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This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear. It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear. It may also be ex-library or without dustjacket.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.

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