PIZARNIK, Alejandra.
El infierno musical.
PIZARNIK, Alejandra.
- Publisher: Buenos Aires: Siglo veintiuno editores, 1971.
Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.
robertfrew-1347.06-75a1653fa8a54530eaba259542bc9583
PIZARNIK, Alejandra.
El infierno musical.
PIZARNIK, Alejandra.
- Publisher: Buenos AiresSiglo veintiuno editores .
- Date published: 1971
- Format: Softcover
FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.
robertfrew-1370.90-75a1653fa8a54530eaba259542bc9583
$1,370.90
View Details
Robert Frew Ltd. ABA ILAB (United Kingdom)
Via
REVISTA SUR - Colección completa - Directora: Victoria Ocampo. Buenos Aires (1931-1992) - Números 1 al 371.
Victoria Ocampo, Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro HenrÃquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, Pierre Drieu la Rochelle, Waldo Frank, Oliverio Girondo, Guillermo de Torre, William Faulkner, Aldous Huxley, Thomas Mann, MarÃa Zambrano, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Alberto Moravia, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, Graham Greene, André Gide, Ricardo Güiraldes, Ezequiel MartÃnez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Nicolás Berdiaeff, Adolfo Bioy Casares, Amado Alonso, Juan Carlos Onetti, H.A. Murena y Alejandra Pizarnik entre otros
REVISTA SUR - Colección completa - Directora: Victoria Ocampo. Buenos Aires (1931-1992) - Números 1 al 371.
Victoria Ocampo, Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro HenrÃquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, Pierre Drieu la Rochelle, Waldo Frank, Oliverio Girondo, Guillermo de Torre, William Faulkner, Aldous Huxley, Thomas Mann, MarÃa Zambrano, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Alberto Moravia, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, Graham Greene, André Gide, Ricardo Güiraldes, Ezequiel MartÃnez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Nicolás Berdiaeff, Adolfo Bioy Casares, Amado Alonso, Juan Carlos Onetti, H.A. Murena y Alejandra Pizarnik entre otros
- Publisher: SUR, Buenos Aires
- Date published: 1931
- Format: Softcover
REVISTA SUR - Colección completa - Directora: Victoria Ocampo. Buenos Aires, 1931-1992. Números 1 al 371. Publicación cerrada. Fundada y dirigida por Victoria Ocampo (1891-1979), SUR se convirtió en una de las más importantes revistas literarias del mundo. Desde el primer número, aparecido en el verano de 1931 hasta el número 371 publicado en 1992, ofreció a sus lectores colaboraciones de destacados escritores argentinos y universales: Jorge Luis Borges, José Ortega y Gasset, Alfonso Reyes, Adolfo Bioy Casares, Pedro HenrÃquez Ureña, Octavio Paz, Jules Supervielle, Silvina Ocampo, Ramón Gómez de la Serna, y tantos otros que a través de sesenta años hicieron de SUR un fresco imprescindible de la cultura del siglo XX. El comité de colaboración estaba compuesto por un consejo extranjero y un consejo de redacción de los que formaban parte: Alfonso Reyes, Pierre Drieu la Rochelle, José Ortega y Gasset, Jules Supervielle, Waldo Frank, Ernest Ansermet, Jorge Luis Borges, Oliverio Girondo y Guillermo de Torre, entre otros. Entre otros colaboradores, SUR contó con William Faulkner, Aldous Huxley, Thomas Mann, MarÃa Zambrano, Rafael Alberti, André Bretón, Rabindranath Tagore, Jacques Maritain, Pablo Neruda, Alberto Moravia, Paul Valéry, Bertold Brecht, Jean Paul Sartre, Albert Camus, Roger Caillois, Graham Greene, André Gide, Ricardo Güiraldes, Ezequiel MartÃnez Estrada, Leopoldo Marechal, Silvina Ocampo, Ernesto Sábato, Nicolás Berdiaeff, Adolfo Bioy Casares, Amado Alonso, Juan Carlos Onetti, Francisco Luis Bernárdez, H.A. Murena y Alejandra Pizarnik, entre tantos otros. Colección completa encuadernada conservando sus cubiertas originales. Muy buen estado.
libreriakalos-9000.00-a8f03673930eb1c3a1d550d19fd3d49d