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New York: Scribner, 1997. First Edition . Hard Bound. Fine/Fine. Fine in fine dust jacket. This is a first edition, first printing. Signed by author on title page.

New York: Scribner, 1997. First Printing [Stated]. Hardcover. Very good/Very good. Joyce Ravid (author photograph). 827, [3] pages. Signed and dated by the author on the fep. A monumental work combining fiction and history in a collaboration that encompasses fifty years gives readers a glimpse into the realities upon which America's modern culture is based and explores the complex relationship between "waste analyst" Nick Shay and artist Klara Sax. Donald Richard DeLillo (born November 20, 1936) is an American novelist, short story writer, playwright, screenwriter and essayist. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global terrorism. DeLillo was already a well-regarded writer in 1985, when the publication of White Noise brought him widespread recognition and won him the National Book Award for fiction. DeLillo has twice been a Pulitzer Prize for Fiction finalist (for Mao II in 1992 and for Underworld in 1998), won the PEN/Faulkner Award for Mao II in 1992, won the 1999 Jerusalem Prize, was granted the PEN/Saul Bellow Award for Achievement in American Fiction in 2010, and won the Library of Congress Prize for American Fiction in 2013. DeLillo had described his fiction as concerned with "living in dangerous times",[3] and in a 2005 interview he said that writers "must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments... I think writers, by nature, must oppose things, oppose whatever power tries to impose on us." Underworld went on to become DeLillo's most acclaimed novel to date, achieving mainstream success and earning nominations for the National Book Award and the New York Times Best Books of the Year in 1997, and a second Pulitzer Prize for Fiction nomination in 1998. The novel won the 1998 American Book Award, the 1999 Jerusalem Prize, and both the William Dean Howells Medal and Riccardo Bacchelli International Award in 2000. It was a runner-up in the 2006 New York Times' survey of the best American fiction of the last 25 years. White Noise and Libra were also recognized by the anonymous jury of contemporary writers. DeLillo later expressed surprise at Underworld's success. In 2007, he remarked: "When I finished with Underworld, I didn't really have any all-too-great hopes, to be honest. It's some pretty complicated stuff: 800 pages, more than 100 different characters—who's going to be interested in that?" After rereading it in 2010, over ten years after its publication, DeLillo said that rereading it "made me wonder whether I would be capable of that kind of writing now—the range and scope of it. There are certain parts of the book where the exuberance, the extravagance, I don't know, the overindulgence....There are city scenes in New York that seem to transcend reality in a certain way." Derived from a Kirkus review: Working at the top of his form, DeLillo draws on his previous novels in shaping his most ambitious work yet, a grand Whitmanesque epic of postwar American life—a brainy, streetwise, and lyrical underground history of our times, full of menace and miracles, and humming with the bop and crackle of postmodern life. DeLillo's bottom-up chronicle is the history of garbage, from a rubble-strewn lot in the Bronx to nuclear waste dumps in the Southwest. And the true-blue American who spans these landscapes is one Nick Shay, now an executive with a waste-management firm, once a j.d. on the not-so-mean streets, where his father kept book and his mother worried her rosary for her two boys, the other a chess prodigy who later lends his mathematical genius to the weapons industry. From the '50s on, DeLillo's always accessible narrative is also the history of a baseball, the one that was the "Shot Heard Round the World," Bobby Thomson's pennant-winning home run in 1951. The fate of the actual ball, a relic of spiritual significance, seemingly lost, is also a lesson in enterprise. Snagged by a young black kid from Harlem, who identifies with Thomson's Homeric homer, the ball quickly becomes an object of commerce, purloined by the boy's desperate father. Eventually, Nick acquires it, but for him it more properly commemorates failure: Branca's losing pitch. Beyond garbage and baseball, DeLillo surveys the Cold War years with a satirist's eye for meaningful detail and a linguist's ear for existential patter. Sweeping in scope and design, incorporating such diverse figures as Lenny Bruce and J. Edgar Hoover, DeLillo's masterpiece shouts against the times in the language of the times: postmodernism against itself. He kicks the rock of reality, teases out the connectedness of things, and leaves us in awe.

New York. 1997. Scribner. Special Advance Reader's Copy. Very Good in Slightly Worn Wrappers. 0684842696. 827 pages. paperback. Signed by the Author. keywords: American Literature. DESCRIPTION-Don DeLillo's novel opens with a legendary baseball game played in New York in 1951. The glorious outcome-the home run that wins the game is called the ‘Shot Heard Round the World'-shades into the grim news that the Soviet Union has just tested an atomic bomb. The baseball itself, fought over and scuffed, generates the narrative that follows. It takes the reader deeply into the lives of Nick and Klara and into modern memory and the soul of American culture-from Bronx tenements to grand ballrooms to a B-52 bombing raid over Vietnam. A generation's master spirits come and go. Lenny Bruce cracking desperate jokes, Mick Jagger with his devil strut, J. Edgar Hoover in a sexy leather mask. And flashing in the margins of ordinary life are the curiously connected materials of the culture. Condoms, bombs, Chevy Bel Airs, and miracle sites on the Web. Underworld is a story of men and women together and apart, seen in deep clear detail and in stadium-sized panoramas, shadowed throughout by the overarching conflict of the Cold War. inventory #24185.

827, [3] pages. Signed and dated by the author on the fep. A monumental work combining fiction and history in a collaboration that encompasses fifty years gives readers a glimpse into the realities upon which America's modern culture is based and explores the complex relationship between "waste analyst" Nick Shay and artist Klara Sax. Donald Richard DeLillo (born November 20, 1936) is an American novelist, short story writer, playwright, screenwriter and essayist. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global terrorism. DeLillo was already a well-regarded writer in 1985, when the publication of White Noise brought him widespread recognition and won him the National Book Award for fiction. DeLillo has twice been a Pulitzer Prize for Fiction finalist (for Mao II in 1992 and for Underworld in 1998), won the PEN/Faulkner Award for Mao II in 1992, won the 1999 Jerusalem Prize, was granted the PEN/Saul Bellow Award for Achievement in American Fiction in 2010, and won the Library of Congress Prize for American Fiction in 2013. DeLillo had described his fiction as concerned with "living in dangerous times", [3] and in a 2005 interview he said that writers "must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments...I think writers, by nature, must oppose things, oppose whatever power tries to impose on us." Underworld went on to become DeLillo's most acclaimed novel to date, achieving mainstream success and earning nominations for the National Book Award and the New York Times Best Books of the Year in 1997, and a second Pulitzer Prize for Fiction nomination in 1998. The novel won the 1998 American Book Award, the 1999 Jerusalem Prize, and both the William Dean Howells Medal and Riccardo Bacchelli International Award in 2000. It was a runner-up in the 2006 New York Times' survey of the best American fiction of the last 25 years. White Noise and Libra were also recognized by the anonymous jury of contemporary writers. DeLillo later expressed surprise at Underworld's success. In 2007, he remarked: "When I finished with Underworld, I didn't really have any all-too-great hopes, to be honest. It's some pretty complicated stuff: 800 pages, more than 100 different characters-who's going to be interested in that? " After rereading it in 2010, over ten years after its publication, DeLillo said that rereading it "made me wonder whether I would be capable of that kind of writing now-the range and scope of it. There are certain parts of the book where the exuberance, the extravagance, I don't know, the overindulgence....There are city scenes in New York that seem to transcend reality in a certain way." Derived from a Kirkus review: Working at the top of his form, DeLillo draws on his previous novels in shaping his most ambitious work yet, a grand Whitmanesque epic of postwar American life-a brainy, streetwise, and lyrical underground history of our times, full of menace and miracles, and humming with the bop and crackle of postmodern life. DeLillo's bottom-up chronicle is the history of garbage, from a rubble-strewn lot in the Bronx to nuclear waste dumps in the Southwest. And the true-blue American who spans these landscapes is one Nick Shay, now an executive with a waste-management firm, once a j.d. on the not-so-mean streets, where his father kept book and his mother worried her rosary for her two boys, the other a chess prodigy who later lends his mathematical genius to the weapons industry. From the '50s on, DeLillo's always accessible narrative is also the history of a baseball, the one that was the "Shot Heard Round the World, " Bobby Thomson's pennant-winning home run in 1951. The fate of the actual ball, a relic of spiritual significance,...

Signed by the author.

New York: Scribner, 1997. Very Good +/Very Good +. New York: Scribner, 1997. First Edition. Signed by Don DeLillo without inscription at title page. Thick octavo. 827 pp. Photo-illustrated dust jacket. Light green and black boards stamped in gilt. Unclipped dust jacket rubbed and creased along edges. Boards show light shelfwear and binding is sound. Touch of dust soiling to top edge of text block but otherwise pages unmarked.

827, [3] pages. Signed and dated by the author on the fep. A monumental work combining fiction and history in a collaboration that encompasses fifty years gives readers a glimpse into the realities upon which America's modern culture is based and explores the complex relationship between "waste analyst" Nick Shay and artist Klara Sax. Donald Richard DeLillo (born November 20, 1936) is an American novelist, short story writer, playwright, screenwriter and essayist. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global terrorism. DeLillo was already a well-regarded writer in 1985, when the publication of White Noise brought him widespread recognition and won him the National Book Award for fiction. DeLillo has twice been a Pulitzer Prize for Fiction finalist (for Mao II in 1992 and for Underworld in 1998), won the PEN/Faulkner Award for Mao II in 1992, won the 1999 Jerusalem Prize, was granted the PEN/Saul Bellow Award for Achievement in American Fiction in 2010, and won the Library of Congress Prize for American Fiction in 2013. DeLillo had described his fiction as concerned with "living in dangerous times", [3] and in a 2005 interview he said that writers "must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments...I think writers, by nature, must oppose things, oppose whatever power tries to impose on us." Underworld went on to become DeLillo's most acclaimed novel to date, achieving mainstream success and earning nominations for the National Book Award and the New York Times Best Books of the Year in 1997, and a second Pulitzer Prize for Fiction nomination in 1998. The novel won the 1998 American Book Award, the 1999 Jerusalem Prize, and both the William Dean Howells Medal and Riccardo Bacchelli International Award in 2000. It was a runner-up in the 2006 New York Times' survey of the best American fiction of the last 25 years. White Noise and Libra were also recognized by the anonymous jury of contemporary writers. DeLillo later expressed surprise at Underworld's success. In 2007, he remarked: "When I finished with Underworld, I didn't really have any all-too-great hopes, to be honest. It's some pretty complicated stuff: 800 pages, more than 100 different characters-who's going to be interested in that? " After rereading it in 2010, over ten years after its publication, DeLillo said that rereading it "made me wonder whether I would be capable of that kind of writing now-the range and scope of it. There are certain parts of the book where the exuberance, the extravagance, I don't know, the overindulgence....There are city scenes in New York that seem to transcend reality in a certain way." Derived from a Kirkus review: Working at the top of his form, DeLillo draws on his previous novels in shaping his most ambitious work yet, a grand Whitmanesque epic of postwar American life-a brainy, streetwise, and lyrical underground history of our times, full of menace and miracles, and humming with the bop and crackle of postmodern life. DeLillo's bottom-up chronicle is the history of garbage, from a rubble-strewn lot in the Bronx to nuclear waste dumps in the Southwest. And the true-blue American who spans these landscapes is one Nick Shay, now an executive with a waste-management firm, once a j.d. on the not-so-mean streets, where his father kept book and his mother worried her rosary for her two boys, the other a chess prodigy who later lends his mathematical genius to the weapons industry. From the '50s on, DeLillo's always accessible narrative is also the history of a baseball, the one that was the "Shot Heard Round the World, " Bobby Thomson's pennant-winning home run in 1951. The fate of the actual ball, a relic of spiritual significance,...