DK Publishing (Dorling Kindersley), 1994. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
No Dustjacket. All orders are dispatched within 1 working day from our UK warehouse. Established in 2004, we are dedicated to recycling unwanted books on behalf of a number of UK charities who benefit from added revenue through the sale of their books plus huge savings in waste disposal. No quibble refund if not completely satisfied.
No Dustjacket. All orders are dispatched within 1 working day from our UK warehouse. Established in 2004, we are dedicated to recycling unwanted books on behalf of a number of UK charities who benefit from added revenue through the sale of their books plus huge savings in waste disposal. No quibble refund if not completely satisfied.
No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. Folio, 12.25 inches tall; 200 pages with an index and bibliography. A compilation of illustrations enhances this history of stained glass that covers its evolution, historical tradition, techniques, materials, and modern developments. This text provides an outstanding and comprehensive historical review of stained glass from the Romanesque to the present era. Translated from the original French, the text is clear, well composed, and full of important information regarding all aspects of stained glass production, its use as an art form, and the changes undergone in the media over a thousand year period. The author, Catherine Brisac, is the curator of the Musée des Plans et Reliefs de Paris, and is a renowned authority on the subject.
No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. Folio, 12.25 inches tall; 200 pages with an index and bibliography. A compilation of illustrations enhances this history of stained glass that covers its evolution, historical tradition, techniques, materials, and modern developments. This text provides an outstanding and comprehensive historical review of stained glass from the Romanesque to the present era. Translated from the original French, the text is clear, well composed, and full of important information regarding all aspects of stained glass production, its use as an art form, and the changes undergone in the media over a thousand year period. The author, Catherine Brisac, is the curator of the Musée des Plans et Reliefs de Paris, and is a renowned authority on the subject.
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