BookGilt - Search results - Author: robert-frank; Title: robert-frank-the-complete-film-works

Steidl, Göttingen. 2008. First edition. New, mint, unseen; still originally shrink-wrapped in publisher`s plastic foil. Three DVDs in a film-roll box, slipcased. 130 x 210 mm. Photographs by Robert Frank. The films are: OK End There, 32 min, 1963. Conversations in Vermont, 27 min, 1969. Liferaft Earth, 37 min, 1969. Perfect condition! Collector`s copy! "Robert Frank's significant contribution to photography in the mid-twentieth century is unquestionable. His book, The Americans, is arguably the most important American photography publication of the post-World War II period, and his photography has spawned numerous disciples, as well as a rich critical literature. However, at the very moment Frank achieved the status of a "star" at the end of the 1950s, he abandoned traditional still photography to become a filmmaker. He eventually returned to photography in the 1970s, but Frank, as a filmmaker, has remained a well-kept secret for almost four decades. Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank`s more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 60s. OK End Here is Frank`s 1963 short film about inertia in a modern relationship. The film alternates between semidocumentary scenes and shots composed with rigid formality, and appears to have been directly influenced by the French Nouvelle Vague and Michelangelo Antonioni`s films. The characters are often only partially visible or physically separated by walls, doors, reflections, or furniture, and the camera relays the story with little rhyme nor reason, a roaming gaze, which seems to lose itself in things of little importance, while at the same time capturing the dominant atmosphere of routine, alienation, and apathy. Conversations in Vermont "This film is about the past.when Mary and I got married.the past and the present. Maybe this film is about growing older.some kind of a family album." Robert Frank in the Prologue. Produced in 1969, this was Frank?s first autobiographical film, telling the story of a father`s relationship with his two teenaged children, and his fragile attempts to communicate with them by means of a shared story. The shared story is partly told through Frank`s narration over filmed images of his photographs, family photographs and world famous images. Liferaft Earth begins with a newspaper report from Hayward, California: "Sandwiched between a restaurant and supermarket, 100 anti-population protesters spent their second starving day in a plastic enclosure". The so-called Hunger Show, a week-long starve-in aimed at dramatizing man`s future in an overpopulated, underfed world.". This film accompanies the people on this "life raft" from 11 to 18 October 1969, and was made by Robert Frank for Stewart Brand, the visionary founder of the international ecological movement and publisher of the bestselling Whole Earth Catalog (1968-85)." (from the publisher)***************Steidl, Göttingen. 2008. Erstauflage. Originalauflage. Neu, ungesehen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Drei DvDs in einer Filmrollen-Box mit Schuber. Bei den Filmen handelt es sich um: OK End There, 32 min, 1963. Conversations in Vermont, 27 min, 1969. Liferaft Earth, 37 min, 1969. Perfekter Zustand! Sammler-Exemplar! Robert Frank, geboren 1924 in Zürich, ging 1947 in die Vereinigten Staaten. 1958 erschien sein Buch The Americans, ein bahnbrechendes Werk, das aus ganz neuer Perspektive auf die Amerikaner blickte und die Ästhetik des Fotobuchs revolutionierte. Weitere seiner Bücher sind Black White and Things und The Lines of My Hand. Zu seinen wichtigsten Filmen zählen Pull My Daisy und Cocksucker Blues. Franks Arbeiten werden weltweit ausgestellt, zuletzt waren die "Storylines" im Tate Modern, London zu sehen. Robert Frank lebt in New York und im kanadischen Nova Scotia. Sprache: Englisch Gewicht in Gramm: 1600
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Steidl, Göttingen. 2008. First edition. New, mint, unseen. Still originally shrink-wrapped in publisher`s plastic foil. Three jewel cases in a sleeve. 130 x 210 mm. Photographs by Robert Frank. The films are: Vol 1: Pull My Daisy, 28 min, 1959. The Sin of Jesus, 37 min, 1961. Me and My Brother, 85 min, 1968. "Robert Frank's significant contribution to photography in the mid-twentieth century is unquestionable. His book, The Americans, is arguably the most important American photography publication of the post-World War II period, and his photography has spawned numerous disciples, as well as a rich critical literature. However, at the very moment Frank achieved the status of a 'star' at the end of the 1950s, he abandoned traditional still photography to become a filmmaker. He eventually returned to photography in the 1970s, but Frank, as a filmmaker, has remained a well-kept secret for almost four decades. Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank`s more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 1960s. Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. The Sin of Jesus was based on the story of Isaac Babel, a woman on a chicken farm who spends her days working at an egg-sorting machine. "I'm the only woman here." She is pregnant, her husband spends his days lying in bed, and his friends encourage him to go out on the town with them. The woman talks to herself as she works, lost in the monotony of human existence. She counts the passing days in the same way she counts eggs. Even extraordinary events, such as the appearance of Jesus Christ in the barn, go under the stream of this melancholy solipsism. Me and My Brother seems to be a rather artless-film-within-a-film being shown at a rundown movie theater. The story contains bizarre twists and turns: skillfully weaving together opposites, playing counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. This was Frank's first feature-length film work and it celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage. There is a method to this film's madness: It is so rich in text, quotes, music, and associations that keeping up with it through the underbrush of psyche, film, and urbanity is barely possible. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959, which gave rise to a distinct new form in the photo-book, and his experimental film Pull My Daisy, made in 1959. Frank`s other important projects include the books Black White and Things, 1954, and Lines of My Hand, 1972, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City and Nova Scotia, Canada." (from the publisher)***************Steidl, Göttingen. 2008. Erstauflage. Originalauflage. Neu, ungesehen, verlagsfrisch. Noch original-verschweißt in der Plastikfolie des Verlags. Drei DvDs in einer Filmrollen-Box mit Schuber. Bei den Filmen handelt es sich um: Vol 1: Pull My Daisy, 28 min, 1959. The Sin of Jesus, 37 min, 1961. Me and My Brother, 85 min, 1968. Robert Frank, geboren 1924 in Zürich, ging 1947 in die Vereinigten Staaten. 1958 erschien sein Buch The Americans, ein bahnbrechendes Werk, das aus ganz neuer Perspektive auf die Amerikaner blickte und die Ästhetik des Fotobuchs revolutionierte. Weitere seiner Bücher sind Black White and Things und The Lines of My Hand. Zu seinen wichtigsten Filmen zählen Pull My Daisy und Cocksucker Blues. Franks Arbeiten werden weltweit ausgestellt, zuletzt waren die "Storylines" im Tate Modern, London zu sehen. Robert Frank lebt in New York und im kanadischen Nova Scotia. Sprache: Englisch Gewicht in Gramm: 1600
5uhr30-150.90-cc372057f63be1aebcc14d8c4bc2f440
$150.90
View Details
5Uhr30 (Germany)
Via