Nana opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan elite, was la Ville Lumiere, a perfect victim for Zola's scathing denunciation of hypocrisy and fin-de-siecle moral corruption. The fate of Nana, the Helen of Troy of the Second Empire, and daughter of the laundress in L'Assommoir, reduced Flaubert to almost inarticulate gasps of admiration: 'Chapter 14, unsurpassable! ...Yes! ...Christ Almighty! ...Incomparable...Straight out of Babylon! ' Boulevard society is presented with painstaking attention to detail, and Zola's documentation of the contemporary theatrical scene comes directly from his own experience-it was his own failure as a playwright which sent him back to novel-writing and Nana itself. novel-writing and Nana itself. This new translation is an accurate and stylish rendering of Zola's original, which was first published in 1880.
A clean, unmarked book with a tight binding. 545 pages. Full green cloth boards. Attractive small format: 4 3/4"w x 7 1/2"h. Modern Library #142. Rockwell Kent torch bearer design on endpapers and embossed on cover. No date listed, circa 1950.
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top edge gilt: The top of the text block (the edges the pages that are visible when looking directly down at the top of a closed book) has been decorated with a gold-like finish.