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deutsche Erstausgabe, veröffentlicht als Subskription, zu der ausschließlich Bibliotheken und Wissenschaftler zugelassen waren. "Das Verleihen dieser Ausgabe ist verboten". Die dritte Fassung der Lady Chatterley, wie die beiden anderen in der Toskana geschrieben, war erstmals veröffentlicht worden im Juli 1928 als Privatdruck bei dem in Florenz ansässigen Buchhändler Giuseppe Orioli. Diese erste, in einer Auflage von 1000 Exemplaren gedruckte Auflage war durchnummeriert und vom Autor signiert Sprache: Deutsch Gewicht in Gramm: 596 20,5 x 14cm, Originalhalbleder, Rückenschild mit goldgeprägtem Titel, roter Kopfschnitt, 452 S., 1 Bl., sehr gutes Exemplar

1ST. 1ST.SIGNED BY AUTHOR in brown felt tip pen to front free endpaper.Tiny crease to lower edge of spine of purple boards. DJ has half inch tear to top left-hand corner of front, neatly mended from inside, otherwise Fine.

IMMACULATE NEW copy of this supreme collectable in the Penguin Classic Anniversary Editions. This remarkable and very beautiful edition has become the most sought after edition in the series by far. Sir Paul Smith designed the book, and chose to cover the board binding in delicate embroidered silk, which features the flowers Lawrence mentions in the book. The silk has been used for every aspect of this gorgeous book; even the Penguin logo is embroidered in silk. This particular copy has a unique signed pictorial card from the great designer himself, which is loose laid on the title page. This really is a breathtaking production in every way, from its large format pages to its silk covering over the top of the binding boards, all the way to the heavy lucite case that was especially designed for the book, and which has a subtle explanatory text silk screened on to it, and which I found too difficult to photograph. For once, the hype is well worth the result. Truly, this is a classic. 0.0 0.0 0.0

"Lady Chatterley's Lover" by D. H. Lawrence. Signed by the author on a limitation page from a Signed Limited Edition and affixed professionally by a bookbinder. This edition is likely pirated, printed shortly after the first edition and is nearly identical in format to the true first. Without the copyright notice of Tipografia Giuntina at the bottom of the copyright page and "Privately Printed, Florence, 1928" on the title page. From Wikipedia: "The first edition was printed privately in Florence, Italy, with assistance from Pino Orioli; an unexpurgated edition could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929.) The book soon became notorious for its story of the physical (and emotional) relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable words." Measuring 9 ¼ inches tall, the book has been rebound in beautiful deckled paper and ¾ red leather with raised bands, gilt rules, gilt fleur de lis, gilt title/author lettering on spine and deckled pastedowns and end papers. Structurally and appearance wise, it is in very good condition. With black and red text to title page, interior contents are in very good + condition, all pages present, all bright with no errant marks or names. Top corners of most pages show light creasing. Page ends show some age soiling largely to top and rough cut fore edges. Top page ends also show a short thin streak of soiling and a couple of extremely faded very small damp stains near crown. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory # (J7-24).

A very good plus hardcover copy. Spine has been rebacked with original label. Copy is very tight and clean. SIGNED LIMITED EDITION OF 1000 copies of which this is number 526. Two signatures in pencil appear on the front free endpaper; Sara Higgins and Joe Foster. Sara Higgins was the wife of Victor Higgins, a well known artist of the Taos Circle. Both were good friends of D. H. Lawrence as was Joe Foster who wrote a bibliography of Lawrence. All pages are very clean, no tears. Book comes with a handsome clamshell box.

Very Good - This Edition Limited to One Thousand copies of which this is number 697. Signed by D.H. Lawrence on the limitation page which is opposite the tile page. Professional full leather binding in slipcase. Slipcase has brown cloth cover and is lined with a black felt. Volume is full leather binding with gilt title, author, date and decoration between 5 raised bands down the spine. Gilt line to the extremities of the front and rear boards, original brown cloth front cover with the phoenix has been used as the front paste down with brown end pages (a nice touch). The text block has rough cut pages. Condition - the slipcase has the slightest of wear at the corners, the volume has a very small rub on the spine above and below the title, original cloth cover has marks to the extremities where it has pasted to the original boards, there is very light foxing and tanning throughout otherwise contents are clean, bright and tight. Fully paginated and all pages present and correct. As this item weighs over 1kg when packed additional postage will be required for delivery outside of the United Kingdom.

First edition and signed limited edition of D.H. Lawrence's most ambitious, significant, and explicit work on sex and romance. Octavo, original publisher's mulberry paper-covered boards with white paper spine label, central Phoenix motif to the front panel. One of one thousand copies signed by D.H. Lawrence on the limitation page. In very good condition, bookplate to the front pastedown. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the enigma and complexity of sex. The story of the physical and emotional relationship between a working class man and an upper class woman, its explicit descriptions of sex soon led to routine confiscation and destruction of any copies police and customs officials could find in both England and the United States. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case under the Obscene Publications Act 1959, and quickly sold 3 million copies. The book was also banned for obscenity in the United States, Canada, Australia, India, and Japan and was not available in the United States until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition (Roberts, 42a).

First edition and signed limited edition of D.H. Lawrence's most ambitious, significant, and explicit work on sex and romance. Octavo, original publisher's mulberry paper-covered boards with white paper spine label, central Phoenix motif to the front panel. One of one thousand copies signed by D.H. Lawrence on the limitation page. In very good condition, bookplate to the front pastedown. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the enigma and complexity of sex. The story of the physical and emotional relationship between a working class man and an upper class woman, its explicit descriptions of sex soon led to routine confiscation and destruction of any copies police and customs officials could find in both England and the United States. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case under the Obscene Publications Act 1959, and quickly sold 3 million copies. The book was also banned for obscenity in the United States, Canada, Australia, India, and Japan and was not available in the United States until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition (Roberts, 42a).

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1, 000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self, " but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12, 500.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1, 000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self, " but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12, 500.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.