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Whitman Publ, Wisc., 1962. HARDBACK NODJ Issued, 1962, 1st Edition, VG+/VG, NO JACKET, AS-IS, Interior Nice Tight Clean light Wear FOX, 210 Pgs + ADS. First Edition. Hard Cover.

Grosset & Dunlap NY, 1935. HBDJ, 1935, LATER Edition, PC, Front inner flap DJ lists thru Ghost in Gallery & well as Pre-Text listing, Interior nice tight clean light FoX, , DJ mild wear & tiny Chips Tears Extremities, Bottom spine DJ small piece & light creases, Green tweed pictorial cloth with 2 girls front with flashlight, 217 pages. Hard Cover.

Grosset & Dunlap, 1926. HBDJ, 1926, 1st EditioN THuS, VG-/GOOD+, AS-IS, DJ has FOX light Wear tiny chips Tears Extremities & has SMALL Round Yellow Sticker Front of DJ covering some of Face of man, Scuffing along edges at Spine DJ, Spine ends DJ small pieces out Yet Titles Intact, 233 pgs + ADS END WITH WolF Breed, 7.5 x 5 in. Olive Green & Black cloth light Wear .Personally Directed by Cecil B. DeMille, The Complete lavish starcrossed romance Adventure Novel of Russian Revolution & the part played in it by Volga Boatmen,Photoplay edition issued to coincide with the release of the Cecil B. DeMille silent film starring William Boyd. with William Boyd starred as Feodor, the Boatman, with Elinor Fair as the Princess Vera.. First Thus. Hard Cover.

New York, Toronto, London, Sydney, and Auckland: Bantam Books. Near Fine in Near Fine dust jacket. 1996. First Edition; First Printing. 1/4 Cloth. 0553097105 . A sharp first edition/first printing in Near Fine condition in alike dust-jacket with small closed tear to lower front corner and minor edgewear; byThe story of Romeo and Juliet is one of love and tragedy. Romeo is in love with Juliet, but she is married to another man. Romeo convinces Juliet to elope with him, but they are caught and killed.; 8vo; FSA .

London: British Museum, 1962. hardcover. very good. 1224 pages, very thick 8vo, cloth, d.w. (d.w. worn at spine ends). London: Trustees of the British Museum, 1962. Very good.

New York: Targ Editions, 1980. Hardcover. 105p., in original boards and cloth spine, very good first edition in English, limited to 350 copies, signed by Himes at the colophon, in original unprinted tissue jacket, ragged at edges and protective mylar. Targ Editions, no. 7.

Ditchling, Sussex: Pepler & Sewell, St Dominic's Press, 1935. Limited Edition. Hardcover. Near fine. No. 140 of 300 copies, octavo size, [46] pp. The Saint Dominic's Press, founded by Harry (Hilary) Douglas Clarke Pepler, flourished at Ditchling, Sussex, from 1916 to 1936. The first home of the Press was "a disused stable", with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand, believing that such would both produce the best results and also be a "more individual or 'humane'...product". He therefore "preferred the handpress to the machine, handmade to machine-made paper, and handset founder's type to the products of typesetting machines." Pepler met Edward Johnston and Eric Gill while living in Hammersmith; Pepler and his family would eventually move to Ditchling to join Gill, who was one of the most important artists to provide illustrations for the St. Dominic's Press. Other artists who provided illustrations included David Jones, Desmond Chute, Philip Hagreen, and Thomas Derrick, among others. Per the bibliography, "[The] Title page engraving has been attributed to Gill." ___DESCRIPTION: Bound in quarter-linen buff paper-covered boards, engraving on the title page of a chalice and wafer surrounded by a stylized sunburst; octavo size (8 1/4" x 5 1/2"), unpaginated with twenty-three printed leaves, errata slip tipped in at the back, limited edition of 300 copies, this is copy numbered 140, printed at St Dominic's Press, Ditchling Common, Hassocks, Sussex. ___CONDITION: Volume is near fine, with minimal rubbing, a strong, square text block and solid hinges, the interior is clean and bright, and entirely free of prior owner markings; slightly discolored boards and very slightly bumped corners, lacking the dust jacket. ___CITATION: Taylor & Sewell no. A246; note that the quotes and much of the introductory information from "Three Private Presses" by Brocard Sewell. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Ditchling, Sussex: Pepler and Sewell, St Dominic's Press, 1934. First and Limited Edition. Hardcover. Near fine/very good. Hagreen, Philip. One of 300 copies, octavo size, sixteen unpaginated leaves. The text of a lecture given in London by Fr. McNabb to the Catholic Poetry Society. ___DESCRIPTION: Bound in brown quarter-cloth over green paper covered boards, limitation page states, "300 copies have been printed by hand in Caslon 14 point Old Face type on Head's hand-made paper, January 1934. This is No. 255."; "Stones from the Brook: No. 1 Geoffrey Chaucer" (printed on the half-title); octavo size, (8" x 5 1/4"), sixteen unpaginated leaves. In a paper wrapper with black lettering on both panels and flaps. ___CONDITION: Volume is near fine, boards have straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; some fading to green color of both boards in uneven patches and on back boards around perimeter. The paper wrapper very good, overall light sunning, the right margin of the front flap unevenly torn vertically, and a 3/4" closed tear near head of spine. ___CITATION: Taylor & Sewell, no. A234, which notes the title-page engraving by Philip Hagreen. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Washington DC: E. R. Marden, 1911. A 23 1/2" x 22" color land development plat for Villa Park Heights Washington DC. This was a proposed development between Eastern Avenue on the north and Bunker Road on the south, It also included McKinley Circle. The narrative describes how it is some of the only vacant land available in the District of Columbia and would provide for property improvement and beautification paid for by the US Government and no assessments for street paving. It elaborates on beautiful squares and circles and the convenience of the location. Plat printed in yellow and green. The reverse is an inventory of the properties including the lot number, square footage, price per square foot and total cost of the land. Terms: 10% discount for cash, $10 down and $10 per month. No interest or taxes until one-third of the purchase price has been paid. Letter folds. Unfortunately the development, including the proposed McKinley Circle did not happen, due to the untimely death of one of the developers leading to a lawsuit between the wife of the deceased and his business partner. It is currently the Woodbridge area and McKinley Circle is the 21 acre Barnard Hill Park. E. R. Marden was married to Clara Marden. His business partner was Earl P. Hopkins. The two men were also partners in the Washington Civil Services School.

[Berlin]: Vereinigung Berliner Architekten, 1905. First edition. Hardcover. g- to vg. Folio (13 1/2 x 10 1/4"). 58, [2]pp (Text and in-text illustrations), [56] leaves (Plates). Original blue cloth, with gold lettering to front cover. Decorative endpapers. Laid in, an original and unsigned watercolor on transparent paper, and the third issue of the Technische Hochschule Charlottenburg, dated February 27, 1920. Title page decorated by Adolf Hartung. This splendid photo-illustrated architectural monograph was published by the Union of Berlin Architects (Vereinigung Berliner Architekten) to commemorate the 25th anniversary of their founding. The founding members included distinguished historians as well as Martin Gropius, a celebrated architect and the uncle of Walter Gropius. By 1904, the association had over two hundred members. As seen in this book, the Union was an active participant in the architectural life of Berlin and curious about developments elsewhere. "Vereinigung Berliner Architekten MDCCCLXXIX-MDCCCCIV" features striking full-page b/w illustrated and photographic plates showing some of the best architectural examples produced between 1879 and 1904, such as: - The Berlin Dom (Cathedral), constructed from 1893 to 1905 by Julius Carl Raschdorff. - An architectural drawing of the Metz railway station, under construction at the time of the publication. The impressive Gothic-style station was built between 1905 and 1908 by German architect Jürgen Kröger assisted by the architects Jürgensen and Bachmann. - The Kaiserbrücke, a railway bridge on the Mainz rail bypass across the Rhine at the north end of Mainz. The bridge was built between 1901 and 1904 by Franz Heinrich Schwechten, one of the most famous architects of his time who contributed to the development of historicist architecture. The Kaiserbrücke was destroyed in 1945 by retreating German troops. - The New Town Hall (Leipzig), built between 1899 and 1905 by Hugo Licht. - The Lessing-Theater (Berlin), built between 1897 and 1898 by Hermann von der Hude and Julius Hennicke. The theater was destroyed during an allied air raid in April 1945. - The Bismarcksäule (Cologne), a prominent memorial statue dedicated to Prince and Chancellor Otto von Bismarck. The statue was built by A. Hartmann. - The Bismarck-Denkmal (Hamburg), is a memorial sculpture located in the St. Pauli quarter, dedicated to Otto von Bismarck. The monument was built by W. Müller. - The Charlottenburg U-Bahn station, built by Alfred Grenander. - The Almemor (raised platform also called bema, bimah or bima) of the synagogue in Lindenstrasse (Berlin). The synagogue was built in 1881 by Cremer & Wolffensteir. Some of the buildings featured in this work were built in the style of the Jugendstill (Art Nouveau). Minor abrasion to spine. Binding rubbed along edges. Text in German. Binding in overall good- to good, interior in very good condition.