Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.85
SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
Good books: May have spine or other creasing and edge wear, corner bumping, light to moderate surface soiling and/or store stickers. Possible owner name, light highlighting and/or underlining. Possible light foxing. NOT ex-library.
Front cover has white stain, corners and spine are bumped, spine is faded, interior is very good except last few pages have the top corners bent. 7th printing.
SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item.
New York: Farrar Straus Giroux, 1973. Hardcover. pp. 211, 8vo. Bound in black cloth with silver lettering to spine. Light shelfwear; very good+ in very good dustjacket. A Wrinkle in Time quintet.
Ex-library book. The item is fairly worn but continues to work perfectly. Signs of wear can include aesthetic issues such as scratches, dents, and worn corners. All pages and the cover are intact, but the dust cover may be missing. Pages may include limited notes and highlighting, but the text is not obscured or unreadable.
In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.
In beautiful shape: tight, square, uncreased spine; clean, unmarked interior. Only very gentle shelf-wear. According to cover artist Leo Dillon's New York Times obituary, he and his wife Diane's collaborative process involved a 'negotiation' with an elusive third party: 'After sufficient back-and-forth, and sufficient spirited argument, the resulting image appeared, they often said, to have been the work of an unseen but very much present third party, whom they called "It."' This trade paperback features a cover that meets and matches the imagination of L'Engle's Time series (IT, weirdly enough, is also the name of the techno-authoritarian creature whom the Murry family battles in A Wrinkle in Time), ingeniously combining elements of art nouveau, scientific illustration, and eschatological imagery. Design by Cynthia Bailey. 211 pp.
New York, NY, U.S.A.: Farrar, Straus & Giroux, LLC, 1973. Soft cover. Very Good. Large softcover, color-illustrated wrapper, 211 pages. Very slight wear to spine edges. Near Fine.
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