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Translated from the French by Geoffrey Culverwell, 200pp, extensively illustrated with colour photos, many of which are full-page, pages clean and crisp, dark blue cloth with white spine titling, dust jacket has light wear to edges and small patch of sticker residue to top of front cover, colours still bright. NB AS THIS IS A LARGE, HEAVY VOLUME THERE MAY BE EXTRA COST FOR OVERSEAS POSTAGE Size: Quarto

1st American edition. Folio. Color illustrations. Condition: minor adhesive bleed through from binding glue at front and rear inner hinges; else NF/NF. 200 pages.

No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. Folio, 12.25 inches tall; 200 pages with an index and bibliography. A compilation of illustrations enhances this history of stained glass that covers its evolution, historical tradition, techniques, materials, and modern developments. This text provides an outstanding and comprehensive historical review of stained glass from the Romanesque to the present era. Translated from the original French, the text is clear, well composed, and full of important information regarding all aspects of stained glass production, its use as an art form, and the changes undergone in the media over a thousand year period. The author, Catherine Brisac, is the curator of the Musée des Plans et Reliefs de Paris, and is a renowned authority on the subject. Fine Hardcover in a Fine Dust Jacket

New York: Chartwell Books, 1994. First Edition, First Printing. Fine Hardcover in a Fine Dust Jacket. Fine/Fine. Photography by Yukichi Watabe. No Flaws or Blemishes but minimal shelf handling; Still Gift Quality. Folio, 12.25 inches tall;  200 pages with an index and bibliography.. A compilation of illustrations enhances this history of stained glass that covers its evolution, historical tradition, techniques, materials, and modern developments. This text provides an outstanding and comprehensive historical review of stained glass from the Romanesque to the present era. Translated from the original French, the text is clear, well composed, and full of important information regarding all aspects of stained glass production, its use as an art form, and the changes undergone in the media over a thousand year period. The author, Catherine Brisac, is the curator of the Musée des Plans et Reliefs de Paris, and is a renowned authority on the subject.