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Princeton University Press, 2002-12-08. hardcover. Used: Good.

Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 3.89

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Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 3.89

Size: 10x1x12; Near Fine, in VG DJ. Signed and inscribed by the author, Jack Wasserman on the FFEP. Tight binding, clean pages. Mild surface/edge wear to the DJ.

Near Fine, in VG DJ. Signed and inscribed by the author, Jack Wasserman on the FFEP. Tight binding, clean pages. Mild surface/edge wear to the DJ.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Size: 10x1x12; Near Fine, in VG DJ. Signed and inscribed by the author, Jack Wasserman on the FFEP. Tight binding, clean pages. Mild surface/edge wear to the DJ.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.89

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 3.89

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Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

New. In shrink wrap. Looks like an interesting title! 3.95

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Princeton University Press, 2002-12-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Libro usato come nuovo Copertina rigida 272 9780691016214 Molto buono (Very Good) .

Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

With contributions by Franca Trinchieri Camiz, Timothy Verdon, and Peter Rockwell. Technical studies by ENEA, Opificio della Pietre Dure, and IBM. New photography by Aurelio Amendola. Includes a CD-ROM by IBM with additional technical information. With 4 color plates, 51`duotones and 69 black-and-white illustrations. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket.; Color and black-and-white illustrations; Folio 13"-23" tall; 271 pages.

With contributions by Franca Trinchieri Camiz, Timothy Verdon, and Peter Rockwell. Technical studies by ENEA, Opificio della Pietre Dure, and IBM. New photography by Aurelio Amendola. Includes a CD-ROM by IBM with additional technical information. With 4 color plates, 51`duotones and 69 black-and-white illustrations. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket.; Color and black-and-white illustrations; Folio 13"-23" tall; 271 pages.

Princeton, NJ, U.S.A.: Princeton University Press. New. 2002. Hardcover. 0691016216 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 271 pp -- IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. -- "This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press -- with a bonus offer--; 4to - over 9¾" - 12" tall .

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-271 pp--IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. --"This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press--with a bonus offer--; 4to-over 9¾"-12" tall.

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-271 pp--IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. --"This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press--with a bonus offer--; 4to-over 9¾"-12" tall.