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First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1, 000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self, " but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12, 500.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition, first impression, number 596 of 1,000 copies signed and numbered by the author, here retaining the scarce plain paper dust jacket, well-preserved in a contemporary glassine wrapper possibly issued by the publisher. This copy is offered together with an unpublished autograph postcard from the author to his mother-in-law, Anna Freiin von Richthofen (1879-1930). The postcard - located and dated "Santa Fe. 18 Okt", and franked the same day - was sent by Lawrence in 1924 to "Frau Baronin von Richthofen", the title shared by Lawrence's wife Frieda, her sister Else, and their mother Anna, with whom Lawrence maintained a close correspondence. Written in German, it reads: "reisen morgen nach El Paso - ich schiche dir heute Photographien von Ranch" ["Travelling tomorrow to El Paso - I am sending you the Ranch photographs today"]. The "Ranch" refers to Lawrence's New Mexico residence, where he lived between 1922 and 1924, and where he was interred after his death. Lawrence's novel was printed in Florence by a small avant-garde publisher to circumvent British obscenity laws. "Lady Chatterley's Lover - written in the astonishing time of just five weeks, in one of Lawrence's last great bursts of creative energy - also sustained him, as he overcame the difficulties lying in the way of an individual publishing and distributing his own book. With the help of the Florentine bookseller Pino Orioli, the handsome volume was printed in and distributed from Florence, and made Lawrence more money than he had ever imagined" (ODNB). Roberts & Poplawski A42a (not mentioning the existence of paper or glassine jackets). Octavo. Original pinkish-brown paper-covered boards, paper spine label, Lawrence's phoenix device blocked in black on front cover, edges untrimmed. With original plain cream dust jacket and contemporary glassine. Housed in a custom black half morocco solander box. Minute splits to spine ends, spot of foxing to label, contents crisp, fresh, and largely unopened; hint of rubbing and toning to jacket, a few faint damp stains to spine, extremities lightly chipped with some very minor loss to spine: a near-fine copy in near-fine dust jacket.

First edition. Number 19 in a limited edition of 1000 copies privately printed for the author in Florence. Signed by the author on the limitation page. Original mulberry card backed boards with the Lawrencian phoenix in black on the upper cover and title label on the spine, in scarce publisher's unprinted yellow dustwrapper. A fine copy, crisp and clean with just a little foxing to the title label in a fine dustwrapper with a trace of wear to the spine ends and a tiny puncture to the rear panel. Internally uncut and unopened. An exceptional copy. Lawrence's most famous work but also one of the most controversial books of the twentieth century. It was rejected by both British and American publishers on the grounds of obscenity, forcing Lawrence to seek the help of Florentine bookseller Giuseppe Orioli, who arranged for the book to be set by hand by Italian printers and issued on subscription in an edition of 1000 copies. Despite being banned in Britain and America, with several illicit consignments seized in police raids, the edition sold out within six months. It was subsequently pirated and translated, expurgated and bowdlerised, condemned and confiscated until Penguin's unexpurgated publication and subsequent acquittal for obscenity in 1960 marked a significant advance for the freedom of the written word.