This item is in overall acceptable condition. Covers and dust jackets are intact but may have heavy wear including creases bends edge wear curled corners or minor tears as well as stickers or sticker-residue. Pages are intact but may have minor curls bends or moderate to considerable highlighting writing. Binding is intact; however spine may have heavy wear. Digital codes may not be included and have not been tested to be redeemable and or active. A well-read copy overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.
In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.
New York, NY, U.S.A.: Farrar, Straus & Giroux, LLC, 1973. Soft cover. Very Good. Large softcover, color-illustrated wrapper, 211 pages. Very slight wear to spine edges. Near Fine.
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cocked: Refers to a state where the spine of a book is lightly "twisted" in such a way that the front and rear boards of a book do not align when the book is lying flat. Severity may differ.