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New York: Sire Records, 1977. Very Good. New York: Sire Records, 1977. Reissue; Special Collectors Edition. 45 rpm / 7” record in photographic sleeve. Sleeve bumped and toned; record clean. Signed by Smith at front panel; signed by Lenny Kaye at rear. Good. Patti Smith’s debut single was first recorded in June 1974 at “Electric Ladyland” and released on Mer Records. It features pianist Richard Sohl and guitarists Tom Verlaine and Lenny Kaye. Kaye produced the single and worked closely with Smith throughout the 70s, performing with her group and contributing to four albums. The sleeve cheekily states “Free Keith,” presumably a reference to Keith Richards’ 1977 arrest for possession of heroin.

New York: SOOJ Press, 2005. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Patti Smith’s lyric accompanied by two images by Path Soong, signed by each, in a limitation of 30. Smith first released “Paths That Cross” on her 1988 album Dream of Life.

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

Ecco, Harper Collins, 2010. Limited Edition. Hardcover. Fine/No Jacket. A fine copy of the signed limited edition, this is number 3 of 1,000 numbered and signed by Patti Smith. Some wear to the publisher's clamshell case.

Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

New York: Gotham Book Mart, 1977. First Edition, Limited Issue. Near Fine. First edition, limited issue. One of 100 numbered copies [and 26 lettered copies] signed at rear by Patti Smith; this copy marked "O/S," perhaps out of series, though there is no hole-punch at the fore edge margin, and no lock and key set present. Bound in publisher's illustrated stapled wraps. Near Fine with shelf wear.

New York: Columbia Records, 2012. Near Fine/Near Fine. New York: Columbia Records, 2012. First Edition. Signed by Patti Smith to her friend Television frontman Tom Verlaine with inscription, "To Tom love always, Wing." Octavo. Unpaginated. Black and white photographs. Photo-illustrated dust jacket. Black boards stamped in silver. CD to pocket at rear. Touch of rubbing to dust jacket. Mild shelfwear to boards. Binding sound and pages unmarked. Near Fine.

New York: G. P. Putnam's Sons, 1978. First Edition. Near Fine/Near Fine. First edition, first printing. Signed by Patti Smith on the title page. Bound in original black cloth lettered in blind on the upper board and in gilt on the spine. Near Fine with boards slightly splayed. In a Near Fine unclipped dust jacket with light general wear; small spot of bleeding from black cloth onto the verso of the dust jacket. Poems, prose, lyrics, drawings and photographs. Uncommon in the cloth issue.

[New York: Gotham Book Mart, 1973. Signed, number 103 [of 300]. 14 x 8-1/2 inches. Old fold, near fine. Signed, number 103 [of 300]. 14 x 8-1/2 inches. "It was for him that I wrote and dreamed," she wrote about Rimbaud in Just Kids (2010). She was also greatly inspired by her lover and lifelong friend, Tom Verlaine. This piece is especially significant as it dates from the earliest days of their relationship. From the collection of Tom Verlaine

[New York, 1974. Signed, numbered edition (unknown limitation); this one number T.. 9-1/2 x 6-1/4 inches. Fine. Signed, numbered edition (unknown limitation); this one number T. 9-1/2 x 6-1/4 inches. Patti Smith played the Riverside Plaza Hotel in New York on October 27, 1974, before the debut of her album Horses. Smith and Verlaine were romantically involved at the time. The same artwork (with a printed signature) was included as the back cover of The Night (Ales Books, 1976), her exquisite corpse poetry book made with Verlaine. From the collection of Tom Verlaine