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NY: Dutton/Obelish. (1983). First thus. Slight foxing, light crease and wear to spine; near fine in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Near Fine.

Wien, Etc.: Herbert Reichner Verlag, 1935. 228 [3]p., b/w illus., original grey cloth.

Germany: Insel, 1931. Hardcover. Good. Good hardcover. In German. Pages yellow. Clean text. Corners lightly rubbed. Spine yellowed. Edges of spine slightly rubbed.

Santiago, Chile: Undo Rukser and Albert Theile, Publishers, 1944. Wraps. Good. Printed wraps 40 pp. ALL TEXT IN GERMAN. A single issue of this World War II era German exile periodical, featuring articles on various political, literary and social topics of that era, including a critical piece on Hitler and the ruin of Germany through his rule. With an excerpt reprinted from Stefan Zweig's Episode am Genfer See. According to Ralph Vander Heide, the Deutsche Blatter 'ranks highest among the numerous exile periodicals (...) between the years 1933-1945,' with Robert Cazden stating that it 'represented the best of all German cultural achievement during emigration,' (see Heide: German Leaves, p. 17 for both quotes). GOOD condition. Some writing/ink notes to the upper front cover. Moderate browning, somewhat heavier along the extremities. Minor soiling, scuffing and edgewear. Light toning to the paper.

Garden City Ny: Garden City Publishing, 1947. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Ix, 337 Pp. Red Cloth, Gilt. First Edition Stated. Book Near Fine, Gilt Brilliant, Former Owner's Inscription Dated In 1947. Dust Jacket With Light Usage, Price Inked Out, A Few Minute Losses At Edges, Slight Browning To Spine Panel. [No Comparably Lurid Volume Of "Horrid Economic Crimes" Because , Well, Almost Everyone In Commerce And Government And Academia Would Find That Objectionable.]

Leipzig: Insel Verlag, 1931. First Edition. First printing. Octavo. Publishers black-and-yellow cloth boards (hardcover); 445pp. Mild external aging and soil; internally clean, tight and unmarked; Very Good. With the Bauhaus-style bookplate of psychologists Richard & Editha Sterba, graduates of the first class of the Vienna Psychoanalytic Society.

New York, NY.: Thomas Seltzer. Very Good. 1922. First Edition. Hardcover. This book is hard-bound in tan paper covered boards with a brown cloth spine with a printed paper label. The cover sshow a few faint damp-stain spots, edge-wear, and light rubbing to the corners and spine-ends. There is light wear to the front hinge but with the binding solid. The contents are bright and clean, with light rubbing to the pages. There is a previous owner bookplate on the front paste-down. .

Lincoln, NE: University of Nebraska Press, 2009. First Paperback edition. Original Wraps. Very Good+ in Wraps. First Paperback edition. Original Wraps. Underlining by Oliver Sacks. Dr. Sacks often made comments in the margins or had conversations with the author in the text. From the library of Dr. Oliver Sacks, the renowned neurologist, author, and educator. He was, in his life, celebrated for his contributions to the understanding of the human brain and his ability to communicate complex scientific concepts to a broader audience. In doing so, he highlighted the profound impact of neurological disorders on human identity and experience. His library is a reflection of this remarkable polymath's questing mind. Near fine. Glossy pictorial wrappers. 8vo. xvi, 472pp. Illus. (b/w). All underlining, emphasis, and notations are in the hand of Dr. Oliver Sacks.

NY:: Harmony Books,. Near Fine in Near Fine dust jacket. 1981. Hardcover. 0517545535 . With an introduction by John Fowles. Translated from the German by Jill Sutcliffe. First printing thus. Near fine in a near fine (age toning to flap edges) dust jacket.; 250 pages .

N.p.: N.p., 1960. Treatment script for an unproduced film. Based on the 1922 novella by the same author, of the same title. The protagonist, a doctor who has moved to India from Germany to practice medicine is overcome by an obsession which eventually leads to his committing suicide. "Amok" is an Indonesian word of Malay origin, referring to people caught up in a blind rage who try to kill their enemy and do not care about whoever else gets killed in their way. From this novella and the word's meaning originates the term "running amok." Set in India. Yellow untitled wrappers. Title page present, with credits for Stefan Zweig. 65 leaves, with last leaf of text number 65. Carbon typescript. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.

New York: Avon Books, 1949. First Edition. No. 44. First Edition. An anthology featuring stories by W. Somerset Maugham, Robert Payne, Stefan Zweig, John D. MacDonald, and Robert Norman Hubner. Very Good in wrappers, with moderate creasing on the edges, and wrappers lightly rubbed.

Dresden: Verlag Der Kunst, 1959. First German language edition. Hardcover. Very good minus. 324pp. Quarto [27 cm] White cloth over boards with a black ink stamped title on the spine, and a black ink stamped woodblock vignette on the front cover. With a tipped-in frontispiece portrait of Masereel. The spine is a bit darkened, and there are multiple areas of light soiling on the boards. The front hinge is a bit weak, and the pages are age-toned. Richly illustrated with woodcuts by this Flemish artist, including some in full color.

Dresden: Verlag Der Kunst, 1959. First edition. Hardcover. Orig. decorated white cloth. Very good in ragged dust wrapper. Masereel, Frans. 324 pages. 27 x 21 cm. Profusely illustrated in black and white. German text. FREITAG 6121.

Dresden: Verlag Der Kunst, 1961. Second German language edition. Hardcover. Very good +. 351pp. Quarto [27 cm] White cloth over thin boards with a black ink stamped title on the spine, and a black ink stamped woodblock vignette on the front cover. With a tipped-in frontispiece portrait of Masereel. The spine is subtly darkened, and the free endsheets are partially toned. Richly illustrated with woodcuts by this Flemish artist, including some in full color.

Berlin: Axel Juncker Verlag, 1923. First edition, not numbered, not signed. Hardcover. Good +. 177pp. Large octavo [25 cm] Green cloth over boards with gilt lettering on the backstrip and front board. With tipped-in photographic representation of Masereel on the verso of the title page. The spine and the edges of the covers are faded, the front hinge is weak, and the text block is just starting to crack at the beginning. The pages are darkened. Ritter, p. 525. Graphiker Unserer Zeit, Band I.

NY:: Hastings House,. Very Good in Very Good dust jacket. 1954. Hardcover. Translated from the German and edited by Henry G. Alsberg. First edition thus. INSCRIBED by Friderike Zweig to a previous owner in 1958. Very good in a very good (moderate edge wear with a large chip on the front panel) dust jacket. ; 344 pages; Signed by Author .

New York: Viking Press, 1928. First Thus. 12mo (17.75cm.); publisher's cloth in light tan decorative dust jacket printed in brown and orange; [6],187pp.; frontispiece and decorations throughout. Jacket extremities gently rubbed, small chip at spine crown, spine a bit toned, else Near Fine in Very Good or better jacket. "A New York Theatre Guild Production" - upper jacket panel. A modern adaptation of Jonson's 17th-c. comedy; this version was later adapted for George Antheil's 1953 opera.

Wien Leipzig Zurich: Herbert Reichner Verlag, 1935. 1st Edition 1st Printing. Hardcover. Fine/Very Good. 21 Tafeln. 526 Pp. Orange Cloth Stamped In Brown And Gilt. First Printing. Fine. Dust Jacket Browned, Light Wear, A Few Very Tiny Edge Ters, Damp Spotting To Spine. Original Slipcase / Shipping Carton

New York: Viking Press, 1931. First American Edition. First printing. 12mo. Yellow cloth, titled in maroon on spine with color pictorial vignette to front cover; dark green topstain; 121pp. Light soiling to cloth, else a straight, tight, Near Fine copy. In the original pictorial dustwrapper, unclipped (priced $1.50 on front flap), lightly soiled but generally bright and unfaded, Very Good+. Zweig's controversial novella, originally published in the Viennese newspaper Neue Freie Presse in 1922. The story, filled with Freudian references, deals with the romantic obsession of an abortionist with one of his patients, leading finally to her death and his suicide – almost needless to say, this was hardly the drink of choice for Americans in the Great Depression; the print run must have been small and sales smaller still, as today the book is unexpectedly scarce in commerce, and rarely found in nice condition.

New York: Europa Publications, Inc, 1933. Softcover. Very Good. Volume I, No. 1. Cover photograph by Samuel A. Robbins. Quarto. 52pp. Illustrated in black and white. Stapled wrappers. Wraps moderately rubbed and soiled, bumps, creases, and nicks along the edges and spine, very good overall. The inaugural issue of this short-lived publication, produced in just three volumes. Contains articles about literature, art, film, architecture, and politics, including: "Stalin and Trotsky" by Prof. Alexander Goldenweiser; "Romain Rolland and Malvida Von Meysenbug" by Stefan Zweig; "Matisse and Picasso" by Clive Bell; and more.

Istanbul: Marmara Gazetesi Matbaasi, 1970. 1st Edition . Soft cover. Fine. 8vo - over 7¾ - 9¾" tall. Paperback. Cr. 8vo. (20 x 14 cm). In Armenian. 320 p. Pages partly uncut. Chatrav khaghats'voghy. [= Schachnovelle]. Translated to Armenian by R. Chattechian. The Royal Game (also known as Chess Story; in the original German Schachnovelle, "Chess Novella") is a novella by the Austrian author Stefan Zweig written in 1941, the year before the author's death by suicide. First Armenian Edition of 'Schachnovelle' by Stefan Zweig. Armenian title means 'how to play'. Published by Istanbul Armenians. Not in OCLC.

Berlin: Axel Juncker Verlag, 1923. Limited Edition (#88 of 150). Leatherbound. Very Good. SIGNED. 177 pp. Large octavo [26 cm] bound in full red Morocco with five raised bands and the title gilt on the backstrip. Boards embossed in blind. Top edge gilt. Marbled endsheets and pastedowns. Rubbing and wear to the raised bands of spine as well as edges and corners of boards. Small bookplate on the front pastedown. Signed by Frans Masereel on the page bearing his self-portrait [at page 32]. Includes 42 woodcut illustrations and a pasted-in photograph of Masereel on verso of title. Text in German. This edition was limited to 150 numbered copies on handmade paper, this is copy number 88. "Dieses werk wurde im jahre 1923 in der Buchdruckerei Gustav Ascher, Berlin gedruckt. 150 Exemplare wurden auf Butten gesondert abgezogen, numeriert, vom Kunstler signiert und in einen mit der Hand gefertigten Einband gebunden. Dieses Exemplar tragt die Nummer: 88

N.p.: N.p., 1960. Bound carbon typescript of Stefan Zweig's 1927 novella, made for the purpose of use by German actress Lil Dagover for her reading of same for the 1963 German LP, "Lil Dagover spricht Stefan Zweig." Dagover's name is in blue manuscript ink on the front board, then again with her German address on the front endpaper, then only her name once again on the title page. With Dagover's manuscript corrections to the text on virtually every recto, and, when a rewrite of a passage was required, on the verso to the of a given typescript passage on the recto. Typescript is accompanied by the resulting recording by Dagover, the original German issue by Deustsche Grammophon, released in 1963. One of the most famous works by Zweig, an Austrian Jew who was a passionate collector of autograph manuscripts, maintained close friendships with the likes of Sigmund Freud and Richard Strauss, and whose prose took on the dual concerns of daily life and the impact of politics on everyday people. This novella is an outwardly simple drama of a single day in a woman's life, an English widow who becomes uncontrollably attracted to a gambling diplomat during an evening in Monte Carlo. She is quickly reeled into his very troubled life, and realizes her error too late. The novella was adapted to film in 1931, 1944, 1952, and 1968, and most recently in 2002, with the most notable among these adaptations is Max Ophuls' first American film, "Letter from an Unknown Woman" (1948), starring Joan Fontaine and Louis Jourdan. Pages Near Fine, binding three quarter leather and decorated paper covered boards, with no titling, Very Good plus.

New York: The Viking Press, 1939. First Edition. Hardcover. Good. First American edition, translated from the German by Phyllis and Trevor Blewitt. 8vo. 498 pp. Blue cloth, with gilt lettering to the front board and spine, corners rubbed, spine dulled with faint spots around the bottom, spine foot bumped and rubbed, head worn, with a 2cm tear in the cloth. Without the dust jacket. Bookplate of Liliore Green Palmer to front paste-down. Signed by Zweig in purple to the first blank. Clean throughout and the binding tight and square. Good candidate for a rebind, or quite alright as it sits without the dj.

Leipzig: Insel-Verlag, 1925. New German Edition. Near Fine. New edition, reprint (33-45 thousand), originally published in 1922. Signed by Stefan Zweig in purple ink on the front free end paper. Publisher's orange cloth with spine decorated in gilt and black and front cover lettered in gilt, lacking the dust jacket. Near Fine, with faint fading to the spine, and an owner bookplate to the half-title page. A lovely copy, signed by the author. Text in German language.

New York: The Viking Press, 1939. First Edition. Very Good. First American edition, first printing. Signed by Stefan Zweig on the front free endpaper. Bound in publisher's royal blue cloth with gilt lettering; lacking dust jacket. Very Good with shelf wear at extremities; slight lean to binding, spine faded and mottled, lettering is quite rubbed. Offsetting to end sheets with remnants of small bookseller ticket to rear; contents lightly tanned. Scarce historical novel that was later adapted into film by Maurice Elvey in 1946. Wes Anderson loosely based The Grand Budapest Hotel off this work.