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First edition, 1991. Large quarto, cloth hardcover in dust jacket, 191 pp., heavily illustrated (including some fold-outs), clean unmarked text, Near Fine copy in Near Fine dust jacket, a bit of age-toning to the pages and page-edges, discoloration and light wear to the dust jacket. Dust jacket housed in archival dust jacket protector.

Folio, 191 pages, black cloth; half-inch tear in upper right corner of dj. Note: will require higher shipping fee due to weight.

Introduction by Edward Albee. Numerous black & white photographic images. Small folio, black cloth, d.w. New York: Clarkson Potter, (1980). First Edition. Dust wrapper is price clipped and boards are a bit fingered; previous owner's inscription on the half-title. Overall a very good copy.

Cloth, 191 pages, illustrations (some colour, some folded); 34 cm. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Photographs by Pedro Guerrero. Near fine. Firm binding, unmarked. Age toning. First Edition, First Printing. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** Born in Kiev, the American sculptor Louise Nevelson (1899-1988) was a pioneer in the creation of Assemblages and Environments. Size: Folio

Fine in a fine jacket. . First edition 1980, first printing, numbers line starts with 1. Published on the occasion of an exhibition at the Whitney Museum of American Art, May 27 to September 14, 1980. With an essay by Richard Marshall and commentaries by Laurie Wilson. Large hardcover in full cloth without DJ. Square tight and clean book. Folio, 192 pages, illustrated throughout with full page color and b/w plates, catalog. Large and heavy book. Nevelson, Louise (illustrator). Introduction by Edward Albee.

Introduction by Edward Albee. Numerous black & white photographic images. Small folio, black cloth, d.w. New York: Clarkson Potter, (1980). First Edition. Dust wrapper is price clipped and boards are a bit fingered; previous owner's inscription on the half-title. Overall a very good copy.

Introduction by Edward Albee. Many black, white and tinted illustrations, some folding. 191 pages. Tall slim 4to, blue cloth, d.w. New York: Clarkson Potter, (1980). First Edition. A near fine copy in a near fine dust wrapper.

Hard Cover. Near Fine/Near Fine d/j. 1st Printing. Folio - over 12" - 15" tall. Top and bottom board edges lightly dusty, very light white marks about 2" along rear fold of spine edge (cloth rubbed through d/j even though d/j has no marks in that area?). Slight wear on d/j in a couple of places on edges. Black cloth with silver/gold lettering on spine. D/j has folded over doubled edges at top and bottom. 191 pages.

191 pages of text. Hardcover cloth binding with minimal shelfwear. Unclipped dustjacket with minimal sunning to the spine and extremities; protected in archival mylar. Illustrated with numerous black and white plates, including one large folding plate. Published in association with the Whitney Museum of American Art. First edition.

Signed by Subject. This is a signed and inscribed on title page by Louise Nevelson, hardcover, first edition, first printing of Louise Nevelson: Atmospheres and Environments with an introduction by Edward Albee. She has inscribed the book "For Fred & Patty Lurie Good Wishes Louise Nevelson 5-1-83". The book published in 1983 by Crown Publishers: New York is in near fine condition in unclipped dust jacket in very good condition. 191 pages. ISBN 0517540541.