". Buenos Aires, Editorial Altamar, 1958. Volumen n° 3 de la Serie de Poesía de la Colección Nuestro Tiempo. Impreso en casa de D. Francisco A. Colombo. 32 páginas. Con dedicatoria manuscrita de la autora, dirigida a Eduardo Calamaro (1917-2016), fechada en septiembre de 1958. Encuadernación rústica con solapas, cubierta con una ilustración de Paul Klee (1879-1940). Primera Edición. (código 3707)

Pizarnik, Flora Alejandra (1936-1972). "La Tierra más Ajena". Dirección gráfica, ilustración de tapas y retrato de la autora por Luis Seoane (1910-1979). Buenos Aires, Ediciones Botella al Mar, 1955. 42 páginas. Encuadernación rústica ilustrada. Primera Edición. Primer libro de Alejandra Pizarnik. (código 3675)

Primera edición, First edtion, dedicado y autografiado. Signed and inscribed by the author. Excelente estado. Do not hesitate to ask more photos. No dude en pedir más fotos.

REVISTA SUR - Colección completa - Directora: Victoria Ocampo. Buenos Aires, 1931-1992. Números 1 al 371. Publicación cerrada. Fundada y dirigida por Victoria Ocampo (1891-1979), SUR se convirtió en una de las más importantes revistas literarias del mundo. Desde el primer número, aparecido en el verano de 1931 hasta el número 371 publicado en 1992, ofreció a sus lectores colaboraciones de destacados escritores argentinos y universales: Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro Henríquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, y tantos otros que a través de sesenta años hicieron de SUR un fresco imprescindible de la cultura del siglo XX. El comité de colaboración estaba compuesto por un consejo extranjero y un consejo de redacción de los que formaban parte: Alfonso Reyes, Pierre Drieu la Rochelle, José Ortega y Gasset, Jules Supervielle, Waldo Frank, Ernest Ansermet, Jorge Luis Borges, Oliverio Girondo y Guillermo de Torre, entre otros. Entre otros colaboradores, SUR contó con William Faulkner, Aldous Huxley, Thomas Mann, María Zambrano, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Alberto Moravia, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, Graham Greene, André Gide, Ricardo Güiraldes, Ezequiel Martínez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Nicolás Berdiaeff, Adolfo Bioy Casares, Amado Alonso, Juan Carlos Onetti, Francisco Luis Bernárdez, H.A. Murena y Alejandra Pizarnik, entre tantos otros. Colección completa encuadernada conservando sus cubiertas originales. Muy buen estado.