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1ST. 1ST.SIGNED BY AUTHOR in brown felt tip pen to front free endpaper.Tiny crease to lower edge of spine of purple boards. DJ has half inch tear to top left-hand corner of front, neatly mended from inside, otherwise Fine.

Copy No. 241 of D. H. Lawrence's separately published introduction to the Paris popular edition of Lady Chatterley's Lover, together with the first trade edition of the expanded introduction, published the following year under the title A Propos of Lady Chatterley's Lover. Jolly Roger: Slim Demy 8vo (218 x 147mm): [12]pp, with scarce erratum slip laid in. Publisher's speckled beige paper-covered boards, matching beige paper title label printed in black to upper cover, patterned end papers printed in rose and black. A Very Fine copy without noticeable flaw. A Propos: Slim crown 8vo (189 x 115mm): 62,[2]pp, with title-page vignette. Publisher's French blue cloth ruled and lettered in brown; salmon-pink illustrated dust jacket ruled and lettered in black and priced 3/6. An excellent example, tightly bound and clean throughout. Roberts A48 (Although the limitation statement states that 600 copies were printed, "the first printing consisted of 700 copies according to the publishers.") and A48b. These introductions were Lawrence's response to the controversy of Lady Chatterley's Lover and the rampant piracy of the novel. In the spring of 1928, Lawrence had commissioned the Tipografia Guintina, in Florence, to print Lady Chatterley's Lover after it was rejected by numerous English publishers. He planned to sell one thousand signed and numbered copies for £2 each, with friends acting as agents. By the end of the year, nearly all copies were sold, despite (or perhaps because of) the novel being banned from the United States and about to be suppressed in London. In these introductions, Lawrence took a two-pronged approach to the defense of Lady Chatterley's Lover. He began by explaining his decision to bring out an authorized popular edition, in response to the piracies. Then he broached the topic of sex , arguing in favor of treating sex respectfully but explicitly in literature. N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

IMMACULATE NEW copy of this supreme collectable in the Penguin Classic Anniversary Editions. This remarkable and very beautiful edition has become the most sought after edition in the series by far. Sir Paul Smith designed the book, and chose to cover the board binding in delicate embroidered silk, which features the flowers Lawrence mentions in the book. The silk has been used for every aspect of this gorgeous book; even the Penguin logo is embroidered in silk. This particular copy has a unique signed pictorial card from the great designer himself, which is loose laid on the title page. This really is a breathtaking production in every way, from its large format pages to its silk covering over the top of the binding boards, all the way to the heavy lucite case that was especially designed for the book, and which has a subtle explanatory text silk screened on to it, and which I found too difficult to photograph. For once, the hype is well worth the result. Truly, this is a classic. 0.0 0.0 0.0

"Lady Chatterley's Lover" by D. H. Lawrence. Signed by the author on a limitation page from a Signed Limited Edition and affixed professionally by a bookbinder. This edition is likely pirated, printed shortly after the first edition and is nearly identical in format to the true first. Without the copyright notice of Tipografia Giuntina at the bottom of the copyright page and "Privately Printed, Florence, 1928" on the title page. From Wikipedia: "The first edition was printed privately in Florence, Italy, with assistance from Pino Orioli; an unexpurgated edition could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929.) The book soon became notorious for its story of the physical (and emotional) relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable words." Measuring 9 ¼ inches tall, the book has been rebound in beautiful deckled paper and ¾ red leather with raised bands, gilt rules, gilt fleur de lis, gilt title/author lettering on spine and deckled pastedowns and end papers. Structurally and appearance wise, it is in very good condition. With black and red text to title page, interior contents are in very good + condition, all pages present, all bright with no errant marks or names. Top corners of most pages show light creasing. Page ends show some age soiling largely to top and rough cut fore edges. Top page ends also show a short thin streak of soiling and a couple of extremely faded very small damp stains near crown. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory # (J7-24).

A very good plus hardcover copy. Spine has been rebacked with original label. Copy is very tight and clean. SIGNED LIMITED EDITION OF 1000 copies of which this is number 526. Two signatures in pencil appear on the front free endpaper; Sara Higgins and Joe Foster. Sara Higgins was the wife of Victor Higgins, a well known artist of the Taos Circle. Both were good friends of D. H. Lawrence as was Joe Foster who wrote a bibliography of Lawrence. All pages are very clean, no tears. Book comes with a handsome clamshell box.

1st Edition 1928. Privately Printed Florence, Limited to 1000 copies. This copy signed by Lawrence and numbered 434. Half title. Printed by the Tipografia Giuntina. frontispiece photograph of Jo Davidson's clay bust of Lawrence; Beautifully rebound in full calf leather with spine detailing and the Lawrence Phoenix blind stamped to the front and rear board. Book is very good++ and bright. . Contents quite good. Pages slightly marked and age toned. A few roughly opened un-cut pages. Nice tight binding. Includes a purpose made cloth clamshell box. More images can be taken upon request. Ref14731

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.