352pp, index, 417 ills (300 col). Or gray cloth in jacket. As new. Published to coincide with a travelling exhibition from the Wolfsonian, a Miami institution devoted to examining the social, political and aesthetic significance of objects produced between 1885 & 1945. The book looks at the ways that political, industrial and cultural leaders have employed design in their programs of reform and their efforts to shape public opinion. Shows how design has been a vital tool in acclimatizing people to life in the modern world and helping to form a sense of national identity, particularly in European countries, through local crafts and vernacular buildings.
One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Very nice clean, tight copy free of any marks.
One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Paperback has very minor shelfwear. Interior is ilke new.
1995. Thames and Hudson. Hard Cover. Book- VG+. Dj- VG, protective covered. 11.5x10. 352pp. Colour frontis, profuse colour and b/w plates and illus. One of the critical formative influences of the twentieth century was the response to modernity. In this struggle between modern and anti-modern forces, between progressiveness and reaction, design was a key element in the service of reform movements and as an agent of propaganda. This examines the social, political and aesthetic significance of objects produced between 1885 and 1945.
Gray stamped cloth, gray & illus. dust jacket, 352 pp., 300 color illus., 117 BW illus. Issued in conjunction with the inaugural exhibition (1995-1996) of the Wolfsonian. "Looks at the different ways that political, industrial, and cultural leaders have employed design in their programs of reform and their effort to shape public opinion. It shows how design has been a vital tool in acclimatizing people to life in the modern world and has helped to formulate a sense of national identity, especially in European countries, through local crafts and vernacular buildings." (dj).
One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects - posters, books, furniture and ceramics - it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.
London: Thames & Hudson, 1995. First Edition. Quarto. Gray cloth. 352pp. 417 illustrations including 300 color. Fine in Near Fine dust jacket One of the critical formative influences of the twentieth century was the response to modernity. In this struggle between modern and anti-modern forces, between progressiveness and reaction, design was a key element in the service of reform movements and as an agent of propaganda. This examines the social, political and aesthetic significance of objects produced between 1885 and 1945
London: Thames & Hudson, 1995. First edition. Hardcover. Preface by Peggy Loar. Essays by Wendy Kaplan, Laurie A. Stein with contributions by Immela Franzke, Elinoor Bergvelt, Paul Greenhaigh, Jeffrey L. Meikle, Irene de Guttry & Maria Paola Maino, Marianne Lamonaca, Dennis P. Doordan, John Heskett, and Bernard F. Reilly, Jr. Beautiful monograph with 417 illustrations including 300 in color. A fine copy in a very near fine dust jacket. This is a heavy and oversized book and will require extra shipping.
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