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1ST. 1ST.SIGNED BY AUTHOR in brown felt tip pen to front free endpaper.Tiny crease to lower edge of spine of purple boards. DJ has half inch tear to top left-hand corner of front, neatly mended from inside, otherwise Fine.

Copy No. 241 of D. H. Lawrence's separately published introduction to the Paris popular edition of Lady Chatterley's Lover, together with the first trade edition of the expanded introduction, published the following year under the title A Propos of Lady Chatterley's Lover. Jolly Roger: Slim Demy 8vo (218 x 147mm): [12]pp, with scarce erratum slip laid in. Publisher's speckled beige paper-covered boards, matching beige paper title label printed in black to upper cover, patterned end papers printed in rose and black. A Very Fine copy without noticeable flaw. A Propos: Slim crown 8vo (189 x 115mm): 62,[2]pp, with title-page vignette. Publisher's French blue cloth ruled and lettered in brown; salmon-pink illustrated dust jacket ruled and lettered in black and priced 3/6. An excellent example, tightly bound and clean throughout. Roberts A48 (Although the limitation statement states that 600 copies were printed, "the first printing consisted of 700 copies according to the publishers.") and A48b. These introductions were Lawrence's response to the controversy of Lady Chatterley's Lover and the rampant piracy of the novel. In the spring of 1928, Lawrence had commissioned the Tipografia Guintina, in Florence, to print Lady Chatterley's Lover after it was rejected by numerous English publishers. He planned to sell one thousand signed and numbered copies for £2 each, with friends acting as agents. By the end of the year, nearly all copies were sold, despite (or perhaps because of) the novel being banned from the United States and about to be suppressed in London. In these introductions, Lawrence took a two-pronged approach to the defense of Lady Chatterley's Lover. He began by explaining his decision to bring out an authorized popular edition, in response to the piracies. Then he broached the topic of sex , arguing in favor of treating sex respectfully but explicitly in literature. N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

IMMACULATE NEW copy of this supreme collectable in the Penguin Classic Anniversary Editions. This remarkable and very beautiful edition has become the most sought after edition in the series by far. Sir Paul Smith designed the book, and chose to cover the board binding in delicate embroidered silk, which features the flowers Lawrence mentions in the book. The silk has been used for every aspect of this gorgeous book; even the Penguin logo is embroidered in silk. This particular copy has a unique signed pictorial card from the great designer himself, which is loose laid on the title page. This really is a breathtaking production in every way, from its large format pages to its silk covering over the top of the binding boards, all the way to the heavy lucite case that was especially designed for the book, and which has a subtle explanatory text silk screened on to it, and which I found too difficult to photograph. For once, the hype is well worth the result. Truly, this is a classic. 0.0 0.0 0.0

"Lady Chatterley's Lover" by D. H. Lawrence. Signed by the author on a limitation page from a Signed Limited Edition and affixed professionally by a bookbinder. This edition is likely pirated, printed shortly after the first edition and is nearly identical in format to the true first. Without the copyright notice of Tipografia Giuntina at the bottom of the copyright page and "Privately Printed, Florence, 1928" on the title page. From Wikipedia: "The first edition was printed privately in Florence, Italy, with assistance from Pino Orioli; an unexpurgated edition could not be published openly in the United Kingdom until 1960. (A private edition was issued by Inky Stephensen's Mandrake Press in 1929.) The book soon became notorious for its story of the physical (and emotional) relationship between a working-class man and an upper-class woman, its explicit descriptions of sex, and its use of then-unprintable words." Measuring 9 ¼ inches tall, the book has been rebound in beautiful deckled paper and ¾ red leather with raised bands, gilt rules, gilt fleur de lis, gilt title/author lettering on spine and deckled pastedowns and end papers. Structurally and appearance wise, it is in very good condition. With black and red text to title page, interior contents are in very good + condition, all pages present, all bright with no errant marks or names. Top corners of most pages show light creasing. Page ends show some age soiling largely to top and rough cut fore edges. Top page ends also show a short thin streak of soiling and a couple of extremely faded very small damp stains near crown. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory # (J7-24).

A very good plus hardcover copy. Spine has been rebacked with original label. Copy is very tight and clean. SIGNED LIMITED EDITION OF 1000 copies of which this is number 526. Two signatures in pencil appear on the front free endpaper; Sara Higgins and Joe Foster. Sara Higgins was the wife of Victor Higgins, a well known artist of the Taos Circle. Both were good friends of D. H. Lawrence as was Joe Foster who wrote a bibliography of Lawrence. All pages are very clean, no tears. Book comes with a handsome clamshell box.

Very Good - This Edition Limited to One Thousand copies of which this is number 697. Signed by D.H. Lawrence on the limitation page which is opposite the tile page. Professional full leather binding in slipcase. Slipcase has brown cloth cover and is lined with a black felt. Volume is full leather binding with gilt title, author, date and decoration between 5 raised bands down the spine. Gilt line to the extremities of the front and rear boards, original brown cloth front cover with the phoenix has been used as the front paste down with brown end pages (a nice touch). The text block has rough cut pages. Condition - the slipcase has the slightest of wear at the corners, the volume has a very small rub on the spine above and below the title, original cloth cover has marks to the extremities where it has pasted to the original boards, there is very light foxing and tanning throughout otherwise contents are clean, bright and tight. Fully paginated and all pages present and correct. As this item weighs over 1kg when packed additional postage will be required for delivery outside of the United Kingdom.

1st Edition 1928. Privately Printed Florence, Limited to 1000 copies. This copy signed by Lawrence and numbered 434. Half title. Printed by the Tipografia Giuntina. frontispiece photograph of Jo Davidson's clay bust of Lawrence; Beautifully rebound in full calf leather with spine detailing and the Lawrence Phoenix blind stamped to the front and rear board. Book is very good++ and bright. . Contents quite good. Pages slightly marked and age toned. A few roughly opened un-cut pages. Nice tight binding. Includes a purpose made cloth clamshell box. More images can be taken upon request. Ref14731

8vo. Brown half morocco, pebbled cloth boards, top edges gilt, others untrimmed. First edition, number 670 of 1000 copies signed by the author. "Mr. Lawrence has moments of greatness, of course, but hours of something very different" - Virginia Woolf ('The Common Reader'). "Lawrence fully intended to shock and expected his book to be banned. The time-bomb only recently exploded when the issue of the trial ended censorship in England. Even without the eroticism it is a fascinating and well-planned novel rich in post-war observations and character portrait" (Connolly, The Modern Movement, 57). Roberts A42a. A fine copy

A rare privately printed edition in Florence, not stated Phoenix, but signed and limited by DH Lawrence to only 500 copies. The signed Phoenix edition was of 1,000 copies. This unique copy features a superb full crushed crimson levant Morocco tooled binding inlaid with Jewels, with jewels on its spine and with spine raised bands and compartments, all enclosed in a superb custom slipcase and chemise folder. A superb presentation of a great novel, a landmark of modern fiction. Binding signed by the late Alan Grace. of Cambridge UK.

First edition and signed limited edition of D.H. Lawrence's most ambitious, significant, and explicit work on sex and romance. Octavo, original publisher's mulberry paper-covered boards with white paper spine label, central Phoenix motif to the front panel. One of one thousand copies signed by D.H. Lawrence on the limitation page. In very good condition, bookplate to the front pastedown. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the enigma and complexity of sex. The story of the physical and emotional relationship between a working class man and an upper class woman, its explicit descriptions of sex soon led to routine confiscation and destruction of any copies police and customs officials could find in both England and the United States. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case under the Obscene Publications Act 1959, and quickly sold 3 million copies. The book was also banned for obscenity in the United States, Canada, Australia, India, and Japan and was not available in the United States until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition (Roberts, 42a).

"Lady Chatterley's Lover" by D.H. Lawrence. 1928 first limited edition, number 401 of 1,000 copies signed by the author, crushed red half morocco by Bayntun-Riviere, spine lettered in gilt, t.e.g., others uncut, small dent to lower cover, else fine, [Roberts A42a], sm.4to, Privately Printed by the Tipografia Giuntina. ? Lawrence's most famous work, subject of the notorious 1960 obscenity trial.

This is a rebound limited edition copy, #37 of 1000 copies. Signed by Lawrence to limitation page. Professionally rebound in full leather with gilt. Slight signs of handling to pages. Uncut edges. A tight, square unmarked copy. ; Large 8vo 9" - 10" tall; Signed by Author

First edition and signed limited edition of D.H. Lawrence's most ambitious, significant, and explicit work on sex and romance. Octavo, original publisher's mulberry paper-covered boards with white paper spine label, central Phoenix motif to the front panel. One of one thousand copies signed by D.H. Lawrence on the limitation page. In very good condition, bookplate to the front pastedown. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the enigma and complexity of sex. The story of the physical and emotional relationship between a working class man and an upper class woman, its explicit descriptions of sex soon led to routine confiscation and destruction of any copies police and customs officials could find in both England and the United States. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case under the Obscene Publications Act 1959, and quickly sold 3 million copies. The book was also banned for obscenity in the United States, Canada, Australia, India, and Japan and was not available in the United States until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition (Roberts, 42a).

Florence: Privately Printed by the Tipografia Giuntina, 1928. 4to 2 p.l., 365, [1] pp., [1] leaf (blank). FIRST EDITION. ONE OF 1,000 COPIES, SIGNED BY LAWRENCE. Original publisher's mulberry-colored paper boards, edges untrimmed, note chips to spine, else quite lovely. Roberts A-42a. This is simply a good tpo very gppd copy of one of the major works of British literature in the 20th century. Although poetical in the general treatment of its subject, this book is a landmark in the history of the English novel in that it depicts for the first time in a studied and unabashedly direct way the concrete sexual experience, accompanied by the uninhibited language of real life. The book was first published in Italy because of obstacles erected by the censor in Britain, where it did not circulate in unexpurgated form until 1960.

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

First edition, limited issue, number 302 of 1000 copies, signed by the author; large 8vo (23 x 17 cm); one or two minor marginal spots, else unmarked internally; publisher's mulberry coloured boards, Lawrence's phoenix device to upper board in black, white paper title label to spine printed in black, untrimmed, slight chipping to corners and foot of spine, spine ends slightly bumped, minor split to lower front joint but sound; preserved in brown cloth chemise within brown morocco gilt slip-case. This novel shines as an example of Lawrence's finite skill in conveying the nature of relationships and his use of characters to communicate his personal philosophy. His depiction of love-making (seen as shocking at the time) and the intimacy and sense of touch derives from his wish to restore an emphasis on the body and balance it with what he perceived to be Western civilisation's over-emphasis on the mind. Lawrence's writing and opinions earned him many enemies, censorship and misrepresentation of his creativity, which was his reflection on the dehumanising effects of modernity and industrialisation, while also exploring issues such as emotional health, vitality, spontaneity and instinct. To avoid British censorship and certain prosecution, this edition of Lady Chatterley's Lover was published privately in Florence therefore not only is it the first edition but the first unexpurgated edition, which would not be seen in the U. K. until 1960. Even then, the publisher, Penguin stood trial under the Obscene Publications Act of 1959, in which one of the objections was to the frequent use of the word 'fuck'. The prosecution was ridiculed for being out of touch with changing social opinions, particularly when the Chief Prosecutor, Mervyn Griffith-Jones asked if it were the kind of book 'you would wish your wife or servants to read.' The jury was less prudish and acquitted Penguin on all charges.

(First edition). This edition is limited to one thousand copies. No.512. Signed by the author. (4),365pp. Florence- Printed by the Tipografia Giuntina, directed by L.Franceschini. Original publisher's brown paper covered thick boards, black phoenix motif on the front board, white paper title label to spine. With original unprinted yellow dust jacket. Dust jacket torn, chipped, and damaged especially at the spine and rear flap. Brown paper of front board torn at hinges. Upper corner of front board sl.creased. Title page and its facing page (the page with author's signature) sl.stained at margin. Otherwise very good condition. With a preserved case. 23.2x17cm. [aj1488-171204]

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1, 000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self, " but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12, 500.

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1,000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case . Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self," but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12,500.

First edition, limited to 1,000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition. Octavo. Mulberry papercovered boards with spine label, Lawrence's phoenix device in black on front, and bright and supple uncutpaper pages. Near fine with a bit of wear at a few corners, a chip at the crown expertly repaired and some tape shadows to the pastedowns and endpapers, as is sometime found with this title due to the unprinted dust jacket, which is lacking. One of 1000 numbered copies Signed by the author. A nice copy of a 20th Century classic. *Connolly 100.*.

Full Description: LAWRENCE, D.H. Lady Chatterley's Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928. First edition. Limited to 1, 000 numbered copies, signed by the author. This being number 773. Octavo (9 x 6 1/4 inches; 227 x 157 mm). [4], 365, [3, blank] pp. Original brown paper boards with printed paper spine label. Front cover printed in black with the Lawrence phoenix. Unopened. A fine copy. Housed in a quarter brown morocco clamshell case. Available by subscription only in this private Florence printing and banned in England and America for obscenity, Lady Chatterley's Lover was Lawrence's most ambitious attempt to present his vision of the mystery and wonder of sex. Lawrence described the book as "beautiful and tender and frail as the naked self, " but in England and the United States police and customs officials routinely confiscated and destroyed any copies they could find and prosecuted the booksellers. Lady Chatterley's Lover was not available in the U.S. until Grove Press brought the matter to court in 1959, over 30 years after the publication of the first edition. Roberts A42a. HBS 69119. $12, 500.

First edition, limited to 1, 000 numbered copies signed by D. H. Lawrence, privately printed and available by subscription only. Bound in original brown paper-covered boards with upper board stamped with black phoenix design and paper title label to spine. Near Fine with rubbing to corners and light wear to covers, pages toned and lightly foxed heavier at prelims and terminals. A controversial novel for its time, this was banned in both England and America, and not published in the later until 1959. Housed in a custom morocco-backed chemise slipcase.

First edition, first impression, number 596 of 1,000 copies signed and numbered by the author, here retaining the scarce plain paper dust jacket, well-preserved in a contemporary glassine wrapper possibly issued by the publisher. This copy is offered together with an unpublished autograph postcard from the author to his mother-in-law, Anna Freiin von Richthofen (1879-1930). The postcard - located and dated "Santa Fe. 18 Okt", and franked the same day - was sent by Lawrence in 1924 to "Frau Baronin von Richthofen", the title shared by Lawrence's wife Frieda, her sister Else, and their mother Anna, with whom Lawrence maintained a close correspondence. Written in German, it reads: "reisen morgen nach El Paso - ich schiche dir heute Photographien von Ranch" ["Travelling tomorrow to El Paso - I am sending you the Ranch photographs today"]. The "Ranch" refers to Lawrence's New Mexico residence, where he lived between 1922 and 1924, and where he was interred after his death. Lawrence's novel was printed in Florence by a small avant-garde publisher to circumvent British obscenity laws. "Lady Chatterley's Lover - written in the astonishing time of just five weeks, in one of Lawrence's last great bursts of creative energy - also sustained him, as he overcame the difficulties lying in the way of an individual publishing and distributing his own book. With the help of the Florentine bookseller Pino Orioli, the handsome volume was printed in and distributed from Florence, and made Lawrence more money than he had ever imagined" (ODNB). Roberts & Poplawski A42a (not mentioning the existence of paper or glassine jackets). Octavo. Original pinkish-brown paper-covered boards, paper spine label, Lawrence's phoenix device blocked in black on front cover, edges untrimmed. With original plain cream dust jacket and contemporary glassine. Housed in a custom black half morocco solander box. Minute splits to spine ends, spot of foxing to label, contents crisp, fresh, and largely unopened; hint of rubbing and toning to jacket, a few faint damp stains to spine, extremities lightly chipped with some very minor loss to spine: a near-fine copy in near-fine dust jacket.

First edition. Number 19 in a limited edition of 1000 copies privately printed for the author in Florence. Signed by the author on the limitation page. Original mulberry card backed boards with the Lawrencian phoenix in black on the upper cover and title label on the spine, in scarce publisher's unprinted yellow dustwrapper. A fine copy, crisp and clean with just a little foxing to the title label in a fine dustwrapper with a trace of wear to the spine ends and a tiny puncture to the rear panel. Internally uncut and unopened. An exceptional copy. Lawrence's most famous work but also one of the most controversial books of the twentieth century. It was rejected by both British and American publishers on the grounds of obscenity, forcing Lawrence to seek the help of Florentine bookseller Giuseppe Orioli, who arranged for the book to be set by hand by Italian printers and issued on subscription in an edition of 1000 copies. Despite being banned in Britain and America, with several illicit consignments seized in police raids, the edition sold out within six months. It was subsequently pirated and translated, expurgated and bowdlerised, condemned and confiscated until Penguin's unexpurgated publication and subsequent acquittal for obscenity in 1960 marked a significant advance for the freedom of the written word.