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New York / Miami Beach, FL: Thames and Hudson / Wolfsonian Foundation, 1995. Softcover. VG-. May have slight damage to front cover along right edge. Bottom corners slightly bent. Clean contents.. Grey silverish wraps with color illustration. 352 pp. Numerous bw & color plates. Edited by Wendy Kaplan, this catalogue was prepared to accompany the inaugural exhibition of the Wolfsonian. Contents read as follows: Traditions transformed : romantic nationalism in design, 1890-1920 / Wendy Kaplan -- Germany design and national identity, 1890-1918 / Laurie A. Stein with contributions by Irmela Franzke -- The decorative arts in Amsterdam, 1890-1930 / Ellinoor Bergvelt -- The English compromise : modern design and national consciousness, 1870-1940 / Paul Greenhalgh -- Domesticating modernity : ambivalence and appropriation, 1920-1940 / Jeffrey L. Meikle -- Forging modern Italy : from wrought iron to aluminum / Irene de Guttry & Maria Paola Maino -- A "return to order" : issues of the vernacular and the classical in Italian inter-war design / Marianne Lamonaca -- Political things : design in fascist Italy / Dennis P. Doordan -- Design in inter-war Germany / John Heskett -- Emblems of production : workers in German, Italian, and American art during the 1930s / Bernard F. Reilly, Jr.

Fine. Paperback. 2015. Originally published at $35.

Thames & Hudson Ltd.. Very Good. 0500237069. with dustjacket, bright clean copy . 1995. Hardcover.

London: Thames and Hudson., 1995. 352pp, index, 417 ills (300 col). Or gray cloth in jacket. As new. Published to coincide with a travelling exhibition from the Wolfsonian, a Miami institution devoted to examining the social, political and aesthetic significance of objects produced between 1885 & 1945. The book looks at the ways that political, industrial and cultural leaders have employed design in their programs of reform and their efforts to shape public opinion. Shows how design has been a vital tool in acclimatizing people to life in the modern world and helping to form a sense of national identity, particularly in European countries, through local crafts and vernacular buildings.. First Edition. Hard Cover. Fine/Fine. 4to.

United Kingdom: Thames & Hudson, 1995. Large hardback in fine condition with fine dust jacket.. Hardcover. Fine/Fine.

New York: Thames & Hudson, 1995. First edition. Softcover. 352 pages. Published in conjunction with a traveling exhibition that ran November 11, 1995 through April 28, 1996 at The Wolfsonian in Miami and then went on to three other locations for additional dates. Preface by Peggy Loar. Essays by Wendy Kaplan, Laurie A. Stein with contributions by Immela Franzke, Elinoor Bergvelt, Paul Greenhaigh, Jeffrey L. Meikle, Irene de Guttry & Maria Paola Maino, Marianne Lamonaca, Dennis P. Doordan, John Heskett, and Bernard F. Reilly, Jr. Includes 400 illustations with 300 in color. A near fine copy in wrappers with some minor wear. Signed and warmly inscribed by Wendy Kaplan on the front free endpaper to an author and curator. Uncommon signed.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Very nice clean, tight copy free of any marks.

Large hardback in fine condition with fine dust jacket.

United Kingdom: Thames & Hudson, 1995 hardback book in near fine condition,dust jacket is very good to near fine,crease on front flap. 1st Edition. Hardcover. Near Fine/Very Good.

New York: Thames and Hudson, 1995. Cloth, 352 pages, illustrations (some colour); 29 cm. Published to accompany the inaugural touring exhibition of the Wolfsonian, Palm Beach, Fla., November 11, 1995 to May 18, 1997. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** CONTENTS: Confronting modernity: traditions transformed - romantic nationalism in design, 1890-1920; German design and national identity, 1890-1918; the decorative arts in Amsterdam, 1890-1930; the English compromise - modern design and national consciousness, 1870-1940. Celebrating modernity: domesticating modernity - ambivalence and appropriation, 1920-1940; forging modern Italy; a "return to order" - issues of the vernacular and the classical in Italian inter-war design. Manipulating modernity - political persuasion: political things - design in Fascist Italy; design in inter-war Germany; emblems of production - workers in German, Italian and American art during the 1930's... 1st. Hardcover. Fine/Fine. 4to. Collectible.