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Good. Used with highlighting in text; may have other wear and/or markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.

(NA13 MAY4R2AL) hardcover in dust jacket, edge/point wear, no underlining or highlighting within

Size: 11x10x1; (NA13 MAY4R2AL) hardcover in dust jacket, edge/point wear, no underlining or highlighting within.

Yale University Press, 2011-06-21. Hardcover. Very Good. 11x10x1. (NA13 MAY4R2AL) hardcover in dust jacket, edge/point wear, no underlining or highlighting within

Book is like new; dust jacket has mild rubbing to cover, a tiny tear at the bottom edge of front cover, mild rubbing to bottom edge of cover and mild rubbing to corners of back cover. Overall book is in very good condition with a bright cover, crisp pages, solid binding, and mylar laminated.

Yale University Press, 2011-06-21. First Edition. hardcover. Used: Good.

492 Pp. Grey Cloth Stamped In Black, Gold Endpapers. First Printing. As New, Very Fine In Very Fine Dust Jacket, Gift Quality. International Shipping At Considerable Additional Cost, By Usps Priority Mail Box.

New Haven: Yale University Press/ San Francisco Museum Of Modern Art, 2011. 1st Edition 1st Printing. Hardcover. Fine/Fine. Color And B/W Illustrations Throughout. 492 Pp. Grey Cloth Stamped In Black, Gold Endpapers. First Printing. As New, Very Fine In Very Fine Dust Jacket, Gift Quality. International Shipping At Considerable Additional Cost, By Usps Priority Mail Box.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within

Very Good Copy

Hardcover with dustjacket, 492 pages, very good condition, except 1-inch small tears to dj at bottom of spine and lower right edge; no internal marks. Foreign shipping may be extra.

Yale University Press, 2011. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3150grams, ISBN:9780300169416

In Used Condition

This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3150grams, ISBN:9780300169416

Very Good Copy. Fast Shipment

Gently used book with ongoing seller support until you're fully satisfied with your purchase.

Quart. 492 S. Leinen mit Schutzumschlag. Sprache: Englisch, Bindung minimal gelockert, gutes Exemplar. Mit zahlr. farb. und schw.-w. Abb.

Size: 11x10x1; (NA13 MAY4R2AL) hardcover in dust jacket, edge/point wear, no underlining or highlighting within.

492 pages : illustrations (chiefly color). Publisher's binding fresh, corners sharp; contents as new. Minor edgewear to dust jacket. 3080 grams.

Gray cloth, lettered in gilt. As issued. Color pictorial dust jacket shows very slight soiling, now in mylar. 1st ed. Catalogue to accompany traveling 2011-12 exhibition in San Francisco, Paris, and New York. 492 pp., illus., many color plates.

New Haven: San Francisco Museum of Modern Art, 2011. hardcover. fine/very good. Essays by several authors. Hundreds of color illustrations. 491 pages, thick 4to, grey cloth, d.w.; dust wrapper wrinkled and lightly worn along bottom edge. New Haven: San Francisco Museum of Modern Art in association with Yale University Press, (2011). A fine copy in a very good dust wrapper.

Gray cloth, lettered in gilt. As issued. Color pictorial dust jacket shows very slight soiling, now in mylar. 1st ed. Catalogue to accompany traveling 2011-12 exhibition in San Francisco, Paris, and New York. 492 pp., illus., many color plates. Size: 4to - over 9¾" - 12" tall

Essays by several authors. Hundreds of color illustrations. 491 pages, thick 4to, grey cloth, d.w.; dust wrapper wrinkled and lightly worn along bottom edge. New Haven: San Francisco Museum of Modern Art in association with Yale University Press, (2011). A fine copy in a very good dust wrapper.

Used

100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.

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Hardback. Very Good.

The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

San Francisco: Museum of Modern Art, 2011. 1st. Hardcover. In association with Yale University, New Haven & London. Square 4to. 464pp. Over 600 illustrations (400 color). Bibliography; Index. Dark grey cloth in color printed dustjacket. A fine copy. Gertrude Stein, her brothers Leo & Michael and Michael's wife, Sarah actively promoted and collected emerging painters and sculptors, particularly their close friends Henri Matisse and Pablo Picaso. Their collection also included works by Paul Cezanne, Juan Gris, Francis Picabia, and Pierre-Auguste Renoir. This richly illustrated exhibition catalogue presents their life's collection along with eleven essays by distinguised contributors; archival photographs; facsimile of Sarah Stein's notebook of Matisse's teachings; an extensive chronology detailing their lives; and the most complete list to date of the artworks collected by the Steins. This is a heavy volume and may require additional shipping. Next day shipping. Celebrating our 17th year - all domestic orders ship with Delivery Confirmation Tracking Number - Images available upon request.

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Brand New Copy

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First edition. Quarto. 492pp. Heavily illustrated. Fine in fine dust jacket with a short corner crease on the lower flap. Published in conjunction with an exhibition of the same name.

STORED NEW PHOTOS OF BOOK EMAILED UPON REQUEST

Yale University Press, 2011. 1st Edition. . Hardcover. New. STORED NEW PHOTOS OF BOOK EMAILED UPON REQUEST

Gray cloth, lettered in gilt. As issued. Color pictorial dust jacket shows very slight soiling, now in mylar. 1st ed. Catalogue to accompany traveling 2011-12 exhibition in San Francisco, Paris, and New York. 492 pp., illus., many color plates.

Essays by several authors. Hundreds of color illustrations. 491 pages, thick 4to, grey cloth, d.w.; dust wrapper wrinkled and lightly worn along bottom edge. New Haven: San Francisco Museum of Modern Art in association with Yale University Press, (2011). A fine copy in a very good dust wrapper.

Book is in NEW condition. 6.6

Yale University Press, 2011-06-21. First Edition. hardcover. Used:Good.

Yale Univ Pr, 2011. Hardcover. New. 492 pages. 9.84x5.91x0.59 inches.

492 pages. 9.84x5.91x0.59 inches. In Stock.

Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!!

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--492 pages. Description; "As American expatriates living in Paris, the writer Gertrude Stein, her brothers Leo and Michael, and Michael's wife Sarah played a pivotal role in shaping the city's vibrant cultural life during the early twentieth century. They hosted Saturday evening salons at which artists, writers, musicians, and collectors convened to discuss the latest developments. They actively promoted and collected emerging painters and sculptors, particularly their close friends Henri Matisse and Pablo Picasso. And along the way they developed unparalleled holdings in modernist works by such figures as Paul Cézanne, Juan Gris, Francis Picabia, and Pierre-Auguste Renoir. Produced on the occasion of the first exhibition of the Steins' collections in more than forty years, this richly illustrated volume includes nearly 500 images and eleven essays by distinguished contributors. Their texts explore such themes as the Steins' impact on art making and collecting practices in Europe and the United States; the intense sibling rivalries that developed around key artists and ideas; the roots of Leo's aesthetic theories in the thought of William James and Bernard Berenson; Sarah and Michael's role in founding the Académie Matisse; Gertrude's complex relationship with Picasso and their artistic influence on each other; Le Corbusier's radical villa design for the family; and much more. The essays are complemented by a trove of archival photographs illustrating how the Steins displayed their artworks, a facsimile of Sarah Stein's notebook of Matisse's teachings, and an extensive chronology detailing the lives of the family members. The book also provides the most complete list to date of the artworks collected by the Steins. Together, these scholarly contributions not only illuminate the family's prescience and innovative approach to patronage, they also trace how the Steins created a new international standard of taste for modern art."--with a bonus offer--

Yale University Press. New. 2011. Hardcover. 0300169418 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 492 pages. Description; "As American expatriates living in Paris, the writer Gertrude Stein, her brothers Leo and Michael, and Michael’s wife Sarah played a pivotal role in shaping the city’s vibrant cultural life during the early twentieth century. They hosted Saturday evening salons at which artists, writers, musicians, and collectors convened to discuss the latest developments. They actively promoted and collected emerging painters and sculptors, particularly their close friends Henri Matisse and Pablo Picasso. And along the way they developed unparalleled holdings in modernist works by such figures as Paul Cézanne, Juan Gris, Francis Picabia, and Pierre-Auguste Renoir. Produced on the occasion of the first exhibition of the Steins’ collections in more than forty years, this richly illustrated volume includes nearly 500 images and eleven essays by distinguished contributors. Their texts explore such themes as the Steins’ impact on art making and collecting practices in Europe and the United States; the intense sibling rivalries that developed around key artists and ideas; the roots of Leo’s aesthetic theories in the thought of William James and Bernard Berenson; Sarah and Michael’s role in founding the Académie Matisse; Gertrude’s complex relationship with Picasso and their artistic influence on each other; Le Corbusier’s radical villa design for the family; and much more. The essays are complemented by a trove of archival photographs illustrating how the Steins displayed their artworks, a facsimile of Sarah Stein’s notebook of Matisse’s teachings, and an extensive chronology detailing the lives of the family members. The book also provides the most complete list to date of the artworks collected by the Steins. Together, these scholarly contributions not only illuminate the family’s prescience and innovative approach to patronage, they also trace how the Steins created a new international standard of taste for modern art." -- with a bonus offer-- .

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--492 pages. Description; "As American expatriates living in Paris, the writer Gertrude Stein, her brothers Leo and Michael, and Michael's wife Sarah played a pivotal role in shaping the city's vibrant cultural life during the early twentieth century. They hosted Saturday evening salons at which artists, writers, musicians, and collectors convened to discuss the latest developments. They actively promoted and collected emerging painters and sculptors, particularly their close friends Henri Matisse and Pablo Picasso. And along the way they developed unparalleled holdings in modernist works by such figures as Paul Cézanne, Juan Gris, Francis Picabia, and Pierre-Auguste Renoir. Produced on the occasion of the first exhibition of the Steins' collections in more than forty years, this richly illustrated volume includes nearly 500 images and eleven essays by distinguished contributors. Their texts explore such themes as the Steins' impact on art making and collecting practices in Europe and the United States; the intense sibling rivalries that developed around key artists and ideas; the roots of Leo's aesthetic theories in the thought of William James and Bernard Berenson; Sarah and Michael's role in founding the Académie Matisse; Gertrude's complex relationship with Picasso and their artistic influence on each other; Le Corbusier's radical villa design for the family; and much more. The essays are complemented by a trove of archival photographs illustrating how the Steins displayed their artworks, a facsimile of Sarah Stein's notebook of Matisse's teachings, and an extensive chronology detailing the lives of the family members. The book also provides the most complete list to date of the artworks collected by the Steins. Together, these scholarly contributions not only illuminate the family's prescience and innovative approach to patronage, they also trace how the Steins created a new international standard of taste for modern art."--with a bonus offer--