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Boni & Liveright Publ,NY, Modern Library. HB NODJ, Undated, Probably circa 1920S, Black LEATHER with Gold Gilt design & Lettering on Front & Spine, Cover light wear rub, & tiny chips Extremities, Scuff mark at spine edge, back tiny specks & light Crease, Interior nice tight clean light FoX, , light wear, VG+/VG-, NODJ, 275 pgs, Spine gilt slight rub edge, pg back edge Crease, 4 1/4 X 6 3/4 in. approx. Full-Leather.

New York, Toronto, London, Sydney, and Auckland: Bantam Books. Near Fine in Near Fine dust jacket. 1996. First Edition; First Printing. 1/4 Cloth. 0553097105 . A sharp first edition/first printing in Near Fine condition in alike dust-jacket with small closed tear to lower front corner and minor edgewear; byThe story of Romeo and Juliet is one of love and tragedy. Romeo is in love with Juliet, but she is married to another man. Romeo convinces Juliet to elope with him, but they are caught and killed.; 8vo; FSA .

1913. NEW JERSEY TITLE GUARANTEE AND TRUST CO. ... The New Jersey Title Guarantee and Trust Company of Jersey City, N.J., on its Twenty-Fifth Birthday .... [N.p., 1913]. 78 p. Illus. Plates. Embossed wrappers. A very handsome production, illustrated with early views of Jersey City and Hudson County.

San Francisco: The Book Club of California [printed by The Grabhorn Press], 1923. Limited Edition. Hardcover. Very Good Plus. Lange, Dorothea; H. Von Schmidt. No. 136 of 400, quarto size, 140 pp. A tribute to Oscar Weil (1839-1921), born in New York and educated as a musician. When the Civil War started he enrolled in the Northern cause as a private and by the end of the war he was a Major; however, injuries received during the war meant he could no longer be a violinist. He therefore turned to composing, and settled in San Francisco where he also served as the music critic for the Argonaut newspaper; he was a man much loved by the community, as attested to by this memoir. Frontispiece a tipped-in photograph by Dorothea Lange from a painting of Oscar Weil by Olga M. Ackerman; when this photograph was taken, Dorothea Lange (1895-1965) was living in Berkeley, having recently married the western painter Maynard Dixon. Printed by the Grabhorn Press, the renowned publishers/printers Edwin and Robert Grabhorn. ___DESCRIPTION: Brown laid paper boards with a black cloth spine, red paper spine label with gold lettering and border, red paper label on the front board with gold lettering and decorative border over a slightly larger black pastedown, fore- and bottom edges uncut, plain endpapers, tissue-guarded frontispiece the photograph by Dorothea Lange of a painting of Oscar Weil as referred to above, title page in red and black, almost every page of text has red lettering for marginal notes and capital letters, some of which are blue; quarto size (approximately 11.5" tall), pagination: (i-xiv), (1)-119, blank (120), sectional title page "Compositions of Oscar Weil" (121), blank (122), 3 pp. of compositions (123-125), colophon page (126). ___CONDITION: Overall in near fine condition, with a strong, square text block, solid hinges, straight corners with no rubbing, the interior is clean and bright, and entirely free of prior owner markings; there is a minor spot or two of soiling to the front board, some light rubbing to the paper label on the front board, a hint of rubbing to the head and tail of the spine, the corners are straight with some light rubbing, and the spine label is somewhat faded. ___CITATION: BCC 100 no. 19; Grabhorn Bibliography no. 58. ___POSTAGE: International customers, please note that additional postage may apply, please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

New York: Gagosian Gallery, 1998. Original Paper Wrps. Fine. 4to - over 9¾" - 12" tall. 24 leaves (48 pages), with 20 black and white rich photographs. A pristine copy with no flaws and signed by Eric Fischl.

London:: Printed for the Author, 1803., 1803. 8vo. [iv], xxvii, [1], 360, xxxi, [1] pp. 4 engraved plates of apparatus (Plate II acts as frontispiece, all plates are unnumbered), index. Crudely rebound in quarter calf, marbled paper over old boards. Armorial bookplate of Aske's Boy School, Haberdasher's Livery Company. Ownership signature on title of Jas. Law Jones, "rec'd from Messrs. Rickers staff & Jones -- 15 Sept. 1803". Scarce. First edition, vol. II only. With added paper (laid in): A Manual of Analytical Mineralogy. Review. Quarterly Review, 1809. 9 pp. pp. 153-161. "This clearly written and well organized book is called the first textbook of general chemistry written in the English language to be based on Lavoisier's new chemistry. The principles are illustrated with experiments." -- Cole. / Accum (1769-1838), born in Germany where the family operated a small soap boiling business. In 1793 Accum came to London to take a position at Brande, apothecaries to George II. He became friends with Anthony Carlisle and William Nicholson and established his own laboratory. He assisted Sir Humphry Davy until 1803 (the year this book was issued). He also began lecturing in 1802 where is students included Benjamin Silliman and William Peck. He supplied apparatus to institutions abroad. Amazingly, in December 1820, he was arrested for mutilating books at the Royal Institution Library, which triggered his exiting England for Germany. "The value of Accum's work lies in the way he saw and exploited the technological possibilities of the rapidly advancing science of chemistry." [DSB]. REFERENCES: Cole 9 (pp. 4-5); DSB I, pp. 43-44Neville I, p. 10.

Amstelodami (Amsterdam): Excudit Gerardus Borstius, 1696. Second edition. Hardcover. g+ to vg. Octavo (7 3/4 x 6"). [18], 492pp. Contemporary blind-stamped parchment, with handwritten title on spine. Additional engraved title by Joseph Mulder (1658-1742), a Dutch Golden Age printmaker, after an illustration by Jan Goeree. Engraved title vignette. Decorative headpieces, initials, and tailpiece. Originally published in 1683, Herman Witsius's "Aegyptiaca" compares the religious rites of the Jews and the Egyptians. In this work, the Dutch theologian and professor of divinity (at Franeker, Utrecht, and Leiden) argues against the theory put forth by Sir John Marsham and by John Spencer that Jewish traditions were derived from Egyptian practices. This second edition has been expanded from the first. [For more information, see Ibrahim-Hilmy, p. 339; Caillet 11462 - listing the 1683 and 1717 editions; Jouin - Bibl. occultiste 797; Brunet V, 1468 ]. Binding slightly darkened along edges. Previous owner's bookplate on inside of front cover. Text in Latin. Binding in overall good+, interior in very good condition.

[Berlin]: Vereinigung Berliner Architekten, 1905. First edition. Hardcover. g- to vg. Folio (13 1/2 x 10 1/4"). 58, [2]pp (Text and in-text illustrations), [56] leaves (Plates). Original blue cloth, with gold lettering to front cover. Decorative endpapers. Laid in, an original and unsigned watercolor on transparent paper, and the third issue of the Technische Hochschule Charlottenburg, dated February 27, 1920. Title page decorated by Adolf Hartung. This splendid photo-illustrated architectural monograph was published by the Union of Berlin Architects (Vereinigung Berliner Architekten) to commemorate the 25th anniversary of their founding. The founding members included distinguished historians as well as Martin Gropius, a celebrated architect and the uncle of Walter Gropius. By 1904, the association had over two hundred members. As seen in this book, the Union was an active participant in the architectural life of Berlin and curious about developments elsewhere. "Vereinigung Berliner Architekten MDCCCLXXIX-MDCCCCIV" features striking full-page b/w illustrated and photographic plates showing some of the best architectural examples produced between 1879 and 1904, such as: - The Berlin Dom (Cathedral), constructed from 1893 to 1905 by Julius Carl Raschdorff. - An architectural drawing of the Metz railway station, under construction at the time of the publication. The impressive Gothic-style station was built between 1905 and 1908 by German architect Jürgen Kröger assisted by the architects Jürgensen and Bachmann. - The Kaiserbrücke, a railway bridge on the Mainz rail bypass across the Rhine at the north end of Mainz. The bridge was built between 1901 and 1904 by Franz Heinrich Schwechten, one of the most famous architects of his time who contributed to the development of historicist architecture. The Kaiserbrücke was destroyed in 1945 by retreating German troops. - The New Town Hall (Leipzig), built between 1899 and 1905 by Hugo Licht. - The Lessing-Theater (Berlin), built between 1897 and 1898 by Hermann von der Hude and Julius Hennicke. The theater was destroyed during an allied air raid in April 1945. - The Bismarcksäule (Cologne), a prominent memorial statue dedicated to Prince and Chancellor Otto von Bismarck. The statue was built by A. Hartmann. - The Bismarck-Denkmal (Hamburg), is a memorial sculpture located in the St. Pauli quarter, dedicated to Otto von Bismarck. The monument was built by W. Müller. - The Charlottenburg U-Bahn station, built by Alfred Grenander. - The Almemor (raised platform also called bema, bimah or bima) of the synagogue in Lindenstrasse (Berlin). The synagogue was built in 1881 by Cremer & Wolffensteir. Some of the buildings featured in this work were built in the style of the Jugendstill (Art Nouveau). Minor abrasion to spine. Binding rubbed along edges. Text in German. Binding in overall good- to good, interior in very good condition.

Berlin: Ernst Wasmuth, 1923. 1st ed. in German. Hardcover. Good. 68 mounted plates (mostly in color) plus several smaller, mostly mounted, illustrations (some color) on text pages, Original vellum quarterbinding (purple boards backed in vellum). 37 cm. Small gilt figure on front cover. Front and back cover quite faded around outlines of smaller books that protected the original color. Center half of rear joint split (and then visibly reglued). There is also a small gouge at the bottom of the front joint. Cover edges heavily rubbed. Contents sound and clean with a few creases on tissue guards. Minimal foxing. No slipcase or jacket. German text. Editions of this book also appeared in English ("Bakst, the Story of the Artist's Life") and French ("Bakst: Histoire de Leon Bakst"). Bakst was born in Grodno (now part of Belarus) to Jewish parents. He later changed his name and achieved fame in Russia and elsewhere as an artist and designer of sets and costumes for the Ballet Russes.

Munich: Marees Gesellschaft, R. Piper & Co. Verlag, 1918. First Limited Edition Thus. Full Pigskin (Full Leather), with custom slipcase. Near Fine. No. 162 of 200, with one of 150 on hand-made paper of Wiggins, Teape & Co. 240 copies in all were made, including unnumbered copies (212 were numbered in one of two ways). 4to. (27 by 20 cm.) 282, [5] pp. The outstanding aspects of this edition and copy in which Ovid's verse is rendered in both Latin and German translation are magnificent decorative pigskin binding, the flowing type, and the elegant page decoration, which includes a huge variety of cameo images. These images are never repeated exactly, it should also be noted. Resulting is a book of extraordinary beauty, both exterior and interior-wise. Aesthetically the book production is true to the classical in its lines and sensibility while being securely of its own time when a sinuous Art Nouveau or Jugendstil was ripening into a modernist economy, or Art Deco. There are sensuous Rococo details, such as the gilt lines etched into the spine, while one can not but be impressed with the lack of clutter on each and every page! While the type is not a plain Roman or the like, the gentle curvature of the cursive invites and soothes the eye, and every word should be crisply clear to the modern reader. Light soiling and darkening on the spine. Clean and tight within. The slipcase has some wear.