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Envoi rapide haut du dos un peu abîmé intérieur frais bords frottés. in8. 1947. Broché. Etat correct

Envoi rapide couverture défraîchie ternie intérieur propre présence de rousseurs. in8. 1957. Cartonné. Bon état

Poor paperback copy. Text remains clear and unblemished. Physical description; 262p ; 20cm. Subject; Reichstadt, François-Charles-Joseph Herzog von Drama. 1 Kg.

Envoi rapide Etat correct couverture défraîchie ternie intérieur propre présence de rousseurs annotations en page titre. in8. 1957. Relié. Etat correct

262 p. Reliure usée. Size: In 12

Bon Etat intérieur propre. in8. 1902. reliure demi-basane. 263 pages. Bon état

Poor paperback copy. Text remains clear and unblemished. Physical description; 262p ; 20cm. Subject; Reichstadt, François-Charles-Joseph Herzog von Drama. 1 Kg.

Bon état général. in-8. 1902. Demi-Chagrin grenat titré au dos en lettres dorées Tranche supérieure dorée. 262 pages. Bon état

Envoi rapide Très bon état (TB) circa 1920 reliure en bon état intérieur propre bonne tenue. in8. Sans date. Relié. Très bon état

Edition numérotée : 603/4000 sur vélin Johannot d'Annonay. Non coupé. Bel exemplaire

First Edition. Binding tight. Minor wear and tanning. Some rubbing to the spine and the board edges. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING

Envoi rapide Très bon état de conservation belle reliure artisanale intérieur frais bonne tenue. in8. 1945. Relié. Très bon état

262 pages en format -12 - Représenté pour la première fois au théatre Sarah Bernhardt le 15 Mars 1900 - Belle reliure percaline bleu avec dorures et plat marbré

Spine faded, faint foxing, tiny stain on bottom page edge, and scarce jacket with light rubbing. French language. ; Collection Super, 7; 8vo 8" - 9" tall

reliure demi cuir 34e mille

1ére édition reliure demi cuir

Représentée pour la première fois au Théatre Sarah-Bernhardt, 1 vol. in-8 reliure bradel de l'époque demi-percaline verte, Librairie Charpentier et Fasquelle, Paris, 1900, 5 ff., 262 pp. et 1 f. n. ch. Exemplaire publié l'année de l'édition originale, avec mention de 6e mille en titre, ce qui le place parmi les premiers tirages publiés, sachant que l'on trouve difficilement des exemplaires en-dessous du 20e mille. Bon état (rouss., rel. très lég. frottée) Langue: Français

262 pages in very good condition. Pages are clean and unmarked. Text is in FRENCH. Page edges are lightly darkened and speckled. Half-bound in leather and marbled paper. Worn around the edges and spine. Four raised bands on the spine. Boards and spine are lightly scuffed. 1ST EDITION. VG

Edition originale. in-8 de (10)-263 pages ; Reliure: demi chagrin à coins, filet d'encadrement doré, dos à nerfs, orné, tête dorée.

First Edition. Hardback. No Dust Jacket. 8vo. pp vii, 263. Handsomely bound by Stikena and Co. in full grained brown morocco lettered gilt at the spine with five gilt lined raised bands, top edge gilt and inner gilt dentelles. Original publisher's wraps bound in. L'Aiglon is a play in six acts by Edmond Rostand (1868-1918) based on the life of Napoleon's son, Napoleon II of France, Duke of Reichstadt. The title comes from a nickname for Napoleon II, the French word for 'eaglet' (a young eagle). The title role was created by Sarah Bernhardt in the play's premiere in 1900 at the Theatre Sarah Bernhardt. In October of the same year, the play in an English translation by Louis N. Parker, premiered at New York's Knickerbocker Theatre with Maude Adams in the title role. Its first performance in London was at Her Majesty's Theatre in 1901, with Bernhardt again as the Duke of Reichstadt. Rostand had written L'Aiglon specifically for Bernhardt, and it became one of her signature roles. Rostand was a French poet and dramatist. He is associated with neo-romanticism, and is best known for his play Cyrano de Bergerac. Signed presentation from the author on the half title page to the French writer and critic, Ferdinand Brunetire (1849Ð1906), "hommage de haute admiration, Edmond Rostand." Faint surface wear, slight fading at spine and slight rubbing at spine, otherwise sound, clean, very good.

8vo, original printed wrappers, lacking the spine. Paris: Charpentier et Fasquelle, 1900. First Edition. TOGETHER WITH the first American Edition, translated by Louis Parker, in blue cloth decoratively stamped in gold. N.Y.: R.H. Russell, 1900. Fine copy. 2 volumes , each with a cloth dust wrapper, in a double 1/2 morocco slipcase. The French edition bears a presentation from Rostand, with an initialed postscript, and an initialed ink drawing of a figure in uniform with a sword. The American edition has three presentations to the same indefatigable collector: a 6 line inscription from Louis Parker, the translator, dated 1901, Rostand, who compliments the translator, in 1902, and Maude Adams, who was in the cast of the New York production, in 1904. A unique set.

8vo, original printed wrappers, lacking the spine. Paris: Charpentier et Fasquelle, 1900. First Edition. TOGETHER WITH the first American Edition, translated by Louis Parker, in blue cloth decoratively stamped in gold. N.Y. : R.H. Russell, 1900. Fine copy. 2 volumes, each with a cloth dust wrapper, in a double 1/2 morocco slipcase. The French edition bears a presentation from Rostand, with an initialed postscript, and an initialed ink drawing of a figure in uniform with a sword. The American edition has three presentations to the same indefatigable collector: a 6 line inscription from Louis Parker, the translator, dated 1901, Rostand, who compliments the translator, in 1902, and Maude Adams, who was in the cast of the New York production, in 1904. A unique set.

8vo, original printed wrappers, lacking the spine. Paris: Charpentier et Fasquelle, 1900. First Edition. TOGETHER WITH the first American Edition, translated by Louis Parker, in blue cloth decoratively stamped in gold. N.Y. : R.H. Russell, 1900. Fine copy. 2 volumes, each with a cloth dust wrapper, in a double 1/2 morocco slipcase. The French edition bears a presentation from Rostand, with an initialed postscript, and an initialed ink drawing of a figure in uniform with a sword. The American edition has three presentations to the same indefatigable collector: a 6 line inscription from Louis Parker, the translator, dated 1901, Rostand, who compliments the translator, in 1902, and Maude Adams, who was in the cast of the New York production, in 1904. A unique set.