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Minimal wear to cover. Pages clean and binding tight. Shelfwear. Bumped edges. Slightly creased. Paperback.

*Price HAS BEEN REDUCED by 10% until Monday, May 20 (sale item)* 64 pp., paperback, light rubbed to cover, else very good. -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Very Good Condition! No highlights or underlines! a nice copy Small red star stamped on inside cover page.

Size: 0x0x0; Like new grey hardcover; no jacket, Essay plus prints.

Catalog of exhibitions held at the University Art Museum, University of Texas at Austin, Sept. 25-Nov. 6, 1977, and other museums. Includes bibliographical references.

Paperback copy published on the occasion of theFeb. 14-March 22, 2003 exhibition. Essay "The Finale of An American Dream" by Nathan Kernan. 13 13 paintings reproduced in full color single page plates. A nice copy, bright and clean.

Minimal wear to cover. Pages clean and binding tight. Shelfwear. Bumped edges. Slightly creased. Paperback.

*Price HAS BEEN REDUCED by 10% until Monday, May 20 (sale item)* 64 pp., paperback, light rubbed to cover, else very good. -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Stiff wraps. Color illustrations.; Small 4to 9"-11" tall; 36 pp.

Minneapolis: Dayton's Gallery 12, 1966; saddle-stapled exhibition catalog from the artist's "largest solo exhibition to date" (from his website); 12pp. Stapled binding remains intact and sturdy. Light exterior wear, overall very good; interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Paperback. Exhibition Catalog. Text in English and French. Wrappers show minor wear, otherwise in very good condition.

Size: 4to 11"-13" tall; Stated First Edition, with "1" in number line present. First in-depth analysis of Robert Indiana's early career, and sumptuously illustrated in black-and-white and full color. Special attention paid to his maturation as an artist in the 1950s and development as a Pop artist (his popular LOVE paintings). Ryan highlights his links to American literature and poetry, too. Superior copy, gift-quality condition, inside and out, no discernible wear to handsomely bound gray cloth covers, copper lettering to spine, bright and shiny dust jacket, little worn. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. viii 1-303 pp. Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Very Good Condition! No highlights or underlines! a nice copy Small red star stamped on inside cover page.

Size: 0x0x0; Like new grey hardcover; no jacket, Essay plus prints.

Paperback. Cover has light wear. Solid and unmarked copy, mild reading/age wear. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.

Acceptable condition. No Dust Jacket Former Library book. Rear hinge cracked. Slightly dampstained. (art, exhibition)

Catalog of exhibitions held at the University Art Museum, University of Texas at Austin, Sept. 25-Nov. 6, 1977, and other museums. Includes bibliographical references.

First Edition thus, 1998. English/French text. Clean and tightly bound with fine contents and plates. Very slight edge wear, almost fine. International shipping may require added postage charges.

Large paperback in very good condition.

Color illustrated black wraps. Unpaginated, with about 25 large color plates. This catalogue features 21 works, each of which is illustrated in the section following the illustrated essay. Here are iron wheels from a 19th century Vinalhaven mill, an agricultural harrowing disk, a rusted axe, the bleached skull of a horse, all transfixed and transformed. These constructions now resonate not only with their own history as objects but with Indiana's personal autobiography and of that 20th century he was so much part of.

Paperback copy published on the occasion of theFeb. 14-March 22, 2003 exhibition. Essay "The Finale of An American Dream" by Nathan Kernan. 13 13 paintings reproduced in full color single page plates. A nice copy, bright and clean.

September 25-November 6, 1977. 4to. 60 pp. Bound in black and white, stapled wrappers. Black and white frontispiece and full-color and black and white illustrations throughout. Includes checklist. Catalogue for an exhibition held at the University Art Museum at the University of Texas in Austin from September 25-November 6, 1977. Exhibition also held at the Chrysler Museum, Norfolk, VA; Indianapolis Museum of Art, Indianapolis, IN; Neuberger Museum, State University of New York, Purchase, NY; and The Art Center, South Bend, IN through 1978. Introduction by Donald B. Goodall, essays by Robert L. B. Tobin and William Katz. Inscribed by Tobin on half title: "To Ben Blom/with all regards/R. L. B. T. /18 July 1978." Very Good-, age-toning to extremities of pages, first few pages starting to separate from hinge, age-toning, creasing and rubbing to wrappers.

Mild wear to cover, with some edgewear and ceases along near spine. Cover and interior otherwise clean. Stiff pictorial wraps. Exhibition Catalogue. 23 pgs.

May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Size: 4to 11"-13" tall; Stated First Edition, with "1" in number line present. First in-depth analysis of Robert Indiana's early career, and sumptuously illustrated in black-and-white and full color. Special attention paid to his maturation as an artist in the 1950s and development as a Pop artist (his popular LOVE paintings). Ryan highlights his links to American literature and poetry, too. Superior copy, gift-quality condition, inside and out, no discernible wear to handsomely bound gray cloth covers, copper lettering to spine, bright and shiny dust jacket, little worn. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. viii 1-303 pp. Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Stiff wraps. Color illustrations.; Small 4to 9"-11" tall; 36 pp.

Paperback. Exhibition Catalog. Text in English and French. Wrappers show minor wear, otherwise in very good condition.

Minneapolis: Dayton's Gallery 12, 1966; saddle-stapled exhibition catalog from the artist's "largest solo exhibition to date" (from his website); 12pp. Stapled binding remains intact and sturdy. Light exterior wear, overall very good; interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Size: 12x9x0; Ships Out Tomorrow!

Hardcover exhibition catalog bound in silver-gray cloth, published in 2003 by C & M Arts: in association with Simon Salama-Caro. 48 unnumbered pages: 16 full-page color plates, plus black & white portraits of the artist. Includes essay "Indiana's charter" by Robert Pincus-Witten. Like new condition, with no marks or writing; no sign of handling or wear.

Very fine and bright in like illustrated dustjacket with crisp bright text throughout. Profusely illustrated throughout. Jacket illustration photograph of Robert Indiana with LOVE wall, 1969, photograph by Hans Nemuth. New and bright all around, gift quality.

Paperback. Cover has light wear. Solid and unmarked copy, mild reading/age wear. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.

Acceptable condition. No Dust Jacket Former Library book. Rear hinge cracked. Slightly dampstained. (art, exhibition)

1971. First Edition. paperback. Octavo. 101 pp. Profusely illustrated. Mild shelf wear to wraps. Altogether a copy in Very Good condition. Very Good. (Subject: Art & Graphic Design).

Exhibition catalog. Glazed illustrated boards. Fine.

First Edition thus, 1998. English/French text. Clean and tightly bound with fine contents and plates. Very slight edge wear, almost fine. International shipping may require added postage charges.

Large paperback in very good condition.

Color illustrated black wraps. Unpaginated, with about 25 large color plates. This catalogue features 21 works, each of which is illustrated in the section following the illustrated essay. Here are iron wheels from a 19th century Vinalhaven mill, an agricultural harrowing disk, a rusted axe, the bleached skull of a horse, all transfixed and transformed. These constructions now resonate not only with their own history as objects but with Indiana's personal autobiography and of that 20th century he was so much part of.

Brown and white illustrated boards with white lettering; 231 pp.; richly illustrated, chiefly in color. Robert Indiana (1928-2018) has created some of the world's most immediately recognizable works of art. Filled with intensely personal combinations of universal symbols--numbers and letters, stars and wheels--they are most readily associated with the Pop art movement. Including extraordinary examples of his career-defining LOVE sculpture, one of the twentieth century's most iconic works of art, Robert Indiana: A Sculpture Retrospective offers a thorough reassessment of the artist's work in sculpture, from his earliest assemblages of the 1950s to his most recent series of remarkable painted bronzes. --WorldCat.

September 25-November 6, 1977. 4to. 60 pp. Bound in black and white, stapled wrappers. Black and white frontispiece and full-color and black and white illustrations throughout. Includes checklist. Catalogue for an exhibition held at the University Art Museum at the University of Texas in Austin from September 25-November 6, 1977. Exhibition also held at the Chrysler Museum, Norfolk, VA; Indianapolis Museum of Art, Indianapolis, IN; Neuberger Museum, State University of New York, Purchase, NY; and The Art Center, South Bend, IN through 1978. Introduction by Donald B. Goodall, essays by Robert L. B. Tobin and William Katz. Inscribed by Tobin on half title: "To Ben Blom/with all regards/R. L. B. T. /18 July 1978." Very Good-, age-toning to extremities of pages, first few pages starting to separate from hinge, age-toning, creasing and rubbing to wrappers.

Mild wear to cover, with some edgewear and ceases along near spine. Cover and interior otherwise clean. Stiff pictorial wraps. Exhibition Catalogue. 23 pgs.

Size: 12x9x0; Ships Out Tomorrow!

Red cloth, lettered in gold foil. Moisture contact has resulted in very slight waviness to paper along top edge binding corner through text block, with faint evidence on the cover cloth at head of spine, otherwise as issued. 1st ed. Exceptionally scarce.

Very fine and bright in like illustrated dustjacket with crisp bright text throughout. Profusely illustrated throughout. Jacket illustration photograph of Robert Indiana with LOVE wall, 1969, photograph by Hans Nemuth. New and bright all around, gift quality.

Hardcover exhibition catalog bound in silver-gray cloth, published in 2003 by C & M Arts: in association with Simon Salama-Caro. 48 unnumbered pages: 16 full-page color plates, plus black & white portraits of the artist. Includes essay "Indiana's charter" by Robert Pincus-Witten. Like new condition, with no marks or writing; no sign of handling or wear.

1971. First Edition. paperback. Octavo. 101 pp. Profusely illustrated. Mild shelf wear to wraps. Altogether a copy in Very Good condition. Very Good. (Subject: Art & Graphic Design).

Exhibition catalog. Glazed illustrated boards. Fine.

Red cloth, lettered in gold foil. As issued. 1st ed. Exceptionally scarce.

Brown and white illustrated boards with white lettering; 231 pp.; richly illustrated, chiefly in color. Robert Indiana (1928-2018) has created some of the world's most immediately recognizable works of art. Filled with intensely personal combinations of universal symbols--numbers and letters, stars and wheels--they are most readily associated with the Pop art movement. Including extraordinary examples of his career-defining LOVE sculpture, one of the twentieth century's most iconic works of art, Robert Indiana: A Sculpture Retrospective offers a thorough reassessment of the artist's work in sculpture, from his earliest assemblages of the 1950s to his most recent series of remarkable painted bronzes. --WorldCat.

Text is in English. Introduction by Michael McKenzie. Shipped with added packaging and insurance. Size-H: 12.25', W: 9.25', D: .75' This item is Used and is listed as being in Very Good condition. Spine is intact and tight. Pages are clean and unmarked. Minor scratches on front cover gilding, but cloth clean. This item is in excellent condition. FF00000006062 Firefly Bookstore sells items online and in our store front. We try to add images and descriptions when we can, but if you need additional information or photos of the books we list, please contact us.