Search results 72 Found

First Edition, First Printing. Published by Yale University Press, 2006. Folio. Blue cloth boards with illustrated endpapers. Book is very good; with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is very good with a purple stain along front top edge. 285 pages. ISBN: 9780300115864. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

The jacket is shelf worn and rubbed with the bottom edge of having a few small tears. The cover is slightly scratched, particularly from the back cover. Spine is slightly shaken, but binding is secure. Pages are clean and unmarked.

Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine. Most ABE shipping prices reflect actual costs. In rare cases, very heavy books and sets may require additional postage.

Yale University Press, 2006-10-31. hardcover. Good. Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine. Biblio's shipping charge based on a 2 lb weight. Oversize and heavy books will require an additional shipping charge.

287 Pp. Blue Cloth Lettered In Blind. First Printing Indicated. Fine In Fine Dust Jacket.

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations. VG/VG (light shelf-wear boards. rubbing to corners. bump & crease to lower corner. pg edges-toned. dustjacket lower corner creased; back cover scuffed)

Yale University Press, 2006. 1st Edition 1st Printing. Hardcover. Fine/Fine. 287 Pp. Blue Cloth Lettered In Blind. First Printing Indicated. Fine In Fine Dust Jacket.

100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Yale University Press, 2006. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2250grams, ISBN:9780300115864

This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2250grams, ISBN:9780300115864

Quarto. 12 1/4" x 10 1/4". 287pp. A fine copy in dust jacket. SAul Steeinberg is known for his art for The New Yorker.

Hardbound in dust jacket.1st edition. Minor wear to dust jacket, otherwise very good [ Heavy. Contact for overseas shipping quote. ]

Yale University Press, 2006. First edition. Hardcover. fine/near fine. Quarto. 12 1/4" x 10 1/4". 287pp. A fine copy in dust jacket. SAul Steeinberg is known for his art for The New Yorker.

New Haven CT: Yale University Press;, 2006. 1st. Hardcover. Very Good/Very Good. Hardcover, 288 pages. Saul Steinberg (1914-99) described himself as a "writer who draws," thus inspiring curator Smith to characterize Steinberg's brilliantly satiric drawings as "illuminations," thus linking his work to illuminated manuscripts and, given Steinberg's love of literature, to a particular favorite, Arthur Rimbaud's Illuminations. Smith also explores Steinberg's mission to illuminate the overlooked and the absurd. In the biographical sections of his beautifully crafted critique, Smith affectingly recounts Steinberg's life as a Jew in anti-Semitic Romania and an architecture student in Fascist Milan whose distinctive cartoons served as his ticket out of Nazi Europe and onto the pages of the New Yorker. Both Smith and renowned poet Charles Simic associate Steinberg's fascination with documents with his harrowing refugee experiences, while Simic, a fellow immigrant from the Balkans and a friend of Steinberg's, offers striking insights into the artist's comic sensibility. Both commentators reflect on the great change in Steinberg's work after 1960, as his images turned hallucinatory and nightmarish, his protest against tyranny more intense. As instantly recognizable as Steinberg's kinetic, punning, and slyly skewering art is, there hasn't been a comprehensive Steinberg book in years, making this outstanding volume invaluable in its reclamation of Steinberg's agile, philosophic, and category-defying art. Record # 362459

Book is in very good condition. Inscriptions inside. 288pp with colour and b/w illustrations.

Clean and tightly bound with fine, unmarked contents and plates. Small sticker residue on rear panel and very light shelf wear, otherwise near fine. A nice copy. International shipping may require added postage charges.

Text block, boards and binding are pristine. Dust wrapper in fine, like new condition. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 2250grams, ISBN: 9780300115864.

Book is in fine condition with a near fine dust jacket. 288pp with colour and b/w illustrations.

First edition, first printing. Inoffensive gift inscription hidden beneath front jacket flap else a fine fresh copy in a fine dust wrapper; an archival jacket protector is supplied.

New Haven: Yale University Press, 2006. Cloth/dust jacket Quarto. Hardcover. Very good/very good. blue cloth, blindstamped lettering, dust jacket, 287 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

blue cloth, blindstamped lettering, dust jacket, 287 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 4.72

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.