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W. W. Norton & Company, 1995-06-17. 2nd. paperback. Used: Good. 5.10x0.60x8.30. Buy with confidence. Excellent Customer Service & Return policy.

Aviva Publishing, 2023. Hardcover. Very Good. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

UsedLikeNew. Shows very minimal signs of wear and previous use. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material (toys, access code, dvds, etc).

Knopf. Used - Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardback. Very Good.

Random House, 2022. First Edition. Hardcover. Very Good/Near Fine. Tight, clean. Near fine. DJ shows minor smudge. Copiously illustrated.

Warner Brothers, 1947. Book. Very Good. No Binding. 11" X 14". A VGF or better original release 11 x 14 lobby card. .

Vintage, August 2016. Trade Paperback . Used.

And Other Stories, 2021. Paperback. New. 120 pages. Spanish language. 7.72x5.08x0.55 inches.

Ecco, 2010. Softcover. Very Good. 0x5x8. In Very Good+ condition. It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years. Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.