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First edition, 1991. Large quarto, cloth hardcover in dust jacket, 191 pp., heavily illustrated (including some fold-outs), clean unmarked text, Near Fine copy in Near Fine dust jacket, a bit of age-toning to the pages and page-edges, discoloration and light wear to the dust jacket. Dust jacket housed in archival dust jacket protector.

Published on the occasion of an exhibition at the Whitney Museum of American Art in 1980. Introduction by Edward Albee. Nevelson was 80 when this exhibition was shown. Lots of full page photography including a 4-page fold out. First Edition. The book has sunning at the very top edge and the top corners are slightly bumped, otherwise the book has only been lightly read.

New York: Clarkson Potter, 1980. First. hardcover. very good/very good. Nevelson, Louise. Introduction by Edward Albee. Numerous black & white photographic images. Small folio, black cloth, d.w. New York: Clarkson Potter, (1980). First Edition. Dust wrapper is price clipped and boards are a bit fingered; previous owner's inscription on the half-title. Overall a very good copy.

Clarkson N. Potter, 1980-12-12. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy.

Cloth, 191 pages, illustrations (some colour, some folded); 34 cm. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Photographs by Pedro Guerrero. Near fine. Firm binding, unmarked. Age toning. First Edition, First Printing. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Born in Kiev, the American sculptor Louise Nevelson (1899-1988) was a pioneer in the creation of Assemblages and Environments. Size: Folio

Fine in a fine jacket. . First edition 1980, first printing, numbers line starts with 1. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Large hardcover in full cloth without DJ. Square tight and clean book. Folio, 192 pages, illustrated throughout with full page color and b/w plates, catalog. Large and heavy book. Nevelson, Louise (illustrator). Introduction by Edward Albee.

Introduction by Edward Albee. Numerous black & white photographic images. Small folio, black cloth, d.w. New York: Clarkson Potter, (1980). First Edition. Dust wrapper is price clipped and boards are a bit fingered; previous owner's inscription on the half-title. Overall a very good copy.

Introduction by Edward Albee. Many black, white and tinted illustrations, some folding. 191 pages. Tall slim 4to, blue cloth, d.w. New York: Clarkson Potter, (1980). First Edition. A near fine copy in a near fine dust wrapper.

Fine in a fine jacket. First edition 1980, first printing, numbers line starts with 1. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Large hardcover in full cloth without DJ. Square tight and clean book. Folio, 192 pages, illustrated throughout with full page color and b/w plates, catalog. Large and heavy book. Nevelson, Louise (illustrator). Introduction by Edward Albee.

191 pages of text. Hardcover cloth binding with minimal shelfwear. Unclipped dustjacket with minimal sunning to the spine and extremities; protected in archival mylar. Illustrated with numerous black and white plates, including one large folding plate. Published in association with the Whitney Museum of American Art. First edition.