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Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Front cover has white stain, corners and spine are bumped, spine is faded, interior is very good except last few pages have the top corners bent. 7th printing.

Ex-library book. The item is fairly worn but continues to work perfectly. Signs of wear can include aesthetic issues such as scratches, dents, and worn corners. All pages and the cover are intact, but the dust cover may be missing. Pages may include limited notes and highlighting, but the text is not obscured or unreadable.

The corners are bent. Used-Good.

Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.