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London: Methuen, 1926. First edition. Near fine in near fine jacket.. Signed limited large paper copy, one of only 350 numbered copies signed by Milne and Shepard, of the first book of Pooh prose stories. In Milne's first book of children's verse, WHEN WE WERE VERY YOUNG (1924), the silly old bear appears in only a couple poems and does not yet have a name. After that book's smashing success, Milne was encouraged by his wife to write down some of the bedtime stories he made up for his son about his favorite toys. Here we get many of the best loved stories from the Hundred Acre Wood: Piglet meets a Heffalump, Eeyore has a birthday, and Pooh runs out of honey. This is a beautiful copy of the deluxe signed edition. 8.75'' x 7''. Original quarter blue cloth, light blue paper boards. In original blue printed dust jacket. Illustrated by Shepard in black and white throughout; folding map at rear. Printed on handmade paper. xvi, 158, [2] pages. Signed by Milne and Shepard on limitation page. Small bump and rub on lower corner, expected offsetting to endpapers, else beautiful. Jacket with toning to spine and some light soil and wear.

London: Methuen & Co, 1926. SHEPARD, Ernest H.. . Winnie-the-Pooh. With decorations by Ernest H. Shepard. London: Methuen & Co., 1926. Full Description: MILNE, A[lan] A[lexander]. Winnie-the-Pooh. With decorations by Ernest H. Shepard. London: Methuen & Co., [1926]. First edition. One of 350 copies on handmade paper, signed by the author and illustrator, this being number 21. Small quarto (8 3/4 x 7 inches; 22 x 180 mm). xi, [1, blank], [4], 158, [2] pp. Folding map at end. Numerous illustrations in the text. A two page manuscript letter signed by Ernest Shepard laid in. Letter is on blue stationary in blue ink, with manuscript on recto and verso. Letter is dated 12: Dec: 52 and is addressed to "Frank." In the letter he discusses some verses Frank has send Shepard to show to the Editor of Punch. They were found to be too conventional for the magazine but Shepard says that he thought well of them and he should try at other magazines or papers. Original quarter dark blue cloth over light blue boards with printed paper label on front cover. Edges uncut. Some very light sunning to front board. Corners slightly rubbed. Some off-setting to endpapers from dust-jacket as usual. In original dust jacket. Jacket spine and edges lightly browned and with minor rubbing. Some small repairs to the inside of the jacket along spine edges and to top of spine. Overall, a near fine copy, in a very good jacket. Housed in a full blue morocco clamshell. HBS 69131. $15,000.

London: Methuen, 1926. First Trade Edition. Near fine/Very good. Ernest H. Shepard. Crown 8vo, 7 5/8 x 5 in (194 x 127 mm), pp. 158, green cloth, gilt stamping on the front board with an illustration of Christopher Robin and Pooh, gilt lettering on spine, top edge gilt; full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood... Drawn by me and Mr. Shepar Helpd (sic.)"; in very good dust jacket (slightly worn, some dust and finger smudging - primarily affecting back panel, spine panel somewhat sunned, some dampstaining to bottom edge of spine panel, 1/4 inch; 6 mm tear to stop of spine panel, slight chipping with no losses to lettering or design elements). Illustrated by Ernest H. Shepard (except where exceptions are noted). THIS COPY SIGNED IN INK BY BOTH A.A. MILNE AND ERNEST H. SHEPARD ON THE TITLE PAGE. [Haring-Smith C79; Cutler-Stiles p. 116; Grolier, no. 71]. Milne, A.A. (Alan Alexander: 1882-1956). Winnie-the-Pooh. London: Methuen & Co. Ltd., 1926. First Edition. Crown 8vo, 7 1/2 x 5 in (192 x 126 mm), pp. 160, green cloth, gilt stamping on the front board with an illustration of Christopher Robin and Pooh, gilt lettering on spine, top edge gilt; full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood... Drawn by me and Mr. Shepar Helpd (sic.)"; Cover and spine lightly rubbed, endpapers age stained as usual The second in the classic quartet of Milne's cycle based on the teddy bear which belonged to his son, Christopher Robin Milne. Pooh first appeared in a poem, published in Punch in February 1924, and reprinted in When We Were Very Young, but the character was only fully developed in Winnie-the-Pooh, which documents the adventures of the "bear of little brain." Accompanied by the magical drawings of Ernest H. Shepard, whom Milne had met as they both were contributors to Punch. Their collaboration spanned many projects and "Milne was so aware of the extent to which Shepard's drawings contributed to the success of Winnie-the-Pooh that he arranged for him to share in the royalties." [Grolier: One Hundred Books Famous in Children's Literature, p. 232] To own a copy of this first trade edition, signed by both contributors is exceptional.

London: Methuen & Co. Ltd, , 1924-8. Attractively bound with pictorial morocco onlays First editions, first impressions, of these timeless classics of children's literature. When We Were Very Young is in the second state of the first impression with the page number ix present in the preliminaries. These four volumes comprise a full set of the Pooh books and are presented in beautiful bindings by Bayntun (Riviere) of Bath. The illustrations rendered in coloured onlays comprise: Christopher Robin on the stairs ("Halfway Down") (see p. 80 of When We Were Very Young), Winnie-the-Pooh outside his home ("under the name of Sanders") (see p. 3 of Winnie-the-Pooh), Christopher Robin in his garden ("Solitude") (see p. 1 of When We Were Very Young), and Christopher Robin eating an apple ("what does Christopher Robin think about it?") (see p. 105 of The House at Pooh Corner). After the huge success of When We Were Very Young, published in 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's teddy bear, bought at Harrods for Christopher's first birthday, known initially as Edward or Edward Bear, and later renamed Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh (1926) was an immediate success and garnered even more enthusiastic reviews than its predecessor. Now We Are Six followed in 1927, and took just two months to eclipse the sales records of the previous two books. The final book, The House at Pooh Corner, was received by critics with a delight tinged by sadness. "The Times Literary Supplement congratulated Milne on avoiding 'the temptation to repeat his successful formula mechanically', though it was 'sad to see the stories end'" (Thwaite, p. 336). Four works, octavo (180 x 115 mm). Bound in red morocco by Bayntun (Riviere), signed on front turn-ins, spine with raised bands and lettered in gilt, front covers with illustrations after E. H. Shepard in coloured onlays, covers with gilt fillet borders, gilt edges, gilt turn-ins, marbled endpapers, original cloth bound in at end together with original pictorial endpapers when issued. Housed in a custom red cloth slipcase. Illustrated throughout by E. H. Shepard. Spines very slightly sunned, minor browning to the top of a few leaves in The House at Pooh Corner, some leaves lightly toned, slipcase rubbed at extremities; a near-fine and attractive set. Ann Thwaite, A. A. Milne: His Life, 1990.

London: Methuen & Co., Ltd, 1924-1928. First editions of each work in Milne's wonderful Pooh quartet. Octavo, original cloth, pictorial endpapers, top edge gilt. Winnie the Pooh is signed by A.A. Milne on the title page. When We Were Very Young if a first edition, second issue as usual with page ix numbered. Each are fine in very good dust jackets with some loss and wear to the extremities and light toning. Illustrated by Ernest Shepard. An exceptional set, most rare and desirable with Winnie the Pooh signed by Milne.

London: Methuen, 1928. First editions. Overall fine in near-fine jackets.. Complete set of first editions of the Pooh Books, all in original dust jackets, with WHEN WE WERE VERY YOUNG signed by Milne and Shepard. In 1933 Compton Mackenzie described the publication of the first Pooh Book, WHEN WE WERE VERY YOUNG as marking "an epoch as positively as any children's book has ever marked one. It is not extravagant to surmise that a distant posterity may find in that volume of children's verse a key with which to unlock the present more easily than with any contemporary novel, poem, or play" (quoted in Thwaite). The series is an evocative reflection of English childhood in the 1920s, yet transcends the time and place of its making for each new generation to discover - and fall for. As the first book in the series, WHEN WE WERE VERY YOUNG is the most difficult to find signed, making this an especially desirable set. 4 volumes, 7.5'' x 5'' each. Original blue, green, red and pink cloths. In original color printed dust jackets. Top edges gilt. WHEN WE WERE VERY YOUNG has page ix, not the very rare first state. Signed by Milne and Shepard on title page of WHEN WE WERE VERY YOUNG. Contemporary Methuen ad laid into SIX. Housed in beautiful blue goatskin box with in-laid Pooh design on front board. Books all fine, with only a bit of the typical offsetting in the gutter: Firm hinges, fresh cloth, clean text, no inscriptions. Jackets range fine (WINNIE-THE-POOH) to very good (HOUSE, with some small chips to spine ends not affecting text and a long closed tear to front joint); WWVY and SIX solidly near fine with only a bit of shallow chipping and touch of toning to spine of SIX: else little soil or sunning.

New York: E. P. Dutton & Co, 1926. First Edition. Very Fine/Very Fine. An unbelievably superb copy of the first American edition, signed limited issue. One of 200 numbered copies in the large paper issue printed on Japanese vellum, signed by both A. A. Milne and E. H. Shepard on limitation leaf at front. [xiv], 159, [3, blank] pp. Publisher's pink paper over boards with blue cloth spine, pink paper spine label; in publisher's original glassine and box. Very Fine in a dust jacket with a short closed tear to the top edge of the front panel, still also Very Fine. So fresh and sharp, the book and dust jacket appear as if brand new. In original glassine, which is toned and largely intact except for one flap, which is largely detached in two segments, both present. In a Very Good+ publisher's box is stained and toned, with splits to two corners. All housed in a custom folding case, in which the glassine is stored in a paper folder. An incredible survival of a book uncommon in such superlative condition. Quite a marvel to behold.

1926. Original artwork for Winnie-the-Pooh depicting Christopher Robin, Piglet, and Pooh The two concluding illustrations from chapter five of Winnie-the-Pooh ("In which Piglet meets a Heffalump") and both published on page 68 of the original 1926 Methuen edition. The first drawing shows Christopher Robin eagerly jumping by a concerned Piglet (to accompany the text "'Well,' said Christopher Robin, putting on his shoes...") The second drawing shows Winnie-the-Pooh with his head stuck in a jar of honey (to accompany the text "Crash went the Heffalump's head against the tree-root...") E. H. Shepard sold his original drawings for Winnie-the-Pooh at an exhibition held at The Sporting Gallery, Covent Garden, London, 26 November to 21 December 1926. The pairing of these two drawings, sold together, was presumably the artist's. As usual with Shepard's drawings, the published versions are smaller than originally drawn and fine detail in the original tends to be lost. The buttons on Piglet's top, Christopher Robin's jumper, and the tree-root in the heffalump trap have a clarity of line which was lost or blurred when published. Original drawings (91 x 62 mm and 50 x 54 mm) on artist's board (160 x 112 mm and 107 x 84 mm), ink, first drawing signed with initials ("EHS") lower right, with remnants of artist's signature and address on reverse, mounted, framed, and glazed with conservation acrylic glazing (framed size 320 x 245 mm). Strong and unfaded ink drawings. Some browning below mount, not affecting image.