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This is the first edition of the first part of The Hobbit in graphic novel format. Adapted by Charles Dixon and illustrated by David Wenzel. Inside the front cover it is inscribed, "To Karl Best Wishes David Wenzel."First printing. Inscribed by illustrator, David Wenzel. Soft cover. Just over ten inches tall and 6.5 inches wide. Wrap around illustration. 45pp., plus one page of advertising for Eclipse books. Near fine. A small bump at the bottom of the spine. Shelley and Son Books specializes in C.S. Lewis, J.R.R. Tolkien & the Inklings. Full refund if not satisfied.

This is the first edition of the first part of The Hobbit in graphic novel format. Adapted by Charles Dixon and illustrated by David Wenzel. Inside the front cover it is inscribed, "To Karl Best Wishes David Wenzel."First printing. Inscribed by illustrator, David Wenzel. Soft cover. Just over ten inches tall and 6.5 inches wide. Wrap around illustration. 45pp., plus one page of advertising for Eclipse books. Near fine. A small bump at the bottom of the spine. Shelley and Son Books specializes in C.S. Lewis, J.R.R. Tolkien & the Inklings. Full refund if not satisfied.

Custom Clamshell Case (Book not included). No Binding. First Edition Clamshell Case. Superb Custom Fitted Modern Collector's Clamshell Bookcase [Not A Book] HAND-CRAFTED by our conservation team, each box is Gilt-stamped at the spine, & features a blind embossed [sculpted] THE HOBBIT 'Mountains and Dragon' design, raised across three panels with GILT stamping inspired by the first edition outstanding graphic cover & is finished inside & out in elegant GREEN. This clamshell is perfectly sized to accommodate your first edition. "Books definitely NOT included" When you place your order: Please confirm the actual size of your first edition as sizes may vary with age or if the edition is covered in Mylar. The text can be altered to add "signed" or other special requests. A Terrific Collector's Custom Case for an important Book. TBCL Web Site photo/link available for over a hundred cornerstone generally in-stock titles. Custom Craft available. Book definitely NOT included. Custom Clamshell Case (Book not included).

Signed UK 1st editions/printings 1/1. Fine, in fabric boards. Beautiful publications, The Hobbit Sketchbook signed to title page by Lee and numbered out of 3000. Both housed in fine slipcase, still in publisher's shrink wrap. Only 3000 worldwide and now scarce. Since 2001 First State Books has specialised in literary and children's fiction. We offer a guarantee of authenticity and that all items as described.

Box set. Later Printing. Illustrated in watercolour by Alan Lee. Signed and dated by Alan Lee to the Title Page of The Fellowship of the Ring and The Hobbit. Brand new set.

London: HarperCollins Publishers Ltd, 2020. 1st Edition 5th or later Printing. Hardcover. New/New. Box set. Later Printing. Illustrated in watercolour by Alan Lee. Signed and dated by Alan Lee to the Title Page of The Fellowship of the Ring and The Hobbit. Brand new set.

The present example was owned by Tolkien's uncle, W.B. Incledon who later gifted it to a friend. Inscribed by Incledon: C.S.C. / from / W.B. Incledon. / Rottingdean / Jan? 1938/Published in the same year as the first impression, this first colour illustrated edition (second impression overall) is the first time the world saw Middle-Earth in colour. This impression was printed in December of 1937 in an edition of 2300 copies (423 of which were destroyed at the warehouse of the binder, Key and Whiting, in the bombing of London on November 7th 1940). This example with the connection to the Tolkien family is one of a kind and has been held in the consignee's family by descent since 1938. One does presume that the book was originally given to his uncle by Tolkien himself.First colour illustrated edition. 8vo. A VG+ to near-fine example. Original publishers green cloth. Minor wear to the extremities of the cloth Presentation inscription from Tolkien's uncle. Internally fresh. A one of a kind example with a connection to Tolkien's uncle.Published by George Allen & Unwin, London, 1937

George Allen & Unwin Ltd. Publishers. 1937, 1954. London, U.K. First edition and thirteenth printing. Signed by author on half title page. Book in FINE condition, tight and square, sharp corners. Dustwrapper in NEAR FINE condition, original 12s. 6d. net price present on front flap, no chips or damage, unfaded spine, foxing on both flaps. Overall a FINE copy in great collectible condition. Very rare signed. Photos available. $13500

First edition, first issue of Tolkien's classic tale, "among the very highest achievements of childrenâs authors during the 20th centuryâ (Carpenter & Pritchard, 530), one of only a handful of presentation copies reserved for Tolkien to give to family members, colleagues and close friends. Octavo, original cloth, cartographic endpapers, frontispiece and 9 full-page uncolored illustrations after drawings by Tolkien. Presentation copy, inscribed by Tolkien on the flyleaf, "Mr. & Mrs. Livesley & Edgar with best wishes from J.R.R. Tolkien." The recipients, the Livesleys and their son Edgar, ran the Kennaway House, a Regency town house in the village of Sidmouth, East Devon which Tolkien used as a summer holiday home and the surrounds of which inspired the landscapes, flora, and fauna of The Shire", the region of Middle-earth inhabited hobbits first introduced in The Hobbit. Situated on the rocky coast of the rustic Devon countryside, the village of Sidmouth has featured in a number of famed literary works, as "Stymouth" in Beatrix Potter's children's story The Tale of Little Pig Robinson (1930), "Idmouth" in Thomas Hardy's Wessex, "Baymouth" in William Makepeace Thackeray's Pendennis, and "Spudmouth" in The Merry Adventures of Robin Hood by Howard Pyle. English poet Elizabeth Barrett lived in the town from 1832 until 1835. In the final stages of The Hobbit's revisions, Tolkien notably penned a list of special recipients he wished to present copies of the first printing of the book to upon publication, including C.S. Lewis, R.W. Chambers, R.W. Chambers, Simone dâArdenne, George S. Gordon, Elaine Griffiths, his aunts Mabel Mitton and Florence Hadley, and the Livesleys who hosted him at the Kennaway House. Published on September 21, 1937, the first printing of the Hobbit constituted only 1500 copies and completely sold out by December 15th. In near fine condition. Housed in a custom full morocco clamshell box. An exceptional association of the most highly coveted work in fantasy literature. "In enchanted Middle-earth, a small, comfort-loving Hobbit is awakened from his slumbers by a visitor who tells of lost treasure. Before Bilbo Baggins returns home again, he journeys past wizards and elves, talkative trees and treasure-guarding dragons, all swirling in cosmic battle between good and evil. J.R.R. Tolkien's fully realized fantasy world won over generations of children, and dazzled adults with its deft interweaving of medieval legend and made-up languages, maps, and creatures. Tolkien legitimized the modern fantasy genre, and provided the 1960's counterculture with antiwar, back-to-Eden icons" (NYPL Books of the Century 199). âProfessor Tolkienâs epic of Middle Earth⦠[is] one of [the twentieth] centuryâs lasting contributions to that borderland of literature between youth and age. There are few such booksâ"Gulliverâs Travels, The Pilgrimâs Progress, Robinson Crusoe, Don Quixote, Alice in Wonderland, The Wind in the Willowsâ"what else?⦠[They are] destined to become this centuryâs contribution to that select list of books which continue through the ages to be read by children and adults with almost equal pleasureâ (Eyre, 67, 134-5). "All historians of childrenâs literature⦠agree in placing [The Hobbit] among the very highest achievements of childrenâs authors during the 20th centuryâ (Carpenter & Prichard, 254, 530). Published on September 21, 1937 in a first printing of only 1500 copies, The Hobbit had completely sold out by December 15. âIt may have been a surprise to its publishers that a work as sui generis as The Hobbit should have been a popular success, but once it was a success there can have been no surprise in the clamor for a sequel. Tolkien had opened up a new imaginative continent, and the cry now was to see more of itâ (Shippey, 49).