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Dresden: Verlag Der Kunst, 1959. First German language edition. Hardcover. Very good minus. 324pp. Quarto [27 cm] White cloth over boards with a black ink stamped title on the spine, and a black ink stamped woodblock vignette on the front cover. With a tipped-in frontispiece portrait of Masereel. The spine is a bit darkened, and there are multiple areas of light soiling on the boards. The front hinge is a bit weak, and the pages are age-toned. Richly illustrated with woodcuts by this Flemish artist, including some in full color.

NY:: Hastings House,. Very Good in Very Good dust jacket. 1954. Hardcover. Translated from the German and edited by Henry G. Alsberg. First edition thus. INSCRIBED by Friderike Zweig to a previous owner in 1958. Very good in a very good (moderate edge wear with a large chip on the front panel) dust jacket. ; 344 pages; Signed by Author .

Berlin: Axel Juncker Verlag, 1923. First edition, not numbered, not signed. Hardcover. Good +. 177pp. Large octavo [25 cm] Green cloth over boards with gilt lettering on the backstrip and front board. With tipped-in photographic representation of Masereel on the verso of the title page. The spine and the edges of the covers are faded, the front hinge is weak, and the text block is just starting to crack at the beginning. The pages are darkened. Ritter, p. 525. Graphiker Unserer Zeit, Band I.

New York: The Viking Press, 1939. First Edition. Hardcover. Good. First American edition, translated from the German by Phyllis and Trevor Blewitt. 8vo. 498 pp. Bookplate of Liliore Green Palmer laid in. Signed by Zweig in purple to the first blank. Newly bound in full blue paneled leather, housed in matching slipcase.