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First edition, first printing. Inoffensive gift inscription hidden beneath front jacket flap else a fine fresh copy in a fine dust wrapper; an archival jacket protector is supplied.

New Haven: Yale University Press, 2006. Cloth/dust jacket Quarto. Hardcover. Very good/very good. blue cloth, blindstamped lettering, dust jacket, 287 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.

Yale University Press, 2006-11-01. hardcover. Very Good/Very Good. 10x1x12.

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New Haven, CT and London: Yale University Press, 2006. First edition and first printing. Hardcover. 287 pages. Published in conjunction a traveling exhibition. Features an introduction by acclaimed writer Charles Simic as well as text by Joel Smith. Includes 175 color and 133 black and white illustrations, a chronology, list of previous exhibitions, a selected bibliography, checklist and an index. A clean and tight very near fine copy in blue cloth boards and in a very near fine dust jacket. Signed by Joel Smith on the title page. Uncommon as such.

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