Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.
Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine. Most items shipped via US Mail. Please provide a US Mail delivery address at checkout. ABE shipping prices reflect actual costs. In rare cases, very heavy books and sets may require additional postage.
Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping
Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
The jacket is shelf worn and rubbed with the bottom edge of having a few small tears. The cover is slightly scratched, particularly from the back cover. Spine is slightly shaken, but binding is secure. Pages are clean and unmarked.
Yale University Press, 2006. 1st Edition 1st Printing. Hardcover. Fine/Fine. 287 Pp. Blue Cloth Lettered In Blind. First Printing Indicated. Fine In Fine Dust Jacket.
New Haven: Yale University Press, 2006. Hardcover. VG/VG (light shelf-wear boards. rubbing to corners. bump & crease to lower corner. pg edges-toned. dustjacket lower corner creased; back cover scuffed). Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.
Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.
Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 4.72
Yale University Press, 2006-11-01. hardcover. Very Good. 10x1x12. Maybe read once. Hardcover and dust jacket show only light cover wear. Text is unmarked and binding tight. Ships FAST!
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