Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine. ABE shipping prices are based on a 2 lb shipment weight. Extra charges may apply for heavier items for both US and International delivery addresses.
Yale University Press, 2006-10-31. hardcover. Good. Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine
UsedVeryGood. The pages show normal wear and tear. The dust jacket shows normal wear and tear. This is a hardcover copy Fast Shipping - Each order powers our free bookstore in Chicago and sending books to Africa!
New Haven: Yale University Press, 2006. Hardcover. VG/VG (light shelf-wear boards. rubbing to corners. bump & crease to lower corner. pg edges-toned. dustjacket lower corner creased; back cover scuffed). Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.
Yale University Press, 2006. 1st Edition 1st Printing. Hardcover. Fine/Fine. 287 Pp. Blue Cloth Lettered In Blind. First Printing Indicated. Fine In Fine Dust Jacket.
100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.
Yale University Press, 2006. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2250grams, ISBN:9780300115864
This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2250grams, ISBN:9780300115864
SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
Yale, 2006. Hardcover. Good/Good. The jacket is shelf worn and rubbed with the bottom edge of having a few small tears. The cover is slightly scratched, particularly from the back cover. Spine is slightly shaken, but binding is secure. Pages are clean and unmarked.
Yale University Press, 2006. First edition. Hardcover. fine/near fine. Quarto. 12 1/4" x 10 1/4". 287pp. A fine copy in dust jacket. SAul Steeinberg is known for his art for The New Yorker.
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