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Radiant Identies by Jock Sturges. Dust Jacket in Near fine and book is in Fine condition.

29.5 x 25 cm. Quarto. 95pp. Stated first edition with full number line ending in 1. Black cloth in dust jacket. With 85 black and white photographs. Light rubbing to bottom of boards. Near Fine in Near Fine dust jacket

A later printing of 1st edition. Clean, unclipped DJ is very slightly rubbed at edges. Boards are well-bound, a faint sprinkling of foxing to textbox edge. Pages bright & clean throughout.

Aperture, 1994-01-01. First Edition. hardcover. Used: Good. 10.3x1x11.8. Buy with confidence. Excellent Customer Service & Return policy.

Sewn binding. Cloth over boards. 96 p. Contains: Illustrations.

New York: Aperture, 1994. First edition and first printing. Hardcover. 95 pages. Features an introduction by Elizabeth Beverly and an afterword A.D. Coleman. A now classic book of his somewhat controversial images. Includes 70 duotone illustrations A fine copy in paper covered boards with a cloth spine in a fine dust jacket. A much nicer than usual copy.

New York: Aperture, 1994. First Edition. Hardcover. VG (DJ has light edgewear, scuffing, smudging; boards have light edgewear, bumping, smudging; interior is clean; binding is solid.). Half-bound black and grey boards with b&w photo-illustrated DJ with white and black lettering; 95 pp.; richly illustrated. "In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit. These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy." "Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are gloriously natural and wonderfully compelling." "Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photographs. These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made." "In the book's afterword, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs."--BOOK JACKET.

Folio in 1/4 black cloth on grey paper-covered boards, spine title in white. A Fine copy in like dustjacket.