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[Norwich, New York]: SOOJ, 2006. One of 100 signed by artist and author. Painting by Path Soong. Printed on Arches paper. 13 x 8-1/2 inches. Fine. One of 100 signed by artist and author. Painting by Path Soong. Printed on Arches paper. 13 x 8-1/2 inches.

[Wisconsin: Patti Smith Fan Club, 1977. 1 p, photo-offset. 4to. Some toning. 1 p, photo-offset. 4to. An orphan broadside from the official newsletter of the Patti Smith Fan Club, which was published by Nanalee Berry with help from Beverly, Patti's mother. This issue came with multiple pieces of ephemera, produced only for this distribution Reads: house doctor in the womb of pleasure house doctor in the womb of care. house doctor and he feels the fervor your morning w/o your nowhere. a new machine wherein a twist of the dials causes the image to project from your face.

New York: Anchor Books, 1999. Softcover. First printing of this edition. SIGNED by Patti Smith on the first blank, with a small snapshot photograph (3.5 x 2.25 inches) laid in. As New. Hint of rubbing along the front fold, else Fine and unread in perfect-bound wrappers.

New York: Ecco, 2010. First Edition, First Printing. Hardcover. Octavo, 279 pages. In Very Good condition with a Very Good minus dust jacket. Spine purple with white lettering. Dust jacket protected with mylar covering, price uncut: "$27.00". Small closed tear to tail of spine of dust jacket. Slight staining to bottom edge of text block. Interior pages clean. Signed by Smith on title page. Shelved Case 12. 1404167. Shelved Dupont Bookstore.

New York: Anchor Books, 1999. First Anchor Books Edition. Original Wraps. Very Good+ in Wraps. First Anchor Books Edition. Original Wraps. Lyrics and writings interfaced with iconic photos by Patti Smith, plus some drawings and facsimile images of notebook pages. Inscribed to Jenny Lens from Patti Smith: "...with appreciation for your fine work, November 1, 2001." From the Collection of Jenny Lens. Toning and shelfwear around edges, else tight, bright, and unmarred. Paperbound with French flaps. 8vo, 264pp. illus (b/w). Inscribed by author on dedication page.

(No place): SOOJ, 2006. First edition. One of 110 numbered copies signed by Smith and Soong. As new. SOONG, Path. Broadside poem, 8 9/16 x 13 1/8 inches, illustrated by Path Soong. As new.

Koln [Cologne]: Galerie Veith Turske, 1977. First Edition. Softcover. First Edition. Text in German and English. Produced in conjunction with an exhibition of Smith's work at the Turske Gallery in Cologne in October 1977. Near Fine in perfect-bound wrappers.

New York: Rizzoli, 2008. First edition. Near fine.. Signed first printing of this substantial volume of photographs and film stills that chronicle 11 years in the life of Patti Smith. DREAM OF LIFE is the book version of Steve Sebring's 2008 documentary of the same name. The film debuted at the Berlin International Film Festival, and was later awarded "Excellence in Cinematography Award: Documentary" at Sundance. 10'' x 7.5''. Original color pictorial boards. Illustrated in color and black and white. 434 pages. Signed by both Smith and Sebring to title page. Binding corners and spine ends a touch bumped, a hint of edgewear. Clean and tight.

NY: Doubleday, 1998. First edition, first prnt. Signed by Smith on the front endpage with the typewriter photograph. Black and white photographs by Annie Liebovitz, Robert Mapplethorpe, Linda McCartney, Michael Stipe, et al. Fine condition in a Fine dustjacket with an archival cover. . Signed by Author. First Edition. Hardcovers. Fine/Fine. 4to - over 9¾" - 12" tall.

London: London Features International, 1976. Vintage photograph of Patti Smith onstage at the Roundhouse in London on May 17, 1976. Stamp and label of London Features International crediting photographer Paul Cox on the verso. The Patti Smith Group toured the US and Europe in 1976 in support of their groundbreaking 1975 album "Horses." From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 8 x 10 inches, archivally matted in a 14 x 11 inch 8-ply white mat. Near Fine.

[New York]: W.W. Norton & Company, 1994. Unbound. Near Fine. Poster measuring 16" x 26". Rolled with slight spotting else about near fine. A poster for the book release of Patti Smith's 1994 collection *Early Work 1970-1979*. The poster includes the famous black and white photograph of Smith from 1975 taken by Robert Mapplethorpe, originally used for the cover of Smith's album, *Horses*.

N.p.: N.p., 1976. Vintage photograph of Patti Smith onstage, circa 1976. Copyright stamp of photographer Russell Eliot Reif on the verso. From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 8 x 10 inches. Near Fine.

N.p.: N.p., 1978. Vintage borderless photograph of Patti Smith performing with the Patti Smith Group in West Germany on September 9, 1978. The show was part of Smith's 1978 worldwide tour in support of her third (and most commercially successful) studio album, "Easter." 10 x 8 inches, on Kodak stock. About Fine.

[Berkeley]: [Rather Ripped Records], 1974. Photocopy, 8 1/2 x 11 inches. 8vo. Creased and folded. Photocopy, 8 1/2 x 11 inches. 8vo. Verso identifies this as "Rock 'N' Rimbaud III program, Xerox. Courtesy Rather Ripped Records SF, CA". After the release of her "Hey Joe/Piss Factory" single, Patti Smith played three shows in Bay Area rock clubs on November 22-24, 1974, likely set up by Beserkely Records musicians who worked at Rather Ripped.

New York: Sire Records, 1977. Very Good. New York: Sire Records, 1977. Reissue; Special Collectors Edition. 45 rpm / 7” record in photographic sleeve. Sleeve bumped and toned; record clean. Signed by Smith at front panel; signed by Lenny Kaye at rear. Good. Patti Smith’s debut single was first recorded in June 1974 at “Electric Ladyland” and released on Mer Records. It features pianist Richard Sohl and guitarists Tom Verlaine and Lenny Kaye. Kaye produced the single and worked closely with Smith throughout the 70s, performing with her group and contributing to four albums. The sleeve cheekily states “Free Keith,” presumably a reference to Keith Richards’ 1977 arrest for possession of heroin.

N.p.: N.p., 1978. Two vintage borderless photographs of Patti Smith onstage with the Patti Smith Group at the Pavillon de Paris on March 26, 1978, in support of the group's breakthrough album "Easter." Stamp of photographer Jean-Louis Rancurel on the versos. 6.75 x 9.5 inches. One photograph Near Fine, the other photograph Very Good plus, with moderate wear to the finish on the right portion of the recto.

London: Aloes Books, 1976. Near Fine. London: Aloes Books, 1976. First UK Edition. Octavo. [20] pp. Red printed card wraps. Light rubbing to edges. Binding sound and pages unmarked. Near Fine. Jointly-authored chapbook of poetry from then-lovers Patti Smith and Tom Verlaine, with Smith contributing the odd numbered verse and Verlaine the even.

N.p.: N.p., 1986. Vintage borderless color photograph of Patti Smith in 1977, taken by Lynn Goldsmith for the iconic "Easter" photoshoot, and struck circa 1986 for a showing of Goldsmith's work at The Rencontres d'Arles. Mimeo snipe in French affixed to the verso. Born in Detroit, Lynn Goldsmith has worked variously as a band manager, musician, film director, and conceptual artist, although she is best known today for her portrait photographs of twentieth century rock musicians. 4.5 x 7 inches. Fine.

San Francisco: Sun King, 1977. Softcover. Near Fine/Near Fine. Magazine. Folio. 47pp. Newsprint wrappers. Near fine with some light toning and wear. A first wave punk zine that includes the Lester Bangs article, "The Roots of Punk"; Richard Meltzer's column, Bebop on Your Mama; a Patti Smith penned piece on Robert Bresson; a full-page comic by Spain Rodriguez; articles on The Nuns, The Dils, The Avengers, Richard Hell, and Cheap Trick, along with heap of coverage of the San Francisco music scene.

New York: Bantam Doubleday Books, 1998. First Edition. Hardcover. Very Good in Very Good Dustjacket. First Edition. Hardcover. Lyrics and writings interfaced with iconic photos by Patti Smith, plus some drawings and facsimile images of notebook pages. Inscribed by Patti Smith: "...New York City, October 31, 2001." From the Collection of Jenny Lens. Toning and shelfwear around edges in DJ, small tears on upper endpages, fold on verso, else tight, bright, and unmarred. DJ with French flaps. Paper covered boards in black. 8vo, 246pp. illus (b/w). Signed by author on dedication page.

New York: Gotham Book Mart, 1973. First edition. Title page illustrated by Howard Michels, 45 pp. 8vo. Publisher's printed wrappers with photograph of Patti Smith by Robert Mapplethorpe, some toning and superficial scratches to cover, fine. First edition. Title page illustrated by Howard Michels, 45 pp. 8vo. Signed on the cover by Smith in black ink.

New York: SOOJ Press, 2005. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Patti Smith’s lyric accompanied by two images by Path Soong, signed by each, in a limitation of 30. Smith first released “Paths That Cross” on her 1988 album Dream of Life.

London: Thames and Hudson, 2008. First UK Edition, preceding all others. Text in English and French. Complete in three volumes. Published in conjunction with an exhibition of Patti Smith's work at the Cartier Foundation in Paris. Fine and unread in card wrappers and the publisher's wraparound band, still in publisher's shrinkwrap.

New York: CBGB's, 1978. Vintage CBGB'S 2nd Avenue Theater four-page program Grand Opening Concert Bill (the only concert bill printed for the short-lived club) for late December 1978, announcing its Tuesday night opening with Talking Heads and Tuff Darts on December 27, The Dictators and Dead Boys on December 28, and Richard Hell and the Voidoids with Patti Smith December 29-31. These acts would be the theater's last perfomances. Included in the program are bios for headlining acts Talking Heads, Dead Boys, and Richard Hell and the Voidoids, as well as listing of CBGB'S Bowery schedule for December 27th through December 31st. CBGB'S owner Hilly Kristal opened CBGB'S 2nd Avenue Theater in late 1977 in the old Anderson Theatre at 66 2nd Avenue. The venue was designed to accommodate the growing crowds bands like Talking Heads, the Patti Smith Group, and Richard Hell and the Voidoids were attracting to the small Bowery club. With a capacity of just over 1700 seats (massive compared to the 350-person capacity of CBGB'S), it opened on Tuesday, December 27th with Talking Heads headlining and Tuff Darts as the opener. Due to the decrepit state of the theater, the cost of bringing the theater up to code, even with backing from the likes of Sire records president Seymour Stein, were too great. Kristal nearly went bankrupt trying to make a go of it, ultimately closing the theater in early 1979. The last performance at the venue was New Year's Eve 1978, featuring The Patti Smith Group, Richard Hell and the Voidoids, the Erasers, and Mars. 5.5 x 8 inches, Two page bi-Fold. Near Fine.

New York: Ecco, 2010. First edition. Hardcover. First printing. From an edition of only 1000 specially bound copies of this National Book Award winning memoir from the singer, songwriter, poet and writer. A very fine copy in blue cloth boards with silk bookmarker in a matching cloth covered clamshell box and with laid in folded text sheet and in a fine example of the publisher's shipping carton. Signed by Smith on the limitation page.

Ecco, Harper Collins, 2010. Limited Edition. Hardcover. Fine/No Jacket. A fine copy of the signed limited edition, this is number 3 of 1,000 numbered and signed by Patti Smith. Some wear to the publisher's clamshell case.

New York: Norton, 1994. First edition and first printing. Hardcover. Number 50 from an edition of 150 copies. A collection of Smith's poems, essays and some of her lyrics. A fine copy in a very near fine dust jacket and in a very near fine illustrated slipcase. Signed by Smith on the limitation page.

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

Taschen, 2019. One of 1500 copies of the signed and numbered by Patti Smith and Lynn Goldsmith on the special limitation page. Illustarted with almost 200 photos by Lynn Goldsmith. 296pp. 4to (10.6 x 14.7 inches). Hardcover in clamshell box. Fine. Goldsmith, Lynn. One of 1500 copies of the signed and numbered by Patti Smith and Lynn Goldsmith on the special limitation page. Illustarted with almost 200 photos by Lynn Goldsmith. 296pp. 4to (10.6 x 14.7 inches).

New York: Gotham Book Mart & Gallery, 1977. Very Good +. New York: Gotham Book Mart & Gallery, 1977. First Edition, issued in a special edition of 126 copies, of which 100 are numbered and signed, this numbered 41 and signed by Patti Smith. Lacks hole punch and lock and key. Octavo. [16] pp. Black and white photographs. Photo-illustrated wraps. General rubbing; binding sound; interior unmarked. Very Good or better. Though free of ownership markings, this copy from the collection of Television frontman Tom Verlaine.

Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

N.p.: N.p., 1976. Vintage borderless photograph of musician and author Patti Smith and manager Jane Friedman, circa 1976, with a cassette tape of Patti Smith's performance on January 9, 1976, at Paul's Mall in Boston. Photograph housed in a manila folder bearing the name of photographer Donna Santisi and a North Brunswick, New Jersey address in manuscript ink, and a sticker on the rear flap from Janis Joplin's 1969 album, "I Got Dem Ol' Kozmic Blues Again Mama!," designed by Robert Crumb. Noted music photographer Donna Santisi is best known for her iconic images of pop and rock luminaries of the 1970s, including Iggy Pop, Janis Joplin, Debbie Harry, Prince, David Bowie, and Frank Zappa. Her seminal collection of punk rock photography, "Ask The Angels," was published by Double R Books in 1978, which was republished by Gingko Press in an expanded edition in 2010. A behind the scenes fixture of the downtown New York arts and music scenes beginning in the late 1960s, Friedman represented artists such as Jimi Hendrix and Frank Zappa, as well as managing Smith and John Cale (with whom Friedman founded Spy Records in 1977). Photograph: 7 x 5 inches. Near Fine, housed in a Very Good plus folder measuring 9.75 x 6.5 inches. Cassette Tape: housed in a BASF case. Not played. Near Fine.

New York: Gotham Book Mart, 1977. First Edition, Limited Issue. Near Fine. First edition, limited issue. One of 100 numbered copies [and 26 lettered copies] signed at rear by Patti Smith; this copy marked "O/S," perhaps out of series, though there is no hole-punch at the fore edge margin, and no lock and key set present. Bound in publisher's illustrated stapled wraps. Near Fine with shelf wear.

New York: Arista, 1976. First pressing [AS 0171]. 1 vols. 7-inch single. Pictorial sleeve. Fine. First pressing [AS 0171]. 1 vols. 7-inch single. Nice copy of the single of Patti Smith’s Gloria: in Excelsis Deo, interpretation of Van Morrison’s song, with a punk version of The Who’s My Generation Signed on the back of the sleeve by Patti Smith in black ink.

2022. Smith, Patti. Woolgathering. 64 pages, including 13 unnumbered color plates. 4to, 256 mm. x 203 mm., in original cloth binding. San Francisco, Arion Press, 2022. One of 250 numbered copies. Woolgathering is a collaboration between two contemporary creative masters: author and singer-songwriter Patti Smith and visual and sound artist Christian Marclay. Smith's first published prose work, written thirty years ago, is an incantatory memoir of the creative process and its wellspring in the world of childhood. Employing a variety of sound ephemera, acrylic LPs, and organic materials, Marclay's crystalline constructions provide a parallel visual score that reflects and refracts the rhythms of Smith's verses and tales. The Arion Press edition of Woolgathering uniquely captures their artistic kinship.

New York: Arista Records, 1975. Good. [New York]: Arista Records, [1975]. Original record store poster (86x61cm) printed offset lithograph reproducing Robert Mapplethorpe's iconic photographic portrait of Smith which also appeared on the album's sleeve. Old fold lines with subsequent rubbing to paper stock, ragged pinholes at corners, uneven dampstaining. Overall a Good only example of this extremely rare poster with heavy signs of use either at a record shop or (equally likely) a dorm room. Promotional poster to Patti Smith's first solo album "Horses," released at the end of 1975. The album, recorded at Electric Lady Studios and produced by the former Velvet Underground member John Cale, was one of the earliest releases under the Arista Records label. Arista, founded in 1974 by Clive Davis, quickly established itself as a force in the 1970s music scene, signing Barry Manilow, Aretha Franklin, Patti Smith, and Dionne Warwick all in quick succession. "Horses," while not a runaway hit, was an instant classic, respectably reaching no. 47 on the Billboard 200 with songs like "Gloria," "Redondo Beach," and "Free Money." We find no copies of this poster in the trade, auction records, or OCLC as of September, 2025, though we do locate an example at MoMA, attributing the design to Bob Heimall.

(New York): Ecco, 2010. First printing. Near fine in near fine jacket.. Signed first edition, review copy, of Smith's National Book Award-winning memoir of her intimate friendship with photographer Robert Mapplethorpe — inscribed to the longtime Strand Bookstore rare book room manager Craig Anderson. During the time covered by this acclaimed and best-selling memoir, Smith did all manner of jobs to make ends meet while working to develop her artistic voice. And she found steady work at bookshops, including Scribner's, the Gotham Book Mart, and at The Strand — additionally supplementing her income by scouting rare books. Her relationship with Anderson began in the late 1960s, and her relationship to The Strand in particular was important. It was there she gave a rooftop reading to celebrate the release of her first collection of poems, SEVENTH HEAVEN. An evocative association, tying together to her creative life and the book world of NYC. The first genuine and significant association copy of this finely-crafted portrait of 1970s bohemian New York we've encountered. 9'' x 5.75''. Original publisher's blindstamped purple cloth, silver-lettered spine. Original unclipped ($27.00) photographic dust jacket designed by Allison Saltzman. Photos of Smith and Mapplethorpe in text and at rear. XII, 279, [1], [12] pages. Inscribed by Smith on title page: "March, 2011 / To Craig / Patti Smith." Ecco press release and promotional materials loosely laid in. Spine ends gently nudged, tiny spot of dust-soil to lower edge of textblock. Else bright, clean, and sharp.

New York: Columbia Records, 2012. Near Fine/Near Fine. New York: Columbia Records, 2012. First Edition. Signed by Patti Smith to her friend Television frontman Tom Verlaine with inscription, "To Tom love always, Wing." Octavo. Unpaginated. Black and white photographs. Photo-illustrated dust jacket. Black boards stamped in silver. CD to pocket at rear. Touch of rubbing to dust jacket. Mild shelfwear to boards. Binding sound and pages unmarked. Near Fine.

New York: Gotham Book Mart, 1973. Broadside. Fine. An all-but-pristine copy of this early, original Patti Smith broadside, issued by New York's legendary Gotham Book Mart in 1973. #36 OF ONLY 50 NUMBERED COPIES SIGNED BY PATTI SMITH (within a larger limitation of 300 copies, the remaining 250 unsigned). A single sheet (printed on only one side), consisting of thick, light-blue rag paper, measuring 8 1/2" x 12". (Ironically, given the connection to The Gotham Book Mart, this was written just before, as legend has it, Patti's 1974 short stint working in the bowels of The Strand).

Boston: Telegraph Books, 1972. Original printer's proof for the cover of the first edition published by Telegraph Books in 1972. Patti Smith's first published collection of poetry. 7.5 x 10 inches. Light toning on the extremities, else Near Fine.

New York: G. P. Putnam's Sons, 1978. First Edition. Near Fine/Near Fine. First edition, first printing. Signed by Patti Smith on the title page. Bound in original black cloth lettered in blind on the upper board and in gilt on the spine. Near Fine with boards slightly splayed. In a Near Fine unclipped dust jacket with light general wear; small spot of bleeding from black cloth onto the verso of the dust jacket. Poems, prose, lyrics, drawings and photographs. Uncommon in the cloth issue.

[New York: Gotham Book Mart, 1973. Copy 1 of 125 numbered copies, signed by the author. 1 vols. 8vo (8-1/2 x 5-1/2 inches). Fine. Copy 1 of 125 numbered copies, signed by the author. 1 vols. 8vo (8-1/2 x 5-1/2 inches). Facsimile of Patti Smith’s typed and manuscript notes for a spoken word performance, touching upon all the familiars: William Burroughs, junk, Paul Bowles, news headlines, and more. Printed in an edition of 125 numbered copies and 26 lettered copies. Copy number 1, from the files of Matt Monahan of the Gotham Book Mart. OCLC: 53855758. Provenance: Matthew Monahan; Gary Oleson

Amsterdam: Paradiso, 1978. Vintage single color silkscreen poster for a March 23, 1978 performance by The Patti Smith Group at Paradiso, Amsterdam. Designed by Martin Kaye. The opening act, Cake, was a Dutch reggae pop group, not to be confused with the 1990s alternative rock band from Sacramento, California. In 1978 The Patti Smith Group was touring in promotion of their third studio release, the highly acclaimed and commercially popular "Easter," which contained one of Smith's most recognizable songs, "Because the Night," co-written by Bruce Springsteen. Martin Kaye, one of the foremost poster designers of the punk era, was the Paradiso's longest serving in-house designer, from 1972 until 1983, with his studio in the basement of the venue. Kaye's silkscreen posters were usually produced in an edition of 125 copies which he would distribute throughout Amsterdam himself, accompanied by his dog Lady. 24 x 17 inches. Near Fine.

New York: Arista Records, 1979. Vintage oversize promotional record store poster for the 1979 album. Cover photograph by Smith's longtime friend and former partner Robert Mapplethorpe. Punk poet laureate Smith's fourth album, produced by Todd Rundgren, and the third and final album released from the Patti Smith Group. Featuring the classic tracks, "Frederick," dedicated to Smith's fiancé, MC5 guitarist Fred "Sonic" Smith, and "Dancing Barefoot," named one of Rolling Stone magazine's 500 Greatest Songs of All Time, covered by artists as diverse as U2, Allison Moorer, Pearl Jam, and Simple Minds, among others. 36 x 36 inches, on heavy cardboard stock, with two small grommets for hanging at top corners and a center horizontal fold, as issued. Light edgewear and faint rubbing at the extremities, else Near Fine.

[New York, 1974. Signed, numbered edition (unknown limitation); this one number T.. 9-1/2 x 6-1/4 inches. Fine. Signed, numbered edition (unknown limitation); this one number T. 9-1/2 x 6-1/4 inches. Patti Smith played the Riverside Plaza Hotel in New York on October 27, 1974, before the debut of her album Horses. Smith and Verlaine were romantically involved at the time. The same artwork (with a printed signature) was included as the back cover of The Night (Ales Books, 1976), her exquisite corpse poetry book made with Verlaine. From the collection of Tom Verlaine

Fine. [N.p.: s.n. 2011]. Copy 12 of 26 artist proof copies, signed by the contributors, from a total edition of 186, signed in pencil by John Ashbery, Tom Levine and Patti Smith. Original gray printed cloth binding and slipcase, housed in a plain gray card box. 11 5/8 x 9 1/4 inches (29.5 x 23.5 cm); unpaginated, with ten etchings by Tom Levine. Printed by Gregory Burnet on Hannemühle copperplate paper. A handsome production.

[New York: Gotham Book Mart, 1973. Signed, number 103 [of 300]. 14 x 8-1/2 inches. Old fold, near fine. Signed, number 103 [of 300]. 14 x 8-1/2 inches. "It was for him that I wrote and dreamed," she wrote about Rimbaud in Just Kids (2010). She was also greatly inspired by her lover and lifelong friend, Tom Verlaine. This piece is especially significant as it dates from the earliest days of their relationship. From the collection of Tom Verlaine

London: Aloes Books, 1976. Softcover. Fine. First edition. Octavo. String-tied red printed wrappers. Fine. Twenty-two poems written alternately by Smith and Verlaine. This is copy number 13 of 22 hand-numbered copies with a Rimbaud piece Signed by Patti Smith bound in. The colophon indicates that there were 25 copies signed by both poets, but Verlaine signed none, and the handwritten limitation seems to indicate that there were 22 copies rather than either the 25 stated, or the 20 we've heard speculated. Rare.

New York: Gotham Book Mart and Gallery, 1977. First edition, copy H of 26 lettered copies, lettered and signed by the author. Illustrated. Unpaginated, [16] pp. 1 vols. 8vo. Wrappers, hole punched with small padlock and key. Some toning to wrappers, near fine. First edition, copy H of 26 lettered copies, lettered and signed by the author. Illustrated. Unpaginated, [16] pp. 1 vols. 8vo. Nice copy of the lettered state (100 numbered copies were also issued), with the original lock. Smith has lettered this copy “H Ha! Ha!” and signed below on the limitation page.

New York: Gotham Book Mart, 1973. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Publisher's black cloth with pasted on cover, photograph of Patti Smith by Robert Mapplethorpe, near fine. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Inscribed to Matthew Monahan, director of the Gotham Book Mart: "To Matthew – for Taking care of my carnal desires for Trocci, Burroughs & Bowles. xxx Patti Smith / 18 June 75..." She has further inscribed the colophon: "9 – quiet foam bubbling from mouth of the dead blonde boy." Laid-in are a postcard advertising the release of the book and an exhibition of drawings by Smith, and another postcard advertising a second show of drawings by Smith.

New York, 1972. Matted 8.25" x 14" offset print signed by Mapplethorpe with an 'X' in green ink and by Smith in black ink. Offset print in green mat, fine. Matted 8.25" x 14" offset print signed by Mapplethorpe with an 'X' in green ink and by Smith in black ink. Features Smith's poem paired with two reproductions of Mapplethorpe photographs of David Croland.

New York, NY: Wu-Shan Inc. and Sony Music, 2011. Book. Fine condition. Hardcover. Inscribed by Illustrator(s). 1st Edition. Quarto (4to). The Deluxe Box edition, number 77 of 85 limited edition sets produced, issued in a black cloth clamshell case with white lettering. Includes four numbered sleeves each containing a vinyl record, three numbered sleeves each containing a compact disc, and a folding enclosure containing descriptive text sheets and 16 album-sized limited issue silkscreen prints on Arches paper. Fourteen of the prints are signed by the artist on the front or back; the Dylan and Gordon prints are stamp signed. The silkscreens are individually printed by Alexander Heinrici, one of Warhol's most trusted silkscreen artists. Heinrici created the original silkscreens for Warhol's world-renowned "Mao," "Flowers" and "Merce Cunningham 1," among others. All sixteen prints are numbered and stamped on the back. Each print has a tissue guard. Each print measures 12 x 12 inches (30.4 x 30.5 cm). The box measures 14 x 14 x 2.5 inches (36 x 36 x 5 cm). The publication accompanied an exhibition of the same title at the Andy Warhol Museum October 1, 2011 - January 8, 2012. It was subtitled as "An Exhibition in Sight and Sound." The set includes music, art and recordings created by a diverse roster of artists, writers, and performers who knew, worked with, were associated with, and/or were inspired by Andy Warhol. Spoken word, sound pieces and music recordings by Ivan Karp, Bob Dylan, Path Soong, John Giorno, Billy Name, Ultra Violet, Lawrence Weiner, Vincent Fremont, Brigid Berlin, Patti Smith, Christopher Makos, Yura Adams, Alexander Heinrici, Carter Ratcliff, Connie Beckley, Nat Finkelstein, Susan Breen, and Jeff Gordon. Artworks were provided by all the artists except for Ivan Karp. The audio works juxtapose each artist's visual image all created in homage to Warhol. The vinyl and Compact Disc recordings include Karp's "The First Time", Dylan's "When I Paint My Masterpiece", Soong's "Titles", Giorno's "Thanx For Nothing", Name's "Maha Mantra", Violet's "Light", Weiner's "Vienna", Fremont and Berlin's "Conversation" (two tracks), Smith's "Edie", Makos' "What About Me?", Adams' "Waiting For My 15 Minutes", Heinrici's "Silkscreen", Ratcliff's "Glitch City", Beckley's "Silk Scream Liz", Finkelstein's "Factory", Breen's (with Arto Lindsay) "Warhol Soundfield 467", and Gordon and Warhol's "Uh Yes Uh No." Bonus material not present in other Deluxe Box (or any other) editions: blue and black silkscreen artwork (depicting Path Soong) titled "6.98" number 9/50 and pencil signed by artist Jeff Gordon (image area 6" wide by 8"); Handmade 24-page poetry book titled "Stillness" dated 2012, signed by Path Soong and numbered 7/10; three compact disc recordings (in tin case - unopened) by contributors; and, an original invitation and 2-person ticket to the 2011 exhibition. Fine condition. .

New York: Gotham Book Mart, 1973. First Edition, Lettered Issue. Fine. First edition, letter "T" of the lettered issue. Signed by Patti Smith on the limitation page and additionally inscribed to Television front-man, former lover and life-long friend, "for Tom Verlaine / 'son of a neck'" (quoting Rilke's "Fifth Elegy"). Provenance: from the collection of the late rock musician, Tom Verlaine. Smith and Verlaine were both significant figures in the New York punk and art scene of the 1970s, and known for their close personal and professional relationship. 45 pp. Bound in publisher's black cloth, photographic portrait paste-on of the author by Robert Mapplethorpe to upper cover. Fine. Accompanied by a note provided by Smith explaining it's sister copy, "Letter V", which was also gifted to Tom Verlaine along with this copy, "Letter T", now resides with her: "This is letter T of Witt, actually pronounced white. But with wit intentions. I gave it to Tom when we lived on East 11th Street. Later I give him a V, which is now thoughtfully in my hands. So you who now hold T and I the V are Tom connected. Patti Smith NYC." On the verso is a charming pencil sketch of Tom Verlaine, captioned "A nose like a diamond / TV / It's a fact, a nose like a diamond, Tom." With an additional note on Smith's personalized Cartier stationary and envelope marked by her with the letter "T", "A note with a small drawing of Tom to accompany T of Witt with all good wishes Patti Smith". A beautiful association copy published the year the two musicians met, seen as an eternal link between Verlaine and Smith by Smith herself.

[New York, Paris, etc., 1975. 4to and smaller. Generally very good to fine (some wrinkles and folds). 4to and smaller. A nice clutch of material from Patti Smith’s early years in New York, written or inscribed to Faith Cross, long time employee of the Scribner Book Store, where Smith also worked. a) “Happy birthday to my New York (and very young) mother I have no present for you but real honest-to-goodness love, patti” b) “Happy birthday, Mr Palmer says your spirit will never grow up — Peter Pan salutes you and I say — only flowers in gardens and meadows for you … free spirits and a good birthday, patti” [Undated, in black felt tip pen on the verso of a Charles Scribner’s Sons billhead.] c) [caricature of a bird-headed woman, undated in black felt tip pen, wrinkled] d) “Faith, Good morning thank you for the ice cream — somehow I missed you, I stayed til 6:00 & did my work (no woofs in sight) [doodle of a person with hat] Straw hat” [Undated, in red ballpoint pen on the verso of a Charles Scribner’s Sons billhead, some tears to edges] e) “Thinking of you Christmas New Years & every day xxx I love you, Patti” (on small card) f) Dear Faith, I dropped in to say hello again. My Job around the corner is high paying but sure is lonely. Happy George Washingtons Birthday & all that stuff. I’m waiting on your birthday, Patti (without a drop of soup in my blood)” [On Scribner Book Stores notepaper] g) Printed birthday card, signed “Faith, happy birthday, love patti” h) Dear Faith, I stopped by to see you, just got in from Canada … Things are going pretty well, I’m doing a lot of freelancing Oh Faith! I’m doing a full page story on Blaise Cendrars my literary hero for a new literary magazine called Zygote …I miss you, love, patti” [On Scribner Book Stores notepaper] h) “Abercrombie is gone but I’m still here, merry Christmas, patti” i) Single sheet program for “Femme Fatale: The Three Faces of Gloria, A Religious Entertainment” by Jackie Curtis, where Patti took the role of Paula von Gunta beside Jackie Curtis as Irish “Gloria” Fairchild, and Penny Arcade, produced at La Mama, May 1970. Inscribed on the verso, “To Faith, love to the leading lady behind the scenes! The one who kept me alive to rob the hairdressers! Thank you, Patti!“ Folded. j) Postcard from Paris, postmarked 23 Spetember 1970, “Dear Faith, I found a real neat Turkish guy who feeds me almost as well as you do … Worked in the streets again, the fire eaters are sexier than ever. I miss you as much & more than my own mom, love patti” k) Smith, Patti. Early Morning Dream. [8] pp. [New York, 1972], Pictorial self wrappers, limitation statement on back wrapper: Limited edition 100 [no. 31]. OCLC 16569365. Inscribed inside front cover, “To Faith dirty little tale filled with a lotta clean love — for you! patti smith”. Provenance: Gary Oleson (Waiting for Godot Books)