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Signed. First Edition. SIGNED by Gary Kelley.

SIGNED. 111pp. Slim quarto [31 cm] 1/4 dark brown cloth with beige paper over boards. The boards are very slightly splayed, and the margins of the pages are subtly yellowed. There is yellowing to the dust jacket's rear panel and the edges of the inside flaps. The front panel is lightly scratched. From the dust jacket- "Capturing the mist and shadows rising from the stories are illustrations by prominent artist, Gary Kelley. Angular and dark, his work heightens the Gothic horror that is Poe's trademark and creates windows into Poe's world." Gary Kelley has signed the front free endpaper.

Limited edition of 1,500 copies, signed by the illustrator. Hardcover in slip case. Good binding and cover. Clean, unmarked pages. Wear, with splitting to slip case. xxiii, [3], 3-476, [2] pages, [16] leaves of plates : illustrations ; 28 cm. "This book has been made for the members of The Limited Editions Club and there are therefore fifteeen hundred copies. The illustrations are original aquatints drawn on the plates by William Sharp and the prints have been made by Charles Furth. The book has been printed at the Garamond Press in Baltimore, where Edgar Allan Poe sold his first tale. The paper was supplied by the Worthy Paper Company; and the binding done by the Russell-Rutter Company."--Colophon The Limited Editions Club (LEC) is an important part of the rare book business and the books are adored by collectors. From 1929 to 1985, the Limited Editions Club published 548 titles. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Small octavo, original green cloth with gilt spine lettering and embossed illustration on front cover, illustrated free endpapers, xv, 518 pp. Localised tear at spine tail, signed 'John Monash 1914', localised insect bites visible at bottom left corner of front endpaper, some foxing on preliminary leaves, otherwise a very good copy. 'John Monash 1914' dated signature on decorated front endpaper. Edgar Allan Poe's Tales of Mystery and Imagination is a compilation of writings published posthumously. In 1908, Irish poet and novelist, Padraic Colum (1881-1972), selected forty-five tales from Poe's collection to form a new version of Edgar Allan Poe's Tales of Mystery and Imagination. A first posthumous collection of Poe's work was compiled and published in 1850. It was only in 1902 that the title Tales of Mystery and Imagination was used for the first time in England by The World's Classics. Poe's command of language and technique, his imagination, and his use of horror and mystery enabled him to become an influential figure in the American literary world and abroad. He played a significant role in the readers' growing interest in Gothic fiction which had sprung from the Romanticism movement of the late eighteenth-century with English authors such as Ann Radcliffe (1764-1823) and established short stories as a serious literary form. Poe's Tales of Mystery and Imagination is composed of stories of revenge and murders like 'The Cask of Amontillado', haunted house tales like the well-known 'The Fall of the House of Usher', and one of the first detective stories in fiction 'The Murders in the Rue Morgue'. This copy of Poe's Tales of Mystery and Imagination belonged to Sir John Monash (27 June 1865- 8 October 1931) - Commander of the Australian Corps during World War One and civil engineer - as indicated by the signature on the front endpaper. Sir John Monash was commander of the 4th Infantry Brigade during the Gallipoli campaign. In July 1916, he was promoted Major General and commanded the Australian 3rd Division around Ploegsteert. Being of Prussian-Jewish descent, his rise within the army wasn't without contention but, in 1918, he obtained the rank of Lieutenant General and commanded the Australian Corps. After World War One, Monash accepted the appointment as Director-General of Repatriation and Demobilisation and carried out the repatriation of Australian troops from Europe.

12 tipped in color plates. one of 460 numbered copies, signed by RACKHAM!!!! A Beautiful copy. A fine first in vellum with gold decorations to covers. SPECTACULAR ILLUSTRATIONS! Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine. Top edge gilt, others uncut. Black and white pictorial endpapers. Twelve mounted colour plates, w ith descriptive tissue guards, seventeen black and white plates, and eleven small drawings in black and white. Signed by the RACKHAM. Without original slipcase. But very rare in this condition.

#151 of 170 copies signed and numbered by Harry Clarke. 4to full vellum, 24 full page black and white plates with tissue guards. This was before the color plates were added to later editionsthis is the only signed limited of all the editions. Quite scarce today. Gilt spine titles and small gilt illustration on the front cover, bordered by a design of chains & hearts all in gilt. Top edge gilt. The vellum is separating from boards at top of pastedown endpapers, very slightly in front, about 2 1/2 inches in rear. Modest bowing to boards and a little unevenness to the spine. Modest darkening to covers. Without previous ownership markings. No foxing, interior pages very clean. A solid copy of the scarcest of all Clarke titles and the most reprinted of them all, proving its popularity over the last 100 years. Signed by Clarke.

First Edition. A sharp copy of this limited edition of 460 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy SIGNED Rackham books.

Stout Quarto. Limited deluxe edition of only 170 copies, signed and numbered on the limitation page by Harry Clarke, this being #12. 24 full-page halftone illustrations with tissue guards, plus head and tail pieces. 382 pages bound in full vellum with bright gilt decoration to cover, gilt spine lettering, top edge gilt, others deckled. A magnificent, collectible copy with interior exceptionally clean and crisp, and with the vellum clean and unmarked. A beautiful, fresh copy of a scarce item.