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The book is complete and readable with all pages and cover intact. Dust jacket shrink wrap or boxed set case may be missing. Pages may have light notes highlighting or minor water exposure but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

Aperture, 0000-00-00. First Edition. hardcover. Used: Good. 9.89x0.69x11.72. Buy with confidence. Excellent Customer Service & Return policy.

29.5 x 25 cm. Quarto. 95pp. Stated first edition with full number line ending in 1. Black cloth in dust jacket. With 85 black and white photographs. Light rubbing to bottom of boards. Near Fine in Near Fine dust jacket

Sewn binding. Cloth over boards. 96 p. Contains: Illustrations.

First edition. Sewn binding. Cloth over boards. 96 pgs., 11-3/4 in. by 9-3/4 in. Black & white photographs of nudists. Both book and dust jacket are like new: just perfect.

New York: Aperture, 1994. First Edition. Hardcover. VG (DJ has light edgewear, scuffing, smudging; boards have light edgewear, bumping, smudging; interior is clean; binding is solid.). Half-bound black and grey boards with b&w photo-illustrated DJ with white and black lettering; 95 pp.; richly illustrated. "In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit. These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy." "Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are gloriously natural and wonderfully compelling." "Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photographs. These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made." "In the book's afterword, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs."--BOOK JACKET.