Search results 53 Found

316 Pages. Illustrated. An Unmarked Book And Dustjacket, Undamaged And Near "As-New".

Golden Press, NY, 1965. Hardcover. very good. NOT an ex library book. Clean pages. A on last page of narrative indicating a first print. Cover price .29.

Perks Publishing, 1944. First Edition. Trade Paperback. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Somewhat bizarrely, the cover of this edition features Christopher Robin holding a gun (an air rifle).Illustrated by Mary and Wallace Stover.

Dutton, 2009. Book. Near Fine. Hardcover. First Thus. Hardcover in jacket. Top corners bumped..

London: Sphere, 1968. First Edition. . Paperback. Good. VG PB 1st

Book Club Associates, 1981. Hardcover. Acceptable. 1981. First Edition Thus. 316 pages. No dust jacket. Brown cloth. Contains black and white illustrations with colour plates by E H Shepard. Well bound and clean pages, with mild tanning to text block edges. Some rub-marking to pastedowns and endpapers. Occasional thumb-marking. Boards have moderate shelf wear, with rubbing and marking. Moderate bumping to corners and crushing to spine ends. Cloth is slightly frayed. Boards are slightly bowed. Some dents around edges. Visible black marks overall. Book has a slight forward lean.

London, Methuen, 1992.. FIRST EDITION 1992, small 4to, 255 x 190 mm, 10 x 7½ inches, dark blue boards, gilt lettered spine, illustrated endpapers, 192 pages including index. Profusely illustrated in colour and black and white. A fascinating book which covers the life of Milne and the children's books, ephemera, pottery, stuffed toys etc which resulted from the popularity of the famous bear. No inscriptions, small bump to all 4 board corners, otherwise a near Fine clean copy in VG+ complete DUSTWRAPPER (dw: not price clipped, slight creasing to corners and head of spine, a touch of rubbing to head of spine and lower corner of upper panel, slight shallow creasing along lower edge of upper panel). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

London : LADYBIRD, 1998 Larger VG H/b in VG D/j. Wonderful Colour illustrationS to all pages by the Original Artist.Author A A Milne.[ Modern Classics ] For Listed Contents Please see our images.[ Incey Wincey Spider / I'm a Little Tea-Pot / A Hunting We Will Go / Hey Diddle Diddle etc. 52 Rhymess [ Laminated boards repeat jacket illus. no inscsp , tight binding , clean throughout , no annotation , light crease to end papers plus small area of colour rub loss to initial blank end paper ffep ] Dust Jacket not clipped , very mild crease , light fading & handling. 1st print. 2681097531. 96pp. 260x210 mm. Now in clear easily Removable proprietary protective cover. Please see our images of the actual book offered for sale.

Racine, Wisconsin: Golden Press. Very Good First Golden Press Printing, 1977. Book in very good condition-showing wear on corners. . First Edition. 1977.

New York: E.P. Dutton& Co.. Very Good in Very Good dust jacket. 1975. First Edition. Hardcover. Second printing. No price on jacket, as issued. 169 pages. Illustrated with 13 black and white photographs. Some spotting on the lower edge of both panels. The dust jacket is worn at the fold and along the edges. An attractive copy now in an archival clear cover. A memoir of the real Christopher Robin and Winnie-the-Pooh. "Now in his fifties, Christopher Milne looks back at the child forever enshrined... and at the boy growing up for who that child became a burden. ... A preceptive author himself, Mr. Milne has created a book whose appeal will not by confined to lovers of his father's work." Jacket flap. ; 8vo .

First edition copy. Collectible-Acceptable. Poor dust jacket. Spine worn. Slightly dampstained. In protective mylar cover. (Winnie the Pooh, Juvenile Fiction)

Moscow: Childrens Literature / Detskaya Literatura, 1965. First Russian Edition 1st Printing. Hardcover. Very Good/No Jacket. 205 Pp. Beige Cloth Printed In Green And Black, With Pooh On The Front Cover. Color Endpapers, Insects And Flowers. Excellent And Original Full Page Color Plates Of Pooh Etc., And Text Throughout With Somewhat Derivative B/W Illustrations. Initial Printing Of 100,000 But Still Somewhat Scarce Even In Russia. Very Good, Light Wear, Fraying Only At Two Lower Tips, Faint Dampstain In Lower 1" To 2" Of Covers, No Names Or Marks, Not Ex-Library..

First edition copy. Collectible-Acceptable. Poor dust jacket. Spine worn. Slightly dampstained. In protective mylar cover. (Winnie the Pooh, Juvenile Fiction)

New York: E. P Dutton & Co., 1952. First edition, 1952. Nice copy with all four pop-ups in good order. Laminated pictorial boards with red spiral binding, edgewear and a bit of age-toning to covers, corners and spine ends rubbed, pages clean with an erased trace of a gift inscription at the head of the title page, no other markings. First Edition. Hard Cover. Very Good. 8vo-over 7¾"-9¾" tall.

New York: E.P. Dutton & Co, 1967. Near fine in very good plus jacket.. First US publication of this authorized Russian translation of Milne's classics, in which Eeyore goes by Ia-Ia but is still very depressed. 8.25'' x 6.5''. Original pictorial burgundy and mustard cloth. In original price-clipped dust jacket. Illustrated in color and black and white by B. Diodorov and G. Kalinovsky. Text in Russian. 219, [1] pages. Jacket with light edgewear and rubbing; spine sunned, price sticker to rear jacket panel. Offsetting to endpapers. Interior clean.

London: Methuen & Co. Ltd, 1952. Hardcover. Very Good. First English edition thus, "A New Full-Coloured Edition, With Four Pop-Ups." Adapted by A. Schenk from the Original Illustrations by E. H. Shepard. Small quarto. Metal comb binding. Boards lightly soiled, bumps and a few chips along the edges, modest soiling to a few pages, a few small tears in the pop-ups, thus very good.

K-tel International MN, 1998 4 full-Length CDs, USED CD, Nice Condtion, CD compact Disc, Digital Audio, Audio Books, 1998, 1st Edition THUS, NF+ CONDITION, In specially Designed Green Leatherette Case with Gold gilt titles & Decoration on front, Case measures 6 1/4 X 11 in light Scuff. Contains 4 full-Length CDs & 24 page Illustrated booklet, the Case comes with a box to hold it . Audio Recordings are dedicated to memory of Christopher Robin Milne August 21st , 1920 to April 20th 1996, Approx 4 Hours of pure enjoyment, Winnie-the-Pooh is 10 stories & When we were Very Young is 44 poems, Recapture the Child within you. . First Thus. Unbound.

New York: E. P Dutton & Co., 1952. First edition, 1952. Nice copy with all four pop-ups in good order. Laminated pictorial boards with red spiral binding, edgewear and a bit of age-toning to covers, corners and spine ends rubbed, pages clean with an erased trace of a gift inscription at the head of the title page, no other markings. First Edition. Hard Cover. Very Good. 8vo-over 7¾"-9¾" tall.

HBDJ, Good condition, with slightly worn dust jacket AT EDGES. Not a former library book. DEC 1939, 1st Edition, 9TH PRINTING, Published SAME YR AS 1ST 1ST, VG-/VG-, AS-IS, DJ light Rub, wear & Tiny Chips Tears Edges, Light Blue Tweed cloth with Beige at Spine, Cvr light rub, wear, Interior nice tight clean light FOX, Wear, 315 pgs, Spine DJ small end chips Tears Yet Titles Intact, DJ now, protected in new archival CLEAR mylar sleeve. 315 pgs,

HBDJ,1939, Stated 1st Edition, VG/VG-,, AS-IS ,with slightly worn dust jacket WITH EXTREMITIES SLIGHT WEAR TINY CHIPS. Not a former library book. DJ light Rub, wear & Tiny Chips Tears Edges, THICK Light Blue Tweed cloth with Beige at Spine, Cvr light rub, wear, Interior nice tight clean light FOX, Wear, 315 pgs, Spine DJ small end chips Tears Yet Titles Intact, DJ now, protected in new archival CLEAR mylar sleeve. 315 pgs,

HARDBACK NODJ, SEPT 1928, 1ST EDITION , 34th printing ,Same Month As First. released in the same year as the London edition, , GOOD-, AS-IS, 7 3/4 X 5 3/4 IN. Approx , SMALL RED PINKISH FADE WORN ILLUSTRATED FADE TO GOLD ON FRONT CVR with Christopher Robin and Tigger in gilt, CLOTH CVR WITH FEW SPOTS ON BACK & SPINE EDGEWEAR tears CVR, Book has numerous condition issues; priced accordingly. Most notably, lower portion of spine reglued at some point, and a portion of cloth ~1" near tail is missing. Cover has spotting. A few MENDED DARKENED tape repairs to internal leaves PGS , and many of the illustrations have been colored (watercolor?) by hand. The results are generally not terrible, for what it's worth. 178 pgs ,including the Hundred Acre Wood's newest resident, Tigger. In this collection, we learn that the "house" of the title is Eeyore's, which is (re)built by Piglet and Pooh; that Tigger does not like honey; and that while young Christopher Robin must go off to boarding school, the enchanted place of Pooh and his friends will always be waiting for him. The last of the four books in the Pooh series. Milne had bought his son a stuffed tiger, "Tigger"

Boston: Houghton Mifflin, 1954, 1955 & 1956, 1954. 1st Edition Clamshell Collecor's Case. No Binding. Clamshell As New/No Jacket. 1st Edition Clamshell Collecor's Case. No Binding. First Edition Slipcase. Exclusive Custom Clamshell Leather Slipcase. Red Morocco with 'Sculpted' Winnie embossed on the side with red, yellow & black onlay. A comical rendition of Winnie & his Butterfly. A delightful custom slipcase for the four volume Pooh books to live in: When We Were Very Young, Winnie-the-Pooh, Now We Are Six & The House at Pooh Corner.

Easton Press, 1985. limited. hardcover. fine. Easton Press leather-bound edition, 4 vol. All in fine condition.

New York: E. P. Dutton & Company, 1926. First American Edition. Near Fine. First American edition, first printing. Bound in publisher's green cloth with gilt stamping, lacking the dust jacket. Near Fine with light wear and soiling to cloth; darkened spine with dulled gilt lettering. Small crayon mark to verso of dedication page. A bright and lovely copy of the beloved children's book.

New York: E.P. Dutton, 1926. First American edition. Hardcover. Orig. green cloth front cover decorated and illustrated in gilt. Near fine. Shepard, Ernest H. 158 pages. 19.5 x 13 cm. Clean, bright and fresh copy. Illustrated endpapers. Only fault, two thin creases at front cover.

New York: E. P. Dutton & Company, 1926. First American edition. First American edition, first printing. xiv, 159 pp. Bound in publisher's green cloth with gilt stamping. Very Good with dulled and rubbed gilt, a few finger smudges to rear board, former owner's inscription to paste down, two fairly small stains to bottom margins intruding slightly onto bottom margin of text block. The classic children's book.

New York: E. P. Dutton & Company, 1926. First American edition. Very Good+. First American edition, first printing. Bound in publisher's green cloth with gilt stamping. Very Good+ with light wear to extremities and light rubbing to gilt stamping. Evidence of bookplate removal and bookseller ticket to front pastedown, contemporary former owner penciled gift inscription to half-title page, pages tanned with an occasional spot of soiling, and hinge at recto of rear endsheet is slightly exposed, small spot of abrasion to both the rear free endsheet and pastedown. A nice copy of the classic children's book.

New York: Stephen Slesinger, 1935. Near fine.. First edition of this remarkably intact large-format WINNIE THE POOH paper doll set, depicting the characters from the stories in a style much closer to the original stuffed animals that inspired the stories. The characters of the Hundred Acre Wood have a long and fascinating merchandising history, even before the brand-conscious Disney adaptation. A. A. Milne sold the US trade rights for the characters to literary agent and licensing pioneer Stephen Slesinger in 1930. With Slesinger's marketing prowess, "Pooh [became] an industry in the thirties," writes Ann Thwaite; by that time, "Eeyore, Tigger, Piglet and the rest were on their way to being lodged permanently... in the folk-memories of the English-speaking people, part of our common language and frame of reference." (Slesinger's widow in turn licensed Pooh to Disney in 1961.) This paper doll book is an excellent example of Slesinger's merchandising prowess: Christopher Robin's design reflects the style and stance of a boy from the thirties. Exceedingly rare complete in this original edition, put into perspective by the much later facsimile more commonly seen. 17'' x 9.75''. Original color pictorial wrappers with perforated punch-outs. [6] leaves of doll outfits to cut out, printed one side only. A touch of toning to front; a bit of rubbing to spine. Sharp, bright, and intact.

New York: E.P. Dutton Company, 1926. Hardcover. Very Good. First American edition, gift issue. Decorations by E.H. Shepard. Publisher's purple calf decorated in gilt. Top 3/4" of spine lacking, boards a bit bowed, and general wear at the extremities, a sound, about good copy.

(London), 29 September 1926. Letter. Crease from mailing otherwise Fine. A two-page AUTOGRAPH LETTER SIGNED (ALS) on both sides of 5-1/2" x 7-3/8" personal stationery to "My dear Sir" [Vincent Seligman]. Written just weeks before the publication of Milne's most famous work, WINNIE-THE-POOH. This fine letter offers insight into Milne's sharp sense of humor and includes indirect references to his most famous book. Milne refers to a person in his letter as a "cygnet" (a young swan), a reference which may have been in mind as Winnie The Pooh was a blended name created by Milne, being a combination of the name "Pooh," after a cygnet swan they met on holiday, and "Winnie," a black bear cub he often saw at the London Zoo. There is also a lighthearted poke at his publisher, Methuen. In part: "I have arrived safely at the house to which you sent me, and think that I shall like the situation. I wanted to begin a serial story for the DAILY MAIL at once, but the man here said 'No, there's a letter we must write first,' and I said 'Oh, I see,' and began writing 'Dear Methuen,' but he snatched me away from the paper, and said it wasn't that sort of letter at all, which disappointed me rather because I thought I had got a literary situation. But he promised me we should do some poetry afterwards, and I said 'All right.' And of course when he began 'Dear Vincent,' I said 'Oh, know that man well; let me write the letter, while you get the ink off your hands.' He was terribly pleased with me, and I'm to keep on saying 'Thank you' until I run out of ink.... But I really am to say 'Thank you very much.... Assuring you, Sir, of my respects, and again thanking you for obtaining me this literary situation which I have always wanted from a cygnet so to speak. Yours faithfull [sic] The Pen. P.S. It was his fault about the ink, not mine. T.P. P.P.P. Now we are going to practise his signature: A. A. Milne. P.P.P.S. He says that's the best he's ever done." A delightful letter. Vincent Seligman was a banker who ran the London bank Seligman Brothers. He and his wife Barbara were close friends of the Milnes. Seligman dedicated his book, OXFORD ODDITIES, to Milne.