Search results 60 Found

[ Edition: First ]. Good Condition. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] Publisher: Flatiron Books Pub Date: 1/21/2020 Binding: Hardcover Pages: 386

First edition, First printing. Not price clipped. NOT REMAINDER marked. NOT ex library. Not Book Club. Dust jacket in protective cover. Shipped in a box. Number line starting with a (1). Fine/Fine.

Stated First edition, first printing, full number line starting with "1". Dust jacket intact and in very good condition with minor edgewear. Text block is clean, bright and tight, no markings, corner creases or other defects noted. Providing superior service since 2001. Dropshippers heartily welcomed.

386pp, 2020. Very good hardcover in a very good dustjacket. No marks or tears. A harrowing fictional account of a woman and her son on the run from a drug cartel. Size: 8vo - over 7? - 9?" tall

This book is a stated First U.S. Edition: January 2020 with a full number line for First Printing. Book is in fine+ condition and is a clean, square and tight copy with no marks. Dust jacket is in fine+ condition and has a Mylar protective cover. The original price is intact. Outside of book is sanitized/ bubble wrapped and then boxed for shipment with tracking to your USA location. Thank you for your consideration.

Hardback in fine condition with a fine dust jacket. 1st Edition Stated

Flatiron Books, USA, 2019, hardcover, 1st edition, 1st printing, fine book in a near fine jacket, unclipped jacket, unmarked, not remaindered, bookclub or library

First Edition.

Hardback book in a protected jacket, price intact, binding straight, pages clean and unmarked. first edition, first printing, Oprah Book sticker on the cover. There are some light pencil marks in the margins of a few pages. This novel became very controversial when it was published because of the issue of "cultural appropriation." Because the author was not Mexican it was asserted that she should not have written about Mexican and Central American migration to the border and the multiple dangers they face. In truth, any good novelist "appropriates" other people and cultures, that is what novelists do--create characters who are not like themselves. The issue not whether such appropriation should be done or not, it should, but whether the novelist is gifted at his or her craft and creates credible characters and speaks with authority about their chosen topic. In the case of Jeanine Cummins, the answer is so-so. She's not a particularly gifted novelist and her authority on her topic varies from credible to not so much. It's a book that deserves some readers, but not the high praise or excessive condemnation it received.