Condition: Good; Hardcover, no dustjacket. Second Printing 1927. Art Deco drawings by Aaron Douglas. The book is in Good condition with wear to the covers and cracked binding at title page but still holding. Pages clean. Pencilled gift inscription on first endpage. Good reading copy. Photos upon request.
Viking Press. Very Good in Good dust jacket. 1966. Hardcover. B006634; 56 pp, rear hinge cracked, brodart hardcover, very good contents, fair dust jacket, wear & tear, .
First English edition (the American edition was first published in 1927). Octavo. 61pp. Paper-covered boards with publisher's printed label on front cover and spine. Small owner's name dated 1930 on front flyleaf, endpapers have faint red stain at fore-edge, text moderately foxed, fading on fore-edge of both boards, spine has started to split at one edge, not quite very good. The American edition is sub-titled "Seven Negro Sermons in Verse" and is illustrated by Aaron Douglas. This English edition is not illustrated. It is however, very scarce.
Dust jacket in good condition. Later printing. Shelf and handling wear to cover and binding, with general signs of previous use. Aside from a few pencil markings, pages are clean. Binding is secure. Dust jacket is protected in a protective mylar cover. Secure packaging for safe delivery.
VIKING PRESS. Very Good- with no dust jacket; Orange cloth with embossed art deco . letterig; cloth rubbed and faded; No marks or writing, clean tight binding;. 1927. Eleventh Printing. Hardcover. Title Page date 1945; many art deco prints; 52 pages .
First Edition, First Printing. Black cloth spine with gold paper boards. Boards are rubbed through at the corners with mild scuffing to the front board. Clean, has a good binding, no marks or notations. 56 pp.
First Edition, First Printing. Black cloth spine with gold paper boards. Boards are rubbed through at the corners with mild scuffing to the front board. Clean, has a good binding, no marks or notations. 56 pp.
Size: 0x0x0; SIGNED by James Weldon Johnson, inscribed to former owner in ink on the front free endpaper, dated March 10, 1930. Fourth printing of the first edition. Bound in publisher's boards with black cloth spine, lacking dust jacket. Good, rubbed and worn along edges, front hinge cracked but holding. A rare signed copy of the Harlem Renaissance poet's work.
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